Darling works! This song is great👍👍

I really like this too, it has a great, addictive riff. 😊

Calm.
cold
and broken...
This is an anonymous voice...
who was born on a cold night in the depths of darkness.
composer and piano: Kianoush Koureshi

Anonymous

Pathétique: 2nd Movement

Videoclip:  https://www.youtube.com/watch?v=D1U7QE3W4do

So I'll follow the wind 
where it leads me today 
through the valley of silence 
I'll make my own home way 
and when the day is done and the sun sinks low 
I'll listen to the whispers and let my soul go

So I'll follow the wind where it leads me today 
through the valley of silence 
I'll make my own way 
and when the day is 
done and the sun sinks slow 
I'll listen to the whispers and let my soul go

So I'll follow the wind where it leads me today 
through the valley of silence 
I'll make my own way. 


I'll follow the wind

The only song in 65 years of writing where I have used the word "Darling".
The song started off as a collaborative project with someone who I met via a song writing magazine. Unfortunately, he had to return to France, to look after his mother who was ill. I lost touch with him and almost rewrote the whole lyric, which is why it stands as one-of-a-kind from me. That was in May 1981.
(30th to be precise), never tried to collaborate since. 
I upload this particular track, because I trie one or two little trick with the lyric and most of them were utilised by the AI to give me what I prompted for. So of course I got to like the way it came out. Hope it hits you  in the same way, thanks in advance for listening.

Darling

Music, piano, prog. strings, mix: Vicente Bueso
Voices: versolun4

Cloud goes by

Hey, it’s me again.

Today’s post is a quiet snapshot from a rainy afternoon in the studio. I was sitting at the Bechstein, playing around with textures and loops, and this short improvisation just happened — simple, moody, and full of echo.

It’s part of an ongoing shift I feel in my work: towards more atmosphere, more grain, more space. The setup is still evolving, but this recording captures a moment of transition — somewhere between felt piano and layered soundscapes. A loop emerged, and I followed it.

If you’d like to see the video version of this moment, you can find it here:
👉 https://youtu.be/p80XGK_ycoE

And as always — if it resonates, feel free to leave a like or share a thought. Thanks for listening.

Yours truly,
Sebastian

Another Loopy Rainy Day (Studio Diaries, Day 148)

Chloe

Perfect Blue Buildings

Following his evocative single “Tokyo”, Spanish pianist and composer Guillem S. Benet returns to ad21 with “Tírvia (Solo Piano Version)”, a captivating felt piano piece that radiates warmth, inspired by the quiet beauty of a small village in the Catalan Pyrenees. “Tírvia” invites the listener to dive into a serene soundscape where each note flows with graceful stillness. 
Let yourself drift into calm. ad21

Tírvia (Solo Piano Version)

Listen

French pianist Sophie Riviere and Japanese composer Makoto Sawai reunite for “Nagi no tsuki”, a delicate and melancholic duet where gentle piano lines meet soft saxophone tones.
Like a quiet conversation at dusk, the piece offers a soothing and introspective experience, calm, emotional, and evocative. ad21.

Nagi no tsuki

ANIL MEYDAN - X - One Last Goodbye  "Celebrating Ten Years in Music"

One Last Goodbye (X)

All my own AI assisted songs, are free to download.

I have been writing songs since1959 until the present. As a songwriter, I am more than happy with the wide range of songs I have written over the years. But my musical skills are quite limited and the early demos on Souncloud are of me singing  and accompanying myself on guitar or latterly ukulele. I can strum the strings well enough, but there my skills end.

Recently I discovered Suno AI and the results astounded me. I could finally produce demos of my songs to be proud of. I am currently going thru my catalogue of songs and producing AI assisted demos. I know many musicians turn away from AI but it has a place for me. There is no other way I could have obtained some 300 demos to this level. I do not and do not intend to look for any reward except the satisfaction that hearing my own songs gives me.

I am still writing and hope to have many more years of songs left in me, Enjoy if you can and I would love to hear your comments on the tracks, if the music moves you at all.

Darling

John Dyhouse

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