Dr. Eugene Thamon Simpson has become an important advisor and mentor to our chorus concerning the performance of African-American Spirituals.  He has had a remarkable career, first as a concert pianist, then as a singer, and throughout as a conductor and composer and finally a professor.  The first part of this interview was recorded in November, 2016.  In it, Dr. Simpson tells the story of his remarkable life, career,  and association with the great American composer and conductor Hall Johnson with whom he worked closely from 1959 until the composer’s death in 1971.  Dr. Simpson was the founding Curator of the Hall Johnson Collection at Rowan University, which has since been transferred to the Smithsonian Museum of African American History and Culture.

In the second part of the interview, which was done by myself and Dennis Speed on February 28, 2017, Dr. Simpson  addresses the myths and truths of the African-American Spiritual both from a historical and performance perspective.  Obviously, one brief interview cannot reveal everything there is to learn about this great American music, but it is an excellent start, and highly recommended listening for every member of the chorus.

-Diane Sare, Managaing Director, Schiller Institute NYC Chorus

Eugene Simpson Interview, Part 2

Erika Holland, Soprano
Cristin Introcaso, Alto
Shane Gosdis, Tenor
John Lyden, Bass

Cantate Domino by Giuseppe Pitoni - Recorded at Christ Episcopal Church, Woodbury NJ on 1/21/18 with a Galaxy S7.

Cantate Domino - Pitoni

Music, mostly sacred, with a little ukulele thrown in.

For my church's choir music, see https://soundcloud.com/cc-woodbury where I've moved it. My solo works will stay here, though!

Cantate Domino - Pitoni

John Lyden

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