Mar's Playlist

Written about a prostitute named after a chocolate Lab, one of J + L most requested tunes.

Ruby - Jacob and Lily

Karla joins Enter the Worship Circle to record the 3r installment of Chair and Mic series,  all songs recorded in a single pass, no edits!

This song was also featured on the CW's Hart of Dixie Pilot episode in Sept 2011.

You Are Mine - CM3

Graceland has no room left for me
No vacancy I can feel it
Pictures and memories are stolen or put away
I can feel it

This is a lonely crowd of people I am in
This is another bad day slowly setting in

Graveyards have no room left for me
Frozen and six feet deep  I can feel it
No I will never be the same
You refuse to be erased
I can feel it

You refuse to be erased


www.noisetrade.com/karlaadolphe

Graceland & Graveyards

Our misery started today but our roads did not go the same way
Yours to the left mine to the right
Our misery started today

Our hearts broke at the same time torn along invisible lines
Mine was still beating yours said goodnight
Our hearts broke at the same time

You are like the shoreline
Constant but fading at the same time
You are like the sky above
You cover me, cover me

Our wells are empty and dry poured out and measured for life
Yours from the inside mine from my eyes
Our wells are empty and dry



Invisible Lines

I watched my flowers wilt and wind away
Inside there is a heart tattered and frayed
Summer won't come back, winter just might stay
I wander grey and silver

Two cups of coffee wasted now cold
A glowing ember from flames once so bold
Believing won't come back
To a heart that is so old
I wander grey and silver

Stay away grave come back love

My hands to harvest under the setting sun
The final work collecting has begun
Color won't come back when my eyes begin to fade
I wander grey and silver



Grey & Silver

I breathe in I breathe out
I am seen I am found
I am known I am heard
You are my mamma wing I am your baby bird

When days are long nights are cold
Fear is a friend and hope is old
If I lay down beneath the earth
You are my mamma wing I am your baby bird

Again we will fly soon we will sing
And on that day I will tell you everything
My heart wrote it down I know every word
You are my mamma wing I am your baby bird



Mamma Wing

Sun sets down over the river where I lost you right where you were found
Into this holy water were you swimming tell me where you drowned
Is there room for me
Swing low sweet chariot is there room for me

Daddy never had it in him to stay longer than it suited
Mamma she always held me here said don't cry child Jesus he is near
Is there room for me
Swing low sweet chariot is there room for me

I hear you whisper softly to me don't buy in no there is nothing here
To build your house upon when all those waters they come flooding near
Is there room for me
Swing low sweet chariot is there room for me

Swing low sweet chariot coming forth to carry me home


Room For Me

Sweet and whimsical, revealing and honest.

02 Just Let Me Go

03 I Can't Say No

Vocal and other instruments by Cakka Nuraga
Cajon (Finno)
Arrangement by Cakka Nuraga

What Makes You Beautiful (Cover)

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Recomposed By Max Richter: Vivaldi, The Four Seasons

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 1 (2012)

Download

me featuring one of the most talented singer in this universe (for me.. xP) Kamasean Y. Matthews and Stephanus Jason on guitar.. Enjoy!

Teddy Adhitya - More Than This feat. Kamasean | guitar by @StephanusJason (One Direction Cover)

Titanium (Cover): Arranged, Mixed and Mastered by Migz Haleco

Titanium - Migz Haleco (Cover)

If you like the song, it's available as a free download off our Facebook page. 

https://www.facebook.com/aaronandandrewmusic

http://www.aaronandandrew.com



Just Let It Go

Arranged, Mixed and Mastered by Migz Haleco

DOWNLOAD LINK:

http://www.twitmusic.com/migzhaleco/songs/nothing-s-gonna-stop-us-now-migz-haleco-chelse

Nothing's Gonna Stop Us Now - Migz Haleco & Chelsea Ronquillo

From <i>Joy Beyond The Sorrow: Indelible Grace VI</i>, available at igracemusic.com/store

Mar's Playlist

Asaml