this is the version of te song I have been looking for thank you

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This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

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Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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Franz Liszt Consolation no. 3 in D flat Major, S. 172

Valse sentimentale Opus 51 Nr 6 Peter I. Tschaikowsky

Chopin Heroic Polonaise Op.53 A Flat Major - Played by Valentina Lisitsa

MAHLER, Gustav
Symphony #5 in C sharp minor - 4. Adagietto, sehr langsam

Gustav Mahler - Symphony #5 in C sharp minor - 4. Adagietto, sehr langsam

Max Bruch - Kol Nidrei Op 47 Adagio Für Violoncello Und Orchester

Kreisler-Rachmaninoff: Liebesleid played by Rachmaninoff 1923, on Ampico piano roll 62103. which scanned and converted into a digital form by Terry Smythe et al,, and audio-recorded (by permission)in 2015 by VViljanen, and the rec. updated 19 May 2017 from the digitized copy of the original reproducing piano roll.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Sergei Rachmaninoff 1873-1943
Info* of the original roll:
LIEBESLIED (LOVE'S SORROW) "alternating roll with silent sections Weiner Tanzweisen" (Old Viennese Dance Melodies) No. 2
Roll Number: 62103, 62103H
Composer/Creator: Kreisler, Rachmaninoff
Pianist: Rachmaninoff
Roll System: Ampico
Country: US
Date: June, 1923
Category: classical, popular
Original Price: $2.00
* source: from The Piano Player Group web page (by permission)

Kreisler-Rachmaninoff: Liebesleid. Sergei Rachmaninoff in 1923, on Ampico 62103

From a recent concert; strings and harp only.

Gustav Mahler: Adagietto from Symphony #5

Walter Morales, piano
Maria Sensi Sellner, conductor
All University Orchestra
November 20, 2011
Carnegie Music Hall

Rachmaninoff Piano Concerto No. 2 (Second Movement)

The Swan - Saint-Saens

Prelude Op. 28, No. 15, by Frédéric Chopin, known as the "Raindrop" prelude. Recorded in March 2001

Chopin - Raindrop Prelude

Piano Solo - Minna Liu

Recorded December, 2011

Piano Nocturne in C minor, Op. 48 No. 1 — Frédéric Chopin

Performed by Austin Shyu and Park Cho Hyun

 Make sure to turn down the volume a bit (top right hand corner of page)

The Swan - Camille Saint Saens

Frederic Chopin: Ballade No. 1, Op. 23

New England Conservatory musicians Matthew Vera, Michael Rau, violins, David Mason, viola, and Marza Wilks, cello perform Beethoven's Quartet for Strings no 7 in F major, Op. 59 no 1 "Razumovsky". Recorded live December 10, 2012 in NEC's Jordan Hall.

08 Quartet for Strings no 7 in F major  Op  59 no 1  Razumovsky   Theme russe  Allegro in F Major

4 C. SAINT-SAËNS, Introduction et Rondo capriccioso en la mineur, Op. 28, Timothy Chooi, violon

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Chopin: Balladen

Ballade No. 1 in G Minor, Op. 23

Chopin - Ballade No. 1 in G Minor op. 23

Situé au cœur du parc national du Mont-Orford, Orford Musique est avant tout une Académie de musique classique de haut niveau dont la mission est de stimuler la créativité des jeunes musiciens à leurs débuts et pendant le développement de leur vie professionnelle en s’appuyant sur l’excellence, la créativité, l’accessibilité et la pérennité.

4 C. SAINT-SAËNS, Introduction et Rondo capriccioso en la mineur, Op. 28, Timothy Chooi, violon

Orford Musique

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