The Raddest Chicks Never Say Die

An Evening At Elmwood - Take the throne

motionless in white - trace out the heart

Words Written To Be Washed Away

1. Dial M For Murder
2. Bears, Beets, Battlestar Galactica
3. The Hope I Confide In
4. And Still You Chose Surrender
5. Pale Horse
6. Beauty In The Eyes Of The Beholder

A Bullet For Pretty Boy - Beauty In The Eyes Of The Beholder

If Only Helen Keller Could Hear This

Mustache Cashstache

The Invigorating Tale Of Robert Francis Allen The Third

“Die to War” is a requiem for humanity’s contradictions — beauty versus brutality, faith versus greed. A sonic apocalypse where love and violence share the same pulse. When the city burns, the heart still beats — but only to explode.

[Intro]
Born to love, born to hold
We cradle hearts but sell our souls
Forged for touch, we learn to fold
Build our graves where flowers grow

Cities shine, we trade for chrome
We trade a home for plastic thrones
Feed machines with children's bones
Sing lullabies while thunder roars

(Spit) We write our names in ashes, sign the sky with credit lines.
We seed the ground with iron, sell salvation on the dot-com shrine.
Born for love — we turn to noise; kissing lips then firing toys.
Ticking hearts, ticking time — watch the empire self-implode.

[Pre-Chorus]
We were soft as summer rain, (A)
Now we hammer iron in the vein. (A)
Love turned currency and pain, (B)
We burn the bridges we would name. 

[Chorus]
Born to love — we built the war,
Hands that heal now break the door.
Born to hold — we let it burn,
Ashes fall, and lessons learn.

(Born to love) We light the flame,
(Die to war) We call your name.
Born to love — we made the war,
(Feel it) Hear the city roar.

[Verse 2]
Soldiers march on neon streets, (A)
Crowds applaud the cymbal beats. (A)
Promise peace, then market cheats, (B)
Sell the world for golden treats. (B)

Mothers shout and fathers fall, (A)
Glass and sirens, empty malls. (A)
We worship screens and neon halls, (B)
And rust the angels off the walls. (B)

[Bridge I]
FEED THE HUNGER! (SCREAM)
(SCREAM: FEED THE HUNGER!)
POUND THE HEARTS! (GROWL)
(GROWL: BREAK THE EARTH!)
WE SPIT THE TRUTH IN RADIOSTATIC,
(ROAR: THE CODE IS PLAGUE)
LOVE DIES IN THE CIRCUITATIC.
(CRY: WE BUILT THIS CAGE)
NO REDEMPTION, ONLY RITUAL,
(ROAR: BLOODLESS, DIGITAL)
WE ARE THE VIRUS, WE ARE THE RITUAL.

[Chorus]
Born to love — we built the war,
Hands that heal now break the door.
Born to hold — we let it burn,
Ashes fall, and lessons learn.

[Breakdown]
Drop into the pit, let the chorus bite,
Screams in stereo, neon black the night.
Crush the bones of comfort, stomp the truth in chrome,
We dance upon the ruins of the home.

[Bridge II]
RISE, MACHINE! (SCREAM)
(SCREAM: TAKE THEIR SOULS!)
CATCH, THE CHILD! (GROWL)
(GROWL: EMPTY HALLS!)
BORN FOR LOVE? — THE LINES ARE BURNED.
(STANCE: WE ARE STORM)
WE PRAY IN ADS, WE PRAY IN FERM.
(ROAR: WE ARE WARM)
NO MERCY GIVEN, ONLY FEEDS,
(ROAR: FAST, FAST, FASTER)
CONSUME THE STILLS, IGNITE THE SEEDS.

[Breakdown II]
(GROWL MACHINE)
SMASH THE HEAVEN, CRUSH THE LIGHT,
TEAR THE NIGHT, MAKE IT BLIND.
(Drop) — heavy chug, polyrythm, bass slam
WE ARE THE CHILDREN OF THE SIREN’S CALL —
WE RISE ON ASHES — LET EVERYTHING FALL!

[Bridge III]
SHOUT THE LIES! (SCREAM)
(BELLOWS: BREAK IT DOWN!)
BURN THE FAÇADE! (GROWL)
(GROWL: RAISE THE GROUND!)
OUR HANDS ARE DIRTY, OUR HEARTS ARE STEEL,
(ROAR: NO MORE FEEL)
WE FORGE THE FUTURE FROM THE TEETH WE STEAL.
(SCREAM: RISE!)
NO LOVE WILL SAVE US, NO PEACE WILL HOLD,
(GROWL: WATCH IT UNFOLD)
WE WANT THE FIRE — WE WANT IT COLD.

