Diesel vs Lungs

Spirit Dances Evermore

From the Album 'ODER' - A song in Czech and Polish about the River 'Odra' as it flows through Ostrava, CR and Wrocław, PL to the Baltic Sea.

Odra

Official Video: https://www.youtube.com/watch?v=nQttrCzr7qM

Null

Skeleton Woman

Skeleton woman

Dear girls & boys and everybody in between,

before the year is over again, I’d like to wish you a healthy and happy new year! May sun shine upon you when you need the light and may it rain on you, when you need the water. 
I am happy to choose the first option for now, leaving foggy Berlin for a little vitamin D refill. But before leaving to South America for our Acid Case tour, I uploaded one of my favourite sets of the past year:  

„KC Grad“, Belgrade, September 23rd 2017

Just a few words about it:
I remember that I listened to music of Nicola (Cruz) on the plane and that I missed to take this amazing picture of Danube river when we flew over it, before landing at Nicola (Tesla) airport, where I had only been once (twice to be correct) before and after I played a short set not before, but after a 
Nicola(s Jaar) concert in 2012.
So this was only my second trip to Belgrade and because neither I want to bore you, nor have I intentions to write a city guide, I will skip the part where we took a very nice walk through the city, and jump right to the last half hour before my gig when I discovered this amazing Serbian synth pop band „Beograd“. No question, I HAD to play one of their songs! Choosing one was not quite easy, but as always when you happen to go with the flow, you don’t need to make decisions, simply because the moment makes them for you...I ended up playing a song called "Opasne Igre“ whatever that means….haha, now that I am writing this, I had to look it up and what can I say? I do see a slight dissent in the context here. I would say, it’s rather a "dangerous game" if you’re not going with the flow, but obviously the song’s topic is somewhat different, so let’s leave it like that for the moment and continue the journey. My personal flow-master led me to Georgia later that night. Stay tuned and you’ll hear - for the first time online - one of my favourite edits of the past 433 days: Ana Malazonia & Fiqria Daiauris’ „Magnolia“ with Andhim’s "Holger Der Polka“. This one is in fact not even an edit, it’s just two songs mixed together, with the slight difference of 28 bars, meaning that one of them starts 28 bars later then the other one. I once heard someone say: "Simple but oh how beautiful“. Yes that's true!
Of course I also had to play a track of my friend Satori, whose father makes the best Sarma (famous Serbian dish) I ever tried. It's prepared with cabbage that has to be pickled for almost half a year, to get the right taste. Yummy…but let's continue with music:
I played Djordje's remix of my track „Jorge“, which - amongst three other gems - will be released very soon on our label Ouïe. 
Although you can hear a couple other new (at least back in September they were new) tracks, the general vibe of the set rather reminds me of this: 
"Some of my favourite tracks and edits from here, there and then, stirred with a little bit of - don’t forget we’re in Belgrade! - Techno, slowly cooked on (DJ) Hell’s car fire, served with deep-fried shaman punk and sprinkled with a streak of humour.“ Drink menu suggests: Gem&Bolt
Bon appetit!


But don’t forget to eat and drink with appreciation, so one, two, three, four more things:

One: Thanks to Oguz and Dejan for their invitation and of course to everybody who has been there floating and dancing through this very special night with Sertac aka "As Smooth As" and my humble self.

Two: In case you like this set you should thank Ilker Çatak by watching his films and future films.
You may think: „ Why should I thank someone I don’t even know?“ 
This is why: If Ilker hadn’t encouraged me to put this set online, you would not be able to listen to it now. Very simple 😏.

Three: To whom it may concern: Happy Birthday!

Four: To whom it may concern and to all others, but especially to you
Take care and be kind


Yours Acid Pauli

Spank the shaman

Trans Belgrad Express

With Cello, Loopstations, effects, and her “powerfully expressive voice” (Berliner Morgenpost), Ashia Bison Rouge creates a whole world made of sounds, rhythms, moods and moving melodies. Dreamy pop songs and rhythmic, electronic style pieces are connected by layers of ambient sounds to create what she calls a ‘Song Archipelego’ in her live shows. All the songs and compositions are performed live in the moment and only with her instruments and effects: no electronics, and no synthesizers.

Spirit Dances Evermore

Bison Rouge

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