Name: Brian Ferneyhough: Renvoi / Shards (2010)(excerpt) by asamisimasa
Duration: 7 min 47 s
Description: for quartertone electric guitar and quartertone vibraphone

for quartertone electric guitar and quartertone vibraphone 

Brian Ferneyhough: Renvoi / Shards (2010)(excerpt)

Sigur Rós - Untitled #9 - Smáskífa 1 (Slowed and Reversed)

London-based Indian producer Noni-Mouse debuts on Early Reflex with Eyes IV, the latest installment in the label’s Eyes two-tracker series. Following a series of acclaimed genre-fluid releases, Noni-Mouse arrives on the label with her heaviest record yet: a pair of raw, shadowy club cuts that double down on percussive pressure and weighty basslines.With a background that spans 2-step, hardcore, and experimental club music, Noni-Mouse has become known for her sticky top lines, restless rhythmic sense, and tactile grooves. On Eyes IV, she dives into a darker, more physical register—retaining her unmistakable bounce while testing the limits of a more abrasive, stripped-back sound.Opening track “Bracket” lays down lurching breakbeat mechanics and squashed bass beneath flickers of manipulated vocal and synth debris—skipping along the edge of chaos with precision and swing. “Model” stretches out the mood with tense pacing and syncopated drum work, where melodic fragments smear across a pulsing low-end and flickering hi-hats, creating a hypnotic pull built for strobe-lit floors.Eyes IV is a statement of intent from one of the most forward-thinking voices in the contemporary underground—a sharp-edged, club-ready exploration of rhythm and tone from an artist who continues to surprise.

Noni-Mouse said: "With this release, I was attempting to test this ‘gritty, percussive’ sound that is currently heard across clubs and festivals, by crafting those grooves with breaks, while preserving that signature 'bounce'. The textural melodies are my favourite, as they end up adding another layer of percussion to the arrangement, creating this compelling groove that hits the spot"‘Eyes IV’ is available on all platforms starting from Friday 12th September 2025.

Eues IV

Eyes IV

OUT NOW!

Noni-Mouse - Bracket

Taken from 'The Last Sound On Earth', released November 07, 2025 on Big Dada: https://heladonegro.lnk.to/thelastsoundonearthSo

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More

#SWISS climate researcher Sonia Seneviratne awarded German Environmental Prize 2025

Here’s a summary I generated w/ GEMINI of her work on how dry soil affects large-scale climate

mp3 [3Mb] http://www.picture-poems.com/mp3/From_Swiss_Soil_to_Oregon_Fields.mp3

TEXT (German) http://www.picture-poems.com/pdfs/Prof.%20Dr.%20Sonia%20Seneviratne.pdf

The catastrophic political influence of #AI caused by the new techno billionaire Anti-Christ culture of Silicon Valley is a tragic corruption of AI’s scientific potential.

This report was generated
w/ #GEMINI. It’s not bad.
Musically, the rhythm of the
duo counterpoint is remarkable.

#ClimateBREAKDOWN

IMAGE: CAMAS Overlook at 1300m South WALLOWAS, a landscape under profound threat from a HOTTER DRIER climate. To understand the changes unfolding before our eyes, we need to monitor with great care the seasonal changes of soil moisture content. Both their rhythm, and how they are being affected by rising temperatures.

The Soil ECOLOGY of a HOTTER DRIER climate: The work of Swiss researcher, Dr. Sonia Seneviratne

Praxis  Constellations of Echo

This practice consists of recording and documenting performance under the following principles:

Rule 1: Each performance and its recording shall exist only once. No interruption, no repetition.

Rule 2: The content must not be determined in advance.

Rule 3: The performer shall close their eyes.

Rule 4: Beyond the initial recording, subsequent composition may arise in response, as an echo.

Rule 5: A work attains completion only when published on the Internet, with the date of its creation. If it remains unpublished, all traces must be erased. The praxis may occur only once per day.

「星座の反響」実験　praxis Constellations of Echo

ルールに基づき、演奏を記録、録音する。

ルール１：演奏や録音は一度きり。中断したり、弾き直しをしてはならない。 

ルール２：内容を規定する準備をしてはならない。

ルール3：目をつむる。 

ルール4：最初に記録、録音した範囲以外には、付随する作曲を施しても良い。

ルール5：その日のうちに日付とともにインターネットに公開されたものを完成とし、公開しない場合完全に記録を消去する。実験は一日に一度のみ。 

2025.09.18

Constellations of Echo 2025.09.18

ES GESCHIEHT EINFACH

Nick Storring — drums and percussion, found/ house hold objects, beat-boxing, voice, flutes, bird and animal calls, bass melodica, toy balafon, electric bass, jaw harps, speakers, amps, headphones, spring reverb, humbucker pickups.

From a forthcoming album entitled "FREEDOM CITIES"

Brian Ferneyhough: Renvoi / Shards (2010)(excerpt)

asamisimasa

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