Nice

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Never Stop Running

Trentemøller - Never Stop Running ( feat. Jonny Pierce of The Drums) [Clip]

BlessMe

'HUMAN DRAMA' is the first single to be taken from the forthcoming album 'ALL LOVE'S LEGAL'.

'HUMAN DRAMA' OUT NOW: bit.ly/IHCtPn

Pre-order 'ALL LOVE'S LEGAL', released 10th February, 2014: bit.ly/HdeuXR

LYRICS:
Been burning up inside day to today
Trying to find the words to explain my sexuality
It's liquid, it's living, a moving love defined by itself
There's no rules, no convention
This love can go where ever it wants

Gimme a human drama
And understand that gender's just a game
Gimme a human drama
All sexuality is not the same
Gimme a human drama 
The personal is so political 
Gimme a human drama
Again, again

Gimme a human drama
We break a box to find a hundred more
Gimme a human drama
There's lots to learn but so much more to unlearn
Gimme a human drama 
The personal is so political 
Gimme a human drama
It kinda feels like genders just a lie
Genders just a lie


PLANNINGTOROCK 'HUMAN DRAMA'

Austin-based band The Black and White Years are pleased to announce their latest full-length album. Available January 21, 2014 on Modern Outsider Records.

iTunes: https://itunes.apple.com/us/album/strange-figurines/id741585246
CD/Vinyl: http://amzn.to/1ang33u

Produced by Danny Reisch

Strange Figurines

The song ‘Be The One’ also started with a vocoder loop. And it was the same broken down Korg vocoder. One of my favourite ways of making songs is to start with a decontextualised loop and then just keep adding stuff to it. So with this one there is the vocoder loop and I added a crummy, old, organ pad to it and a drum machine and then two live drum tracks, two bass tracks, tons of synthesizers to make this weird Phil Spector minus the wig and the prison sentence, this wall of sound. 

The idea was this, once everything kicks in my hope is that no one really knows what they’re listening to. Like you can’t tell if it is a bass, or a guitar, or a synthesizer, it’s just this gestalt, crazy wall of sound. And the very last thing I added to it, my friend Joe, who I was working with, said, “Oh wouldn’t it sound cool with a bunch of feedback?”. So I took a hollow body electric guitar and plugged it in three old punk rock distortion pedals I have and turned each one as loud as it could go and put an old ribbon mic in front of the amp and recorded the nosiest destructive feedback I could get. So it’s there through the whole track mixed really, really quietly. So it’s kind of inspired by spending too much time in little bars listening to Glenn Branca, Thurston Moore. The noisy sort of sonic youth Glenn Branca inspired wall of feedback underneath the track. 

I don’t really like happy lyrics that much. So the lyrics were never written down. It’s just me sort of singing into a vocoder. So it’s completely spontaneous, just about what I generally write about, which is relationships falling apart. Maybe at some point I will write songs about relationships working out but unless you are John Fogerty it seems like no one’s really good at that. 


Be The One

taken from my album "Driven" 
BPitch Control 2014

full album: snip.ftpromo.net/driven

itunes

"Driven" with Mooryc

Solomun is a genius when it comes to sexy club music.
This remix is already rated one of his best to date and perfectly refletcs his flair for the sub-heavy downtempo funk and club-feel. Expect the cool underground clubs to have the Solomun remixes running for the entire summer season 2011.

2 weeks exclusive at Beatport:
https://www.beatport.com/en-US/html/content/release/detail/378135/Around

Early support by:
Soul Clap, Tiefschwarz, Deetron, Ame, Wolf + Lamb, Gorge, Jimpster, Audiofly, Dubfire, DJ T, Gel Abril, Stephan Bodzin, Adam Port,
David August, Mihai Popoviciu, Patlac, Kruse &amp; Nuernberg, Kolombo, Aki Bergen, Uner, Einmusik, Martin Dawson, Axwell, Chris Lake,
Wally Lopez, ATFC, Tom Novy, Timo Garica, Nick Warren, Doomwork, Alex Dobly, The Junkies &amp; H.O.S.H.

Noir and Haze - Around (Solomun Vox) 128kbit - Noir Music

Shattered

From Euzen's second album "Sequel", set to be released october 2011

Judged By - Sequel (2011)

Twin Shadow - Flatliners

Camouflage - Shine (Video Mix)

Dj bØb34 - Jérôme Echenoz - Le Chrome et le Coton

Moby - Mistake

Love Will Tear Us Apart Again

Soil Ain T Solid-25-7 Mode (Original mix) Bar 25 Berlin

The Dig - I Already Forgot Everything You Said

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www.facebook.com/joeylowstep

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www.youtube.com/user/joeylowstep

Now available on iTunes, Amazon, Spotify, Deezer!

Joey Lowstep feat. Stars Will Fade - The Way I Couldn't

Taken from Phosphorescent's 'Muchacho' out now on Dead Oceans

Your local record store: http://bit.ly/1mYQtHB
iTunes: http://glnk.it/1xu 
Amazon: http://glnk.it/1xt 
SCD Deluxe Bundle http://www.scdistribution.com/phosphorescent/

Phosphorescent
http://www.deadoceans.com/artist.php?name=phosphorescent
https://www.facebook.com/Phosphorescentmusic
https://twitter.com/Phosphorescent

Song for Zula
Some say love is a burning thing 
That it makes a fiery ring
Oh but I know love as a fading thing
Just as fickle as a feather in a stream
See, honey, I saw love. You see, it came to me
It put its face up to my face so I could see
Yeah then I saw love disfigure me
Into something I am not recognizing

See, the cage, it called. I said, "Come on in"
I will not open myself up this way again
Nor lay my face to the soil, nor my teeth to the sand
I will not lay like this for days now upon end
You will not see me fall, nor see me struggle to stand
To be acknowledge by some touch from his gnarled hands
You see, the cage, it called. I said, "Come on in"
I will not open myself up this way again

You see, the moon is bright in that treetop night
I see the shadows that we cast in the cold, clean light
My feet are gold. My heart is white
And we race out on the desert plains all night
See, honey, I am not some broken thing
I do not lay here in the dark waiting for thee
No my heart is gold. My feet are light
And I am racing out on the desert plains all night

So some say love is a burning thing
That it makes a fiery ring
Oh but I know love as a caging thing
Just a killer come to call from some awful dream
O and all you folks, you come to see
You just stand there in the glass looking at me
But my heart is wild. And my bones are steam
And I could kill you with my bare hands if I was free

Muchacho

Song for Zula

Buy via SCDistribution

Phosphorescent - Song For Zula (Official Audio)

On ne change pas

My official remix for @Disclosuremusic "You & Me"

Get this in VINYL: http://smarturl.it/SpaceCadetBundle

Download The Flume Deluxe Edition on iTunes here:
http://smarturl.it/flume_deluxe

http://www.facebook.com/flumemusic

Nice

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