Sister, spouse, mother, botanist (her name inspired the plant species of Artemisia), medical searcher, commander and naval strategist, Artemisia II of Caria (?-350 BC) is the picture of devotion, grief and sacrifice. In honour of her brother and husband, Mausole, she built a temple which became one of the seven wonders of the world. A much lesser known architectural work was built by Artemisia II on the island of Rhodes to commemorate her victory over the island. Once reconquered, the temple was made inaccessible and named Abaton.
--
Sœur, épouse, mère, botaniste (son nom inspira celui de l'espèce végétale artemisia), chercheuse en médecine, commandante et stratège navale, Artémise II de Carie (?-350 av. J.-C.) est l'image même du dévouement, du chagrin et du sacrifice. En hommage à son frère et époux, Mausole, elle fit construire un temple qui devint l'une des sept merveilles du monde. Une autre de ses œuvres architecturales, celle-ci beaucoup moins connue, fut érigée par Artemisia II à Rhodes pour commémorer sa victoire sur l'île. Une fois reconquise, le temple fut rendu inaccessible et nommé Abaton.

Artemisia II Abaton

"Judith slaying Holofernes" (Giuditta che decapita Oloferne) is here a (double) painting by italian baroc painter Artemisia Gentileschi (1593-1656), between 1612 and 1620. The scene shows Judith decapitating Holofern, her agressor and rapist.
A theory considers an approach where, in a cathartic and restorative way, Artemisia G. herself is serving as model to represent Judith. We could logically suppose that Holofern is playing by the agressor(s) of Artemisia.
--
"Judith décapitant Holopherne" (Giuditta che decapita Oloferne) est ici un (double) tableau de la peintre baroque italienne Artemisia Gentileschi (1593-1656), entre 1612 et 1620. La scène montre Judith décapitant Holoferne, son agresseur et violeur.
Une théorie envisage l'approche selon laquelle, par un biais cathartique et réparateur, Artemisia G. elle-même sert de modèle pour représenter Judith. On pourrait alors supposer qu'Holoferne joue le rôle de l'agresseur (ou des agresseurs) d'Artemisia.

Artemisia 0 EP

Crisi E Catarsi (Giuditta Che Decapita Oloferne)

Woman, philosopher, astronomer, mathematician from antic Egypt (Alexandria), born between 350 and 355, assassinated in 415 by christian men, Hypatia was also a symbol of tolerance in a world already torn by religion and race problematics and, less visibly, by gender and sexuality. Hypatia's compassion and understanding for a church that opposed her existence and science could not help but make her one of the greatest martyrs in history.
--Femme, philosophe, astronome, mathématicienne de l'Egypte ancienne (Alexandrie), née entre 350 et 355, assassinée en 415 par des chrétiens, Hypatie était aussi un symbole de tolérance dans un monde déjà déchiré par les problèmatiques de religion, de race et, de manière moins visible, de genre et de sexualité. La compassion et la compréhension d'Hypatie pour une église qui s'opposait pourtant à son existence et à sa science n'ont pas pu éviter de faire d'elle une des plus grande martyr de l'histoire.

Alexandria Hypatia Empatia

An ode to queer ecology, to minorities, to forests and soil

All instruments by Noël Rasendrason
Poem written by Loup Rivière, red by Aroun Mariadas and extracted from the "Ecologies Queer" podcast broadcasted by Reclaim the Climate (reclaimtheclimate.be/ecologies-queer-1)
https://pdlarevue.wordpress.com/2020/04/29/je-suis-pas-trans-dans-la-foret/

Black Butch Forest Requiem

That Moment The Cat Killed Curiosity

Confined and Confident People,
In order of appearance, please meet

00:00 Paper Dollhouse (England) - Strange Awakening, Pulling Towards the Sun (Walled Garden, 2019)
00:16 Jeanne Added (France) - Be Sensationnal (Be Sensationnal, 2015)
04:22 Zoë Mc Pherson (Belgium) - Shaman [How I became] (String Figures, 2018)
08:42 Park Jiha (Korea) - Sounds Heard From The Moon (Communion, 2018)
10:42 Park Jiha (Korea) - Throughout The Night (Communion, 2018)
11:37 Christine Webster (Germany) - A Bird Meme (Self​-​identified non​-​male artists making experimental electronic music, 2018)
13:42 Helena Gough (England) - Spores (Mikroklimata, 2013)
Julia Kent (England) - Imbalance (Temporal, 2019)
15:31 Linn Da Quebrada (Brazil) - Pirigoza (Pajubá, 2017)
18:05 Upsammy (Deutchland) - Why Are You Sitting Here! (Wild Chamber, 2019)
18:33 Upsammy (Deutchland) - Blue Cornflower (Wild Chamber, 2019)
19:21 JASSS (Spain) - Weightless (Weightless, 2017)
22:42 Puce Mary (Denmark) - A Feast Before The Drought (The Drought, 2018)
25:37 Christina Vantzou (USA) - Joggers (Nº1, 2011)
29:51 Jessica Moss (Canada) - Fractals [Thuth 1] (Entanglement, 2018)
32:31 LINGUA IGNOTA (USA) - All Bitches Die (All Bitches Die, 2017)
40:36 Kim Gordon (USA) - Cookie Butter (No Home Record, 2019)
43:49 Kim Gordon (USA) - Sketch Artist (No Home Record, 2019)
46:39 Laurel Halo (USA) - Nerve (Quarantine, 2012)
47:45 Jenny Hval (Norway) - Period Piece (Blood Bitch, 2016)
49:49 Eartheater (Germany) - Peripheral (IRISIRI, 2018)
52:03 Zavoloka (Ukrain) - Splendent Viscid Fluid (Vedana, 2011)
56:36 Bérangère Maximin (France) - Ce Corps Vil, Part One And Two (Tant que les heures passent, 2008)
59:31 Kaki King (USA) - March Slav (Glow, 2012)
1:03:03 Brìghde Chaimbeul (Scotland) - O Chiadain an Lo (The Reeling, 2019)
1:06:09 Jlin (USA) - Kyanite (Black Origami, 2017)
1:09:09 Judith Juillerat (France) - Sîn (Oneironautics, 2019)
1:12:48 Buffy Sainte-Marie (Indigenous Canada) - God Is Alive, Magic Is Afoot (Illuminations, 1969)

A big thank to Pauline, Elora, Joana, Julia, Judith, Romain, Hugo, Female:Pressure, the Soulseek Community and all the artists appearing on this mix.
Original photo by Retha Ferguson

Sorority Alliance Legacy: Chapter One

(gender)Queer idm/acid/electro/dnb producer, decolonizing multi-instrumentalist and activist DJ focused on the visibilization of the minorities

ARTEMISIA IV

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