This energeeee!! So cool. And unique. Bring it back! lol

Another essential from the Dessous Recordings archives! A track that was groundbreaking in its day and still resonates. Are you hearing it for the first time or is it a classic you're rediscovering?

Vinyls & more: https://linktr.ee/dessous_recordings

Dive into our timeless classics catalog: https://on.soundcloud.com/frbLqkFe3ke2GRD57

Soulin‘ Deep (Freaks Dub-Intro Mix)

더러운 개

It All Comes Out

So. Here is the new love project Acid Hamam - It all started out as a live-performance where i mixed scandinavian and oriental folk music with slow, deep tech grooves that i ran through some patches in my modular system to spice things up. The live performance and response from the crowd was amzing! I´ll never forget that night!
The idea behind this EP ”Soul Sirocco” is basically about me growing up and excisting in this country. In this times. People always ask me where i come from. Sweden is never a good enough answer - because my hair is black. My eyes are brown. It happens wherever i go. Every country i travel to. With almost every new people i meet. My whole life. people are trying to figure me out on the basis of racial prenotion.
My lack of this kind of identity has led me to feel as a part of everything and everyone. Since i can´t relate to a single national identity, i will relate to every one! And i will make music and i will try to make that music tell a story.
So when i blend old Scandinavian folk music with arabic shanting, and i see people dancing away in the haze of the dancefloor, it´s pure magic. In these moments everything becomes one. Just as we are supposed to.
This unity is what Acid Hamam is about! This is the most honest record i ever made. Stay put for some upcoming live performances during 2016.

Richard Rossa & Acid Hamam - Shaman Disco

Release Date: 20th January 2014 
Cat No: Format: RR070
Format: Vinyl + Digital

A1 The Unknown Cases: Masimbabele (Robi Insinna/Headman Rework)
A2 The Units: High Pressure days (Headman Dub) 
B1 Gina X: No G.D.M. (Red Axes Remix)
B2 Gina X: No G.D.M. (Headman Dub 2003)
&nbsp;
"… an A Love From Outer Space secret weapon finally goes public …“ - Sean Johnston - Hardway Bros
&nbsp;

Robi Insinna aka Headman's Relish Recordings continues to forge in the past and brings you a collection of classic tracks reworked for today: Relish EP V including Unknown Cases, Units Dub by Headman, Gina X Red Axes version and Headman's original 2003 Dub.

First up is Headman's version of Masimbabele by The Unknown Cases.
The original track has been performed and recorded 25 years ago and was originally released as a 12" single by RoughTrade. Members were Cologne musicians Helmut Zerlett and Stefan Krachten (disciples and regular collaborators of the CAN musicians) and legendary African percussionist REEBOP KWAKU BAAH and it has actually been mixed at CAN STUDIO in Cologne.

Masimbabele was originally regarded as "a modern form of rhythm'n'blues" in the original 1983 Rough Trade promotion info – since nobody involved had heard anything like that before....no surprise it became one of John Peel's favourite records of the early 80s and one of his most played singles in 1983. it became since an Afrobeat classic! it was also Remixed by Adrian Sherwood in 1989 for RoughTrade.

As second track on the EP is Headman's unreleased High Pressure Days Dub by The Units. In 2009 the Original was release digital and on Vinyl via Relish with a remixes by Rory Phillips and Headman.

The Units were a cornerstone of this unofficial movement, later called “synth punk” and which would come to define a greater west coast DIY culture combining new synthetic sounds, ranging from Nervous Gender, Screamers and Monitor, to The Blackouts. High Pressure Days is a testament to the loneliness and urgency of the times, and one of synthpunkʼs greatest anthems while at the same time becoming a dancefloor classic among djʼs like Danielle Baldelli.

Next up is the Red Axes remix of their all time favorite track No G.D.X. by Gina X. They say it was something very special for them, as the track means a lot to them. Headman's 2003 Dub is the final track on the EP and it was released originally by Hell's Gigolo Records.

