Where did you get the acapella for "Into The Groove" from? I can only find re-sung versions.

Hora y Cuarto

Hora y Cuarto (Single Version)

El Diablo en el Cuerpo

El Diablo en el Cuerpo (feat. Leonardo de Lozanne)

Into The Groove - Madonna

Giorgio Moroder - Right Here, Right Now
featuring Kylie Minogue (2015)

Buy it here: http://smarturl.it/RHRNiTunes
Stream it here: http://smarturl.it/RHRNSpotify
Official Video: http://bit.ly/gm-rhrnmv

Lyrics:
[Verse 1]
When the lights start flashing
It could open up your eyes
And the highest mountain
Is the one that you have climbed

[Pre-Chorus]
(Yeah?!)
I could look for love
To the skies in blue
I could look for love
To get over you
I could look for love
For a deeper kiss
Nothing ever felt
As good as this

[Chorus]
Staring in your eyes
I see the sunrise
There's nowhere else but right here, right now
No deeper feeling
This is the real thing
There's nowhere else but right here, right now
(Ooooohhh-oooh-ooh)
There's nowhere else but right here, right now
(Ooooohhh-oooh-ooh)
There's nowhere else but right here, right now

[Verse 2]
It's a never-ending
Promise of a holy grail
But this place I'm in, it feels so real
Gotta sit back and exhale

[Pre-Chorus]

[Chorus]

[Dance Break]
Ow! (Than right here, right, right, right now)

[Bridge]
Cause the way you hold me tonight
Makes it feel like theres nowhere else I'd rather be
Than right here, right now, tonight
Yeah, right here, right now, tonight

[Outro]
(Ooooohhh-oooh-ooh)
There's nowhere else but right here, right now
(Ooooohhh-oooh-ooh)
There's nowhere else but right here, right now
(Ooooohhh-oooh-ooh...)

www.giorgiomoroder.com
www.facebook.com/GiorgioMoroderOfficial
www.twitter.com/giorgiomoroder

produced by Giorgio Moroder and written by Moroder, Karen Poole and Patrick Jordan Patrikios

#RightHereRightNow
(C) Sony Music, Giorgio Moroder Music LCC

Right Here, Right Now

Get it on iTunes Here

Giorgio Moroder - Right Here, Right Now (feat. Kylie Minogue)

Giorgio Moroder - Déjà vu
featuring Sia (2015)

Buy it here: http://smarturl.it/DejaVuiT
Get it on Amazon: http://smarturl.it/DejaVuAm
Pre-order the album: http://smarturl.it/iDejaVu

www.giorgiomoroder.com
www.facebook.com/GiorgioMoroderOfficial
www.twitter.com/giorgiomoroder

Lyrics:
Witchcraft, voodoo
Love spells, and pains burn
Potions, lotion
Perfume to find you
Good men come to those who wait
I think I’ve found my baby
Good men come to those who wait
I think I’ve found my baby

Oh, my heart ache, but I knew fate
Would send you my way
And when you came, my heart was saved
I’ve known you for lifetime, baby

I’ve fallen for you
I’m feeling a déjà vu (déjà vu)
I’ve fallen for you
And I know I’ve got nothing to lose

Déjà vu, déjà vu
Déjà vu, déjà vu

Moments in time
I’m yours and you’re mine
Two souls, one heart
Two souls, one part

Good men come to those who wait
I think I’ve found my baby
Good men come to those who wait
I think I’ve found my baby

I’ve fallen for you
I’m feeling a déjà vu (déjà vu)
I’ve fallen for you
And I know I’ve got nothing to lose

Déjà vu, déjà vu

And all the love is fine
Two of a kind
Baby, ooh
And in your loving arms
Here we are, living the dream

And all the love is fine
Two of a kind
Baby, ooh
And in your loving arms
Here we are, living the dream

I’ve fallen for you
I’m feeling a déjà vu (déjà vu)
I’ve fallen for you
And I know I’ve got nothing to lose
Déjà vu
I’ve fallen for you
And now I’ve got nothing to lose
Déjà vu

produced by Giorgio Moroder, and written by Sia Furler and Moroder

#Dejavu
(C) Sony Music / RCA Records, Giorgio Moroder Music LCC

Déjà vu

Buy the single

Giorgio Moroder - Déjà Vu (feat. Sia)

Extended version made with original stems

No Doubt - It's my Life (KGM/Sasha Extended Version)

RuPaul - Main Event

Kazaky ft Kylie Minogue/Time Bomb/Horror Picture Show/Nicola Formichetti/Inez & Vindoodh

We have been waiting impatiently for new songs from LA CASA AZUL to arrive. And it clearly wasn’t going to be an easy album. After having reached larger audiences, after having reached mainstream levels with their independent proposal, far from what the mainstream was used to, after having been heard both in small independent festivals as well as the return of Operación Triunfo, after having remixed Camilo Sesto’s “Vivir Así Es Morir De Amor” or having masterfully reconstructed and reinvented Nino Bravo’s whole album. From composing and producing FANGORIA’s latest hits, from writing songs for TV shows and movies, from being a judge on the talent show “Oh Happy Day” on TV3 or the teacher in the Operación Triunfo academy, from continuing with radio collaborations, from writing for different media, from writing and producing five songs for the children’s cartoon show “PINY: Instituto de Nueva York” (which Ali Howard of LUCKY SOUL sings on), from winning a Goya with a rumba, from DJing in the most important clubs in the country or making the latest version of “Sálvame” (made popular in Spain by Bibi Andersen in 1980) to headline the popular show on Tele 5. There have been so many things, and with so much variety, and above all they have all been created from the most independent spirit with the deepest love of music, that Guille Milkyway can be defined as unique and incomparable, and “La Gran Esfera” will be the album that confirmed this, the definitive emergence, eternity.