[Final Chorus]
Born to love — we built the war,
Hands that heal now break the door.
Born to hold — we let it burn,
Ashes fall, and lessons learn.

(Born to love) We set the fuse,
(Die to war) The city fused.
(Born to love) We made the war,
(Explode) — NOW HEAR THE EXPLOSION.

Die to War

"Blood and betrayal turned Rome from republic to empire." - National Geographic
"A cinematic metal epic about Power, Betrayal & Legacy - Caesar's Rome told as thunder, choir and truth" -  AxAxC

IMPERIVM: Blood of Rome is AxAxC’s cinematic war-saga: a 13-track ascent from Veni, Vidi, Vici to the Ides and beyond. Built like a documentary set to blades and choirs, this record fuses Christian Rock • Deathcore • Nu-Metal • Symphonic/Cinematic metal with trap-core pulses, Latin chants, and battlefield drums. It’s Caesar’s story told in real dates, real battles, real consequences — and the mirror it holds to our present.

Across Italy, Greece, Egypt, and Hispania, the album follows the rise, the civil war (49–45 BC), the dictatorship (46–44 BC), the Ides of March (44 BC), the vengeance at Philippi (42 BC), and the legacy that crowns Augustus. This is historical metal, just blood, law, and destiny.

Personal note from AxAxC: this project carries the nostalgia of a father’s films and the reality that ambition invites knives. IMPERIVM is for anyone who builds; who believes anyway.

- VENI. VIDI. VICI. — 47 BC; Zela (Pontus)
Caesar’s famed dispatch after defeating Pharnaces II (“I came, I saw, I conquered”). Opens the saga with the certainty that defines his rise.

- CAESAR’S THRONE (Remastered) — 59–50 BC; Rome & Gaul
From his consulship (59 BC) to the Gallic command (58–50 BC), triumphs, and the cult of persona that made him inevitable.

- The Die Is Cast (Alea Iacta Est) — Jan 49 BC; Rubicon, near Ariminum (Rimini)
Defies the Senate’s order; crosses with a legion and triggers civil war. No return.

- BLOOD OF ROME — 49–45 BC; Italy, Greece, Egypt, Africa, Hispania
Civil-war arc in hard dates: Dyrrhachium (48, Pompeian edge) → Pharsalus (48, Caesar wins) → Pompey assassinated in Egypt (48) → Thapsus (46) → Munda (45). Republic broken.

- JUDAS IN THE SENATE (Remastered) — 50–44 BC; Rome
Hostility in the Curia: indictments, intrigues, and the moral panic around “king” that seeds the conspiracy.

- FIFTEENTH OF MARCH (IDES) — 15 March 44 BC; Theatre of Pompey, Rome
Assassination: Brutus, Cassius, over twenty conspirators; 23 wounds; the act meant to “save” the Republic.

- SENATE OF SERPENTS — 46–44 BC; Rome (flashback dossier)
Dictatorship and reforms: Julian calendar, land/provincial reforms, public works (Temple of Venus Genetrix), then the move to dictator perpetuo (44 BC) that precipitates the knife.

- Idus Martiae! Caesar mortuus est! (feat. Pure Addiction) — Alt cut of 44 BC scene
Choral/trap dirge of the Ides—same day, different lens; grief, shock, and the crowd’s turning tide.

- I AM JULIUS (POST IDUS) — 44–42 BC; aftershock
The revenant speech: legacy claims (calendar, laws, roads), propaganda wars, and the truth that “they killed the man, not the movement.”

- MARCH OF THE LEGIONS — 44–42 BC; Macedon & Greece
Antony and Octavian avenge Caesar; the two Battles of Philippi (Oct 3 & 23, 42 BC); suicides of Cassius and Brutus. The conspirators’ end.

- LEGION (Remastered) — Timeless creed
Eagles, standards, formations; the soldier’s oath that outlives politics.

- THE FALL OF ROME — 44–27 BC → 27 BC
From chaos to order: Octavian consolidates, and in 27 BC becomes Augustus; the Republic’s ghost yields to the Empire.

- IMPERIVM — Epilogue/Credo
The price of will. Empires fall; purpose endures. Title motif that binds our personal thesis to Caesar’s arc.

Drop your thoughts, quote your favorite line, and tell us which track hit hardest. Share with a friend who loves history and heavy music.

Credits:
AxAxC — vocals, guitars, bass, orchestration, programming, choir design.
Feat. Pure Addiction on Track 8.
All songs written & produced by AxAxC Studios.

© AxAxCStudios™ — All rights reserved. Distort. Distrust. Destroy.

If Only Helen Keller Could Hear This

Ashes At Last

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