Aslak DJ - Pytt i panne mix

From V/A compilation "Gathering"

“Gathering” is a fundraising collaboration album. It is the result of what we know best; coming together around music. Entire proceeds will be sent to the organizations actively supporting those who are affected by the Earthquakes in Turkey and Syria: LGBTQ Earthquake Solidarity, Kaf Kolektif and Heyva Sor. We are grateful for the 23 musicians from 7 countries alongside 3 sound engineers and 2 visual artists who worked on this album in the spirit of solidarity. We would like to invite you to purchase the album, share it on your platforms, and play it in your sets and shows. This is a call to raise solidarity for the earthquake area, which will be needing it in years to come.

LGBTQ+ Earthquake Solidarity gathers and provides support for the LGBTQ+ community and sex workers in the affected area, transferring their resources to the people who had difficulties in housing and living even prior to the earthquake. 
www.linktr.ee/lubunyadeprem

Kaf Kolektif is a grassroots organization currently based in the center city of the Earthquake, Kahramanmaraş. Beginning with a field kitchen, they achieved incredible unity and solidarity through the integration of the locals. The collective is building, cooking, maintaining, and organizing the area. Currently serving up to 10.000 hot meals per day, their future plans include a sustainable and innovative reconstruction in the area.
www.indiegogo.com/projects/kaf-kolektif-earthquake-relief#/

Heyva Sor A Kurdistanê is the Kurdish Red Crescent based in Germany. The organization is collecting financial and medical aid for the ones affected by the earthquake.
www.heyvasor.com/en

“Gathering” (Toplaşma) bir dayanışma ve bağış albümü. En iyi bildiğimiz şeyin, yani müzik etrafında bir araya gelmemizin bir ürünü. Gelirlerin tamamı, Türkiye ve Suriye'de yaşanan depremden etkilenenlere aktif olarak destek veren Lubunya Deprem Dayanışması, Kaf Kolektif ve Heyva Sor kuruluşlarına gönderilecek. Bu albüm için 7 ülkeden 23 müzisyenin yanı sıra 3 ses mühendisi ve 2 görsel sanatçı dayanışma ruhuyla çalıştı, onlara minnettarız. Sizleri albümü satın almaya, çevrenizdekilerle paylaşmaya ve setlerinizde çalmaya davet ediyoruz. Bu albüm deprem bölgesinin önümüzdeki yıllarda da ihtiyaç duyacağı dayanışmaya bir çağrı.

Mastering: Barış Ergün, Ozan Kınasakal, Adham Farid
Cover Art: umutcocln & Bengisu Öten

Gathering

Speep

Speep [House of Spring]

Cam’ron and Juelz Santana were arguing while watching a flag flapping in the wind. 

"The flag is moving," argued Cam’ron.
 "No, it's the wind that is moving!" insisted Juelz Santana. 
Jim Jones was passing by, and remarked, "It's your minds that are moving."

A tribute to the legendary Dipset Trance Party mixtape series by The Alliance Producer Army.

Dipset Wabi Sabi (Vol.1)

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club's Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play. Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals. 
 
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub-infused UK garage house track anyone in the world can easily describe in the course of a second.
 
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk. 
 
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo's sets in the club.
 
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to "The Prince of Techno" Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
 
The 12" was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12" format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.

LNS & DJ Sotofett - Gearbox

Next up on the GROOVE Resident Podcast are LNS (@lauransparrow) and DJ Sotofett (@sophatmixes), resident DJ's of Tresor's Globus floor. Go to https://bit.ly/GrooveRP64 for interview and track list.

GROOVE Resident Podcast 64 – LNS & DJ Sotofett

Solace in the sun (Dj Ibon Remix)

@felishaledesma

Listen 24/7 at www.retreatradio.net

Felisha Ledesma (13/06/25)

Berlin-based Producer/DJs and Tresor residents, LNS & DJ Sotofett, bring the warehouse vibes with a 3 hour x 3 turntable all vinyl set recorded on June 7th 2025 at the release party of their latest EP on Tresor Records "Globus Trax"

Stream/purchase Globus Trax: https://album.link/globustrax

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Follow LNS & DJ Sotofett
Instagram: https://www.instagram.com/Sparrowlaura
Instagram: https://www.instagram.com/sotofett/
Resident Advisor: https://ra.co/dj/lns
Resident Advisor: https://ra.co/dj/djsotofett
Soundcloud: https://soundcloud.com/lauransparrow
Soundcloud: https://soundcloud.com/sophatmixes

Photo credit: Marie Staggat: https://www.marie-staggat.com/
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About Tresor Berlin
At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future.

