Name: Renude19 - Blah Blah Blah - Justin Robertson's Deadstock 33s by AshHuntington
Duration: 8 min 16 s
Description: Weatherall style chugging techno remix from the master remixer Justin Robertson

“I saw the best minds of my generation destroyed by madness; starving, hysterical, naked, dragging themselves through the streets at dawn looking for an angry fix...”

Notorious beat poet Allen Ginsberg wrote and first performed his epic poem Howl 70 years ago. Its debut performance, at the Six Gallery in San Francisco in 1955, is said to have heralded the birth of the Beat Generation, the literary subculture that also included cult writers Jack Kerouac and William Burroughs. Kerouac wrote that the event was “the night of the birth of the San Francisco Poetry Renaissance”, and Ginsberg was immediately asked to publish Howl by City Lights Books. 

Howl — whose title was given to Ginsberg by Kerouac — was reportedly written after a terrifying peyote vision, and discussed the exploits of a colourful cast of outcasts, explicitly talking openly about drug use and homosexuality in parts. It’s been written that Howl was Ginsberg coming to terms with his own sexuality, and also his mother’s schizophrenia. 

After publication, copies of Howl & Other Poems were seized by customs officials, claiming that the parts of Howl relating to homosexuality were obscene, and the City Lights bookstore manager and book publisher were arrested. At the subsequent obscenity trail, literary experts testified to Howl’s artistic merit and the judge ultimately ruled that Howl was of “redeeming social importance”, and threw the case out. Along with the obscenity trial that William Burroughs’s Naked Lunch also overcame the following year, the publication of Howl helped redefine the constitutional test for determining what constitutes obscene material unprotected by the First Amendment, and ultimately helped liberalise publishing in the United States as a whole.  

Renude19 initially turned Howl into an electronic album using Ginsberg’s original voice, before re-recording all the words with Ashley Slater of Freak Power fame. The lolloping, rich textured rhymes lend themselves well to electro riddims, the evocative prose sitting on top of the interwoven music with stark relevance. The album project has received the stamp of approval from the Allen Ginsberg Project, the foundation that oversees the poet’s legacy.

Album opener ‘Waking Nightmares’ takes in Howl’s first stanzas, beginning with the infamous quote above before 80s-sounding future-retro synths turn it into an electropop paean. ‘Visionary Angels’ moves through vivid stream-of-consciousness descriptions of Americana ephemera and alternative geography to a disco beat.

The third track ‘Muzik’ is a slice of building electronica that name checks Neal Cassady, the inspiration for the character Dean Moriarty in Jack Kerouac’s famous beat novel ‘On The Road’. The pianorchestra of ‘Denver in Vain’ takes the album into jazzier territory, reflecting the dominant musical style of the beat movement in the 1950’s with Howl Part 1 finishing up on the 5th track ‘Ah Carl’, an old school house groover that sets of tone for the rest of the album’s dance music direction.

‘Moloch Moloch’ is Howl Part two, an acid track that does not spare the 303s, while the more banging seventh track ‘Rockland’ name-checks Carl Solomon, who the epic Howl poem was written for, and is called after the psychiatric hospital where Ginsberg met Solomon. In track 8, ‘Epilogue – Holy’, “The ecstasy is holy,” Ginsberg exclaims, perhaps predicting the drug that would fuel the acid house revolution three decades later. (It was Ginsberg who actually coined the term ‘flower power’ in the late 1960s.)

After his notoriety spread after the Howl obscenity trial, Ginsberg appeared on stage with a number of musicians including Bob Dylan, The Clash and Patti Smith, and recorded with Paul McCartney and Philip Glass. 

This timely Howl update by Renude19 recontextualises the seminal Beat Generation poem for a modern audience, amplifying the raw emotional power of his words and introducing him to a whole new generation.

Reimagining Allen Ginsberg's Howl

Visionary Angels

Renude19 - Visionary Angels

I'm With You in Rockland

Renude19 - I'm With You in Rockland

Ah Carl

Renude19 - Ah Carl

Denver in Vain

Renude19 - Denver in Vain

Muzik

Renude19 - Muzik

Epilogue - Holy

Renude19 - Epilogue - Holy

Waking Nightmare

Renude19 - Waking Nightmare

Moloch Moloch

Renude19 - Moloch Moloch

Allen Ginsberg's Howl part 1B, from the album 'Reimagining Allen Ginsberg's Howl' by Renude19, out June 26 2025 on Out Yer Box records.

Renude19 - Visionary Angels [Out Yer Box Records]

Allen Ginsberg's Howl part 1A, from the album 'Reimagining Allen Ginsberg's Howl' by Renude19, out June 26 2025 on Out Yer Box records.

Renude19 - Waking Nightmare [Out Yer Box]

Weatherall style chugging techno remix from the master remixer Justin Robertson

Renude19 - Blah Blah Blah - Justin Robertson's Deadstock 33s

UK based Producer. Released an album under my Renude19 imprint, on July 26 2025. It's called 'Reimagining Allen Ginsberg's Howl', and is an 8 song concept album and a verbatim reading of the classic counter culture poem from the 1950s. Features the voice of Ashley Slater reading the poem, supported by our singer Christabel on vocals & Aaron Emerson on keyboards. 

I have made tunes under a number of different names including Renude19, EDP, Every Day People, Everyone Dreams of Paris, Brotherhood, Doktor Strangelove, Treason, and Da Strobe. DJing since 1990, held residencies at Clubs in Brighton such as The Escape, Ocean Rooms and Funky Buddha Lounge, played worldwide from USA, Spain, Ibiza, France, Poland, Ireland and many more. Promoter of some great club nights in Brighton UK,  EveryDayPeople which ran for 5 years and the Glory Glory Brighton Pride parties.

Renude19 - Blah Blah Blah - Justin Robertson's Deadstock 33s

AshHuntington

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