This song was composed as the first of three pieces of background music for a podcast while trying to keep it pleasant to listen to even on its own; instrumentation ranges from acoustic percussions to synths, also including electric guitars and bass, drums and a sample of the sound of the sea waves, recorded with the telephone along the seashore of a famous Italian island. The other two songs in the series will be released soon and all three will eventually be reunited in an EP.

Radio Bulletin

The title, apparently dramatic, refers exactly to the difficulty of finding a title for the compositions. After an initial arpeggio in 7/4, the main sound of which is obtained with a sound design process from a guitar harmonic, the piece stabilizes on a more traditional 6/4 arriving, after some moments of less tension, at a rather energetic final section which stops abruptly and then ends with an arpeggio similar to the initial one but in 6/4 progressively fading thanks to the use of a filter.

The Hardest Thing To Find

The hardest thing to find

Music composed for a podcast episode regarding a trial, tension mood

The Trial

EMU Proteus was an old MIDI expander, very famous in the nineties, that I exclusively used for producing this track, even if I created some new sound with a bit of sound design. 

arturo.fornasari

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