Happy 2025 and Season 6 of ARTifacts! In this episode, Marisa interviews French, visual artist Aurélie Brown. Growing up, Aurélie was influenced by the lush landscapes and food culture in Normandy. After moving to California, Aurélie found her creative voice by doing the 100 Day Project where she painted one work every day for 100 days. She turned her passion into a business, and always encourages setting aside time for the things you love. 

Follow @aureliebrownart

Check out her website at https://www.aureliebrownart.com

Aurélie Brown: The Color Storyteller

Nobel Prizewinner Abdulrazak Gurnah on Theft, Love, and the Power of Fiction

In this episode, I’m going be in the hot seat myself, being coached by my best friend, Jana, where she’s using her methods (which are very similar to mine) to help me identify what’s getting in the way of putting my work more broadly out into the world (which was rooted in my dad's trauma from fighting in the Vietnam War.

EP13: War + Peace + Putting Yourself Out There

Spring is finally in the air, and, for New York City cinephiles, that means it’s time for another edition of New Directors/New Films, the annual showcase for standout works by emerging filmmakers co-hosted by Film at Lincoln Center and the Museum of Modern Art. The festival is always a reliable sign of trends to come and talents to look out for—past editions have featured early films by Spike Lee, Christopher Nolan, and Kelly Reichardt, among others. This year’s iteration opens tonight and runs through April 13.

Over the past few years, Film Comment has established our own annual tradition of previewing the best movies in the ND/NF lineup with some of our favorite critics. This time around, FC Editors Devika Girish and Clinton Krute invited Mark Asch and Natalia Keogan for a rundown of some of the gems in the 2025 edition, including Opening Night selection Familiar Touch (3:45); Mad Bills to Pay (or Destiny, dile que no soy malo) (18:55); Lost Chapters (28:41); Invention (37:06); Drowning Dry (45:45); Holy Electricity (53:52); and more.

New Directors/New Films 2025, with Mark Asch and Natalia Keogan

Artist Tarrah Krajnak, art historian Jennifer Raab

Tarrah Krajnak, Jennifer Raab

Automatic

Automatic (Live From Vevo)

Curators Scott Allan, Will Hansenm and River Ian Kerstetter.

Caillebotte's Men, Native Pop!

A new film by David Cronenberg is always a major event for all of us at Film Comment, especially after his 2022 opus Crimes of the Future was voted the Best Film of the Year by our contributors. So with Cronenberg’s latest, The Shrouds, opening in cinemas this weekend, we invited this singular auteur to talk about his strange and thrilling new movie. 

Like much of Cronenberg’s work, The Shrouds is obsessed with sex and death, body and technology. But it’s also funnier and more personal than almost anything the Canadian filmmaker has made before. Written in the wake of his wife Carolyn Cronenberg’s death, the film follows a grieving entrepreneur named Karsh (Vincent Cassell), who has invented software that allows people to monitor the decaying bodies of their deceased loved ones. When some of Karsh’s high-tech graves are vandalized, a complicated mystery arises, embroiling a number of eccentric characters—including the lookalike sister of Karsh’s dead wife, played by Diane Kruger, and her ex-husband, a software developer played by Guy Pearce.

As questions and conspiracies proliferate in the film, answers become more and more elusive. In the process, The Shrouds emerges as an extremely intelligent and moving film about our desperation for explanations in the face of the unknowable. For today’s episode, Film Comment Editors Devika Girish and Clinton Krute chat with Cronenberg about making art to process loss, the eroticism of conspiracy theories, and why The Shrouds is very much a Toronto film.

David Cronenberg on The Shrouds

Holiday clips: María Magdalena Campos-Pons

Art is everywhere and with it comes the often unseen and unheard voices who make it happen. Join host, Marisa Dickens, as she interviews all types of artists who share their works, processes, and passions. Every artist leaves a little part of themselves in their work…it’s their ARTifact!

Aurélie Brown: The Color Storyteller

ARTifacts Podcast