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

LNS & DJ Sotofett | Live At Tresor - June 7 2025

For RA.1000, DJ Sprinkles' first mix in over a decade is a powerful meditation on the genocide in Gaza.

Dance music often relies on simple narratives: release, escape, unity. But those narratives can often feel inadequate, and even at times, hollow. Or, as Terre Thaemlitz might bluntly put it, just "shitty."

For her first mix in around 15 years, Terre Thaemlitz AKA DJ Sprinkles, challenges us to think differently. "I felt this 1000th podcast should reflect the moment in which it was made," she told us in her Q&A.

And what is this moment? Every day since Israel's 2023 assault on Gaza began, an average of 28 children have been killed. That's an entire classroom, every day, for over 600 days (at the time of writing). It's a staggering figure that only captures a fragment of the listless cruelty imposed on the strip.

Faced with such a genocide, what can music really do? How political can it truly be?  For their RA.1000, Thaemlitz gives us an unflinching rebuke to the idea that music should provide escapism. The mix weaves ambient fragments and jazz passages, woven around samples from Israeli media and the voices of outspoken Jewish critics like Gabor Maté and Norman Finkelstein. 

The result is not just a protest, but a document of our time. For Terre Thaemlitz, music is never just music. Her RA.1000 serves as a reminder that in an age of relentless suffering, the most political act is to reject the illusion of escape, and search for something greater.

Read the interview and find the tracklist at ra.co/podcast/1013. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Terre Thaemlitz / DJ Sprinkles

One hour from my set on July 26th 2024 at the Cave Empt event at Open Ground in Wuppertal. This was originally broadcast as part of my summer residency at Noods Radio. 

LNS live @ Open Ground  - July 26th 2024

The first-ever live recording from an elusive icon of dubby electronic music.

Lore is an underrated quality. Neuroscientists have mapped that music elicits similar feelings in the brain to when we satiate cravings, but what about the psychological impulse that drives listeners of a certain disposition toward everything they don't know?

It's tricky to put your finger on, but artists able to conjure intrigue without overhawking the backstory can really cut through—just ask SAULT, [ar:pi:ar] or Gerald Donald. Then there are those who don't try whatsoever. These are the ones who stay in mind the most.

In 2001, a striking 12" called Ship-Scope emerged through Chain Reaction, credited to Shinichi Atobe, with no other info available. Okay, mulled fans, this is probably a cat-and-mouse game dreamed up by someone on a label with a fine line in foggy obfuscation. Vainqueur on a wind-up? Another Moritz 'n Mark alias?

But no: Atobe was real, and really had posted a demo to Hard Wax. It was that simple. Then he went back to his day job—until, after 13 years of silence, an even better follow-up emerged.

From the near-perfect Butterfly Effect onwards, Atobe has built up one of the most revered catalogues in underground circles. A steady clip of elegant, transportive dub techno and deep electronics has arrived on Demdike Stare's DDS, complimented by the launch of his own label, plastic & sounds, earlier in summer 2025.

Atobe has also made strides into the public domain, DJing intermittently, as well as performing live for the first time in 2023, gracing WWW at the tender age of 52. It's that debut 2023 show heard on RA.1009: a hypnotic yet comparatively pumping set full of Atobe staples, as well as material you won't find anywhere else.

Contact with the big man, as you might anticipate, is glacial: since we first reached out, the RA Mix has changed name, look and rolled over into its second millennium. Still, patience pays off. This is a one-off we're stoked to run. – Gabriel Szatan

@shinichiatobe

Find the interview at https://ra.co/podcast/1028

Aslak DJ - Pytt i panne mix

asdflak

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