Untitled playlist

thanks 53:00 gram for digging up this absolute treasure
https://www.youtube.com/watch?v=wMFx20lptRc&ab_channel=53%3A00gram

this the new version btw https://soundcloud.com/petxmr/ocean-floors

Marjorie W.C. Sinclair - Ocean Floors (old version)

Neverending Selfhatred

Frozen in Melancholy

TR/ST is the musical project of Toronto artist Robert Alfons.

After years of extensive touring, and garnering glowing praise from top international critics at Pitchfork, VICE, and The Guardian UK for the 2012 Juno-nominated debut album 'TRST', the follow up album 'Joyland' will be released by Arts & Crafts on March 4, 2014.

'Joyland' is an eruption of guts, eels, and joy.

Pre-order: http://www.galleryac.com/trust-joyland.html

- "'Rescue, Mister' features a slightly clarified sound compared to TRST's grinding grit, with some impressive vocal acrobatics from Alfons.” - Pitchfork
- "'Rescue, Mister' is harder and clubbier and more concrete than anything on TRST, but it keeps some fundamental darkness intact.” -Stereogum
- "'Rescue, Mister' proves that Alfons's lost none of his synth craftmanship, sending disco-pop through a crazed, futuregasm vortex.” - This is Fake DIY

http://ttrustt.com
www.facebook.com/dressedforspace
twitter.com/tr_st

Pre-order 'Joyland'

TR/ST - Rescue, Mister

Tomb For Two

Lebanon Hanover - Invite Me To Your Country

Bulbform

The Blaqk Year - Prelude of Hearts

Ghost Dance

nightschoolrecords.bigcartel.com/artist/m…-nilsson

A sweeping, cinematic, emotional change is in the air. Molly Nilsson’s sixth studio album Zenith begins with clear, wide eyes open to Earth as we would love it to be but seldom is. Recorded in her home of Berlin and whilst touring and, as ever, conceived, produced, written and recorded in solitude, Zenith is Nilsson’s big statement and consequently her most affecting work to date. It sees her reveling in big arrangements, sweeping synth strings, bigger choruses and emotions. Like the rest of us she looks within and to endless sunsets in wonder and puzzlement.

That Molly Nilsson is a DIY cult figure is beyond question; she has always written directly and with wit straight down the line between the universal and the personal. The difference with Zenith, and you can hear it in the opening chords of opener The Only Planet, is that her scope is now much wider and her heart heavier than ever before: over a post-ecstatic dusk, Nilsson serenades the globe in a loving embrace. Following on, 1995 is, arguably, one of Nilsson’s finest songs to date. It’s one of those songs to learn the lyrics to, to listen to on repeat, a reason to wear the grooves down to the bone, it’s why pop music can be one of the greatest art forms we have. It’s an example of how, on this album, Molly draws the listener closer to her heart than ever before. There’s simply no escape from the line “The plans that you made / when you still had the time / I’ve saved all the things that you left behind but by now I guess I’d consider them all mine /Windows 95, is only a metaphor for what I feel inside / Although I’m older now / there’s still an emptiness that’s never letting go somehow.” Show-stopper Mountain Time is the soundtrack to being on the run, from societal conventions, from normative ideas of happiness, from your surroundings. It’s the intoxicating call of the renegade. That’s not to say that Nilsson’s light touch has been forsaken for grandiose statements. Bunny Club begins as a demo-sketch before breaking into a fast-paced tale of doomed romance with big rave synths and Bus 194 (All There Is) sees Molly joyride through a city on a happy hardcore bus. But it’s tracks like Tomorrow and another contender for best-ever-Molly moment, Happyness that the true scale of what she’s accomplished reveals itself. We’re locked in a spiraling orbit, strings and bass whirling, gazing at the spinning planet below us as we contemplate both the ultimate freedom in loneliness and the glimmer of hope in the Other. Can we ever be truly with someone? Are we ever truly alone?

Over the 13 tracks here we get the impression that Nilsson may always be restless; like anyone else she has conflicting feelings of love and hate. It’s just not many other people can tell you exactly how you feel before you know it yourself.

MOLLY NILSSON: Mountain Time (from Zenith)

Echoes of Monsoon (Original Edit) , a catchy, addictive, unfiltered deep melodic progressive house track with eargasmic vocal hooks. Subtle sub-bass rumbling and arpeggiated whispers that builds into a ferocious catchy drop. Kicks lock with tribal congas and rain-slicked hi-hats, driving a hypnotic groove ideal cut for a festival frenzy tune. 

Crystalline leads soar over chopped vocal incantations ("echoes... monsoon..."), fragmented and ethereal, weaving a tapestry of brooding euphoric release. Mid-section peaks with gritty bass stabs and wind-whipped FX, cycling through an addictive progression that lifts from minor melancholy to major catharsis, before the outro dissolves into fading pads and echoing drips. 

A serene exhale mastered with punchy clarity, this original edit is the blueprint for a monsoon magic to come: perfect for sunset spins, urban escapes, or warm-up sets and crowd-pleasing big festivals. It's not just a ‘track’; it's a ritual, addictive, rhythmic, and relentlessly alive. 


Echoes of Monsoon

Echoes of Monsoon (Original Mix)

Single from upcoming debut self-titled album. Out November 1st on Captured Tracks.

Time Travel

TR/ST - "TRST"

Available on Arts & Crafts February 28, 2012.

PRE-ORDER LP: http://www.galleryac.com/trust-trst.html

www.ttrustt.com

TR/ST - Sulk

The Destroyer Part One by TR/ST is out officially on April 19, 2019

Unbleached

The Destroyer | Final Masters

Iris

New Order - True Faith

From the forthcoming EP, download Golden Hour for a limited time only...

Golden Hour

The KVB play Birthdays, London with Eraas on 8th May. On sale from http://www.atpfestival.com/events/eraasbirthdays.php

Released on Cititrax 2013: http://minimalwave.com/releases/release/immaterial-visions/



TR/ST - Sulk

Arts & Crafts

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