Released in autumn 1979, No G.D.M. slowly took hold with disparate audiences worldwide, and remains a classic to this day.
Sometimes the man-machine is a woman... or is it? It's hard to tell in the twilight world of Gina X Performance — the collaboration of singer/lyricist Gina Kikoine and producer/multi-instrumentalist Zeus B. Held—confounded the norms. Their songs blur genders and sexual preferences; rouge covers stubble and women morph into men.

No G.D.M. became a staple of Rusty Egan's playlist at Blitz, the epicentre of London's fashionable nightclub scene. Groundbreaking in its choice of sounds, subject matter and visual presentation, Gina X Performance anticipated the better- known achievements of countless peers: the sleazy electro-noir of Soft Cell; the androgynous stance of Annie Lennox and Grace Jones & Laurie Anderson's marriage of electronic pop with performance art. The entire "electroclash" movement at the turn of the 21st century owed a debt to GXP with Miss Kittin & The Hacker topping the list and it also anticipated the UK synthpop boom of Human League and Depeche Mode by a couple of years...

The Unknown Cases - Masimbabele (Robi Insinna aka Headman Version)

ATHINA

4 KALEIDO - BOBO DE CAMARAO

2018 was without doubt Night Noise's strongest year to date and we hope that 2019 will be even better. As such we kick off the new year with an EP from Berlin/Barcelona based duo 'Señora' The duo are musical magpies taking inspiration from all around them, utilising pulsing electronics, animal calls, voices, cries, chants, howlings, bellowings, storms and stolen recordings to create musical joy. 

The EP features two original tracks 'Ritmo Casablanca' & 'Ugüaje Te - Tengo' which showcase the unique vibe the duo have when producing music. 

Remix wise we have brought in two of our favourite producers label mate 'Tulioxi' and the always excellent 'James Rod'. This is a beautifully diverse EP which showcases a wondrous array of talent and one that starts 2019 with real style.

Señora - Ritmo Casablanca

3 Remixes for 3 different moments on the dance floor.
Digital only.

Balagan - Moonlight (Simple Symmetry Remix)

Soiree - Zim Zim Zah Zah

Free DL on the bandcamp :

https://dreemsdreems.bandcamp.com/album/dsic-jcokey-eidts

Or cop the vinyl 

https://emotional-especial.bandcamp.com/album/drums-ov-sage-1-edits-dubs-2016-2023

Fr€€ DL

An Ancient Eddiitt

Oliver & Gilles: 10% looks, 90% spotlights.

BOOKINGS BELGIUM : seppe.maesen@livenation.be
BOOKINGS REST / QUESTIONS & ENQUIRIES : asamoto101@gmail.com


Formed in 2012 by friends Oliver Geerts and Gilles Noë, Asa Moto purvey non-standard body music from their Ghent outpost, Studio Martino. Closely affiliated with famed Soulwax imprint, Deewee, the Belgian duo’s recorded offerings carefully juxtapose expert synth-work with aesthetic imperfection. Charming melodies and throbbing rhythms come courtesy of archaic tone generators and acoustic instrumentation alike, landing Asa Moto in a zone of confident sonic idiosyncrasy. 

Their studio prowess has hardly gone unnoticed and during their breakout year of 2018, Resident Advisor, Redbull and the BBC were quick to take note of the group’s steady ascent. Italo-leaning Kifesh was handpicked off of Paradise, by Resident Advisor, for their coveted Track of the Month feature, while the album as a whole received critical acclaim over at De Morgen, one of Belgium’s finest newspapers. The duo ended their year with an impressive four nominations at the Red Bull Elektropedia Awards, for Best Producer, Album, Remix and Artwork. 

Via their ever-changing live performances, Geerts and Noë have become regular fixtures on the European touring circuit, touching down for club nights and festival appearances across the continent.  As astute selectors, Asa Moto operate a bi-monthly radio show in Brussels, digging into their sprawling collection, ranging from obscure jazz records to contemporary electronic cuts.

Heading into 2019 with a handful of new recorded works, Asa Moto look re-adapt their unmistakable strain of body music into a full band live show, the Belgian duo’s most ambitious project yet.

ATHINA

Asa Moto

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