And the thing is this album needs to be analyzed from two very different angles. First, that of an artist whose discourse faces the facts of time, who maintains his spacey dreams, but whose lyrics are being weighed down with disappointment, reality and the failure of mankind, the pessimism that was hidden in the escapism we saw in “La Polinesia Meridional”. But there is also the angle of an author who is a relentless music lover, an infallible machine for mixing influences, and who takes an unheard of step forward on this new album, crossing boundaries that few have dared to touch: the line that separates commercial music from independent music, a frontier that has so many preconceptions around it that many artists have been forced to go around it without ever being able to look back. On “La Gran Esfera”, Guille Milkyway knocks the wall down, playing with a million references, current and past, greatest hits and underground, tracks for the dance floor and tracks to break our hearts. You can hear hints of LAS AVES, Etienne Daho, Donna Summer, BOY PABLO, THE BEACH BOYS, VIDEO AGE, ROOSEVELT, ROBOTAKI, BLOSSOMS, THE GO! TEAM and ELO. And all of this without losing even a drop of his own personality.

What is “La Gran Esfera”? Is it the awareness of a painful existence? The bittersweet celebration of a planet full of life and pain? A planetary vision of the human condition? We would need a lot more time and space to read into this more deeply, to analyze all the directions this complex, multifaceted album points toward, while still being highly danceable, without any concessions to the mid-tempo, addictive and catchy, like LA CASA AZUL’s best trademark work. That’s where its difficulty lies. That’s where we can begin to decipher the challenge, the incredible proposal that Guille Milkyway brings to the table. Are you ready to look inside “La Gran Esfera”?

La Gran Esfera

Podría Ser Peor

Otra Era

Espada

After have made that trilogy that was “Premeditación, Nocturnidad Y Alevosía”, and her last album, “Fuego”, it should not come as a surprise that the sixth album of Ana Fernández-Villaverde‘s career is called “Brujería”. But the game of mirrors is radical. Because, “Brujería” is probably the most open and direct about emotions, where the songs touch tangentially on the mystery to dive in more deeply lyrically and epically. It is an album about love, brutal and raw, without metaphors, as is her style. Darkness and light, and each song leads unequivocally into the next.

“Love and falling in love with something or someone is full of witchcraft. When we fall in love we feel like we are under a spell cast by the object of our affection. The effect is similar to a highly addictive drug; it creates strong ties in our mind between pleasure and the thing we desire” Ana says. Titles like “La Verdad”, “¿Qué?”, “Te Quiero”, “La Fuerza” and “Miedo” make a point of this direct and impressive concept, which is challenging at times.

This is an elaborate album, conceptual but accessible, because we have all felt like we were under the spell of something or someone. Ana takes a giant leap in composition, lyrics and harmonic progressions. “Brujería” makes it clear that we are looking at her best work to date, a collecting of stunning, heartbreaking songs that are classic and modern at the same time, that position her alongside the great composers of our times in this country. The sonic design is careful and precise with the production work of Carlos René (AXOLOTES MEXICANOS), a sonic universe that reminds us of the different artists of recent eras: NEW ORDER and THE CURE, but also LANA DEL REY, M83, BEACH HOUSE and CIGARRETTES AFTER SEX. DEPECHE MODE and KRAFTWERK. Synthesizers and strings to transmit the mystery and the magic.

The cover art, based on a photo taken by Pablo Zamora, is inspired by the legendary cover of “Midnight Creeper” by the American saxophonist Lou Donaldson (Blue Note, 1968). It is an album with close ties to witchcraft and magic; each song is related to a spell. Everything is designed by Mario Rivière (whom Ana knows from of the book covers from “La Felguera” publishers) and is a combination of illustrations, with drawings of the spells - one for each song - that can be practiced at the alter that is included in the physical release of the album (vinyl and CD format). With gold ink and red vinyl, the album packaging itself is a work of art.

And yes, there are new stellar collaborations. Juan Pedrayes (CAROLINA DURANTE, AXOLOTES MEXICANOS) on drums; guitars by Mario del Valle (CAROLINA DURANTE, AXOLOTES MEXICANOS), and Lucas Vidaur (AXOLOTES MEXICANOS, CONFETI DE ODIO); Lucía Palacio is on cello and Esther Muñoz is on violins. And of course, David Rodríguez (LA ESTRELLA DE DAVID) sings on “Déjame Entrar” and plays the guitar on “Déjame Entrar”, “Me Envenenas” and “¿Qué?”; J (LOS PLANETAS) sings on “Domingo Escarlata” and “La Fuerza”, and Diego Ibáñez (CAROLINA DURANTE) also sings on “¿Qué?”.

“Brujería” has its origins in the book “Fossil Angels” by Allan Moore which says that: “Art is magic and magic is art”. Writing is a magical act of invocation and alchemical transformation in action. Duchamp, Blake, Baudelaire, Kandinski, Lautréamont, Mondrian, Dalí, Picasso… They were all connected with the work of mystics and occultists. “Brujería” is an album that shines in its conception as a whole and that’s how it needs to be listening to. Moving, wrenching, and universal; it is impossible not to fall under its spell.

Into The Groove - Madonna

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