THEY DONT SLEEP ANY MORE ON THE BEACH

Tearjerker

⇒ @goyaconnect

ˤ̙̘̗̖̔̒̓̑̐̏̎̍̚̕ ̌ ̋ ̊ artwork @moapillar

grab it ︾

GOYACONNECT & WULFFLUW XCIV - Baba Yaga

Track Premiere: @heedlessmusic & POL100 @wasmusic-1 - BROKEUP [@club-late-music @globalurlnation]
Read more: https://paynomindtous.it/heedless-pol100-brokeup-clm-gun/
Artwork by https://instagram.com/chaggrin/
***
Club Late Music is an open-source and collaborative music label born between Paris and London in the mid-2010s. Since then, the platform brought forward a large community of artists called Global URL Nation working on the basis of shared knowledge and creativity to craft experimental club music and multimedia works.

Specifically, GUN resorts to multiple media and formats from contemporary digital culture and music to experiment with decentralization in the form of v/a compilations, art exhibits, audiovisual projects, and collaborative efforts. To this last category belongs the GUN UNITED series, where a given member (or members) of the community manages to join forces with artists of their choice. The latest installment, the third, is now coming in form of a digital EP almost exactly one year after the previous episode courtesy of the Italian sound artist P I T.

Called Senti/Mental Illness, the record is curated by the producer and DJ Mattia Cremonini aka HeedLess, who authors a very rich blend of bass music (UK grime mostly), industrial, dark ambient, and heavy rhythmic components already appeared on labels such as Wile Out, katharsis, Classical Trax, and many more. The 4-track release, out next Wednesday, March 9th, comes with cover and visual works by chaggrin and mastering by Lorenzo Targhetta. Other than the opening solo track, the work also gathers collaborations with the Slovakian DJ GÄP, the Australian DJ / producer Lithe, and the musician POL100 born and based in Ferrara, Italy.

The collaborative record reflects around relationship breakups and the hardcore feelings associated with them - also reflected in the tracks' titles - such as despair, profound nostalgia, and the burning sense of courage and hope that may come with new bonds being born from the ashes. The heartfelt work brings the contribution of the aforementioned artists, each carrying their load of past experiences, artistic inspiration, and creative energy materialized in compositions of hyper-melodic textures, distorted vocals, and tight progressions.

Today, we're glad to be premiering the remarkable closing piece of the EP, titled BROKEUP, and produced by HeedLess and POL100. The exactly 5-minutes-long track is a dramatic charge of snappy breakbeats, eerie and distorted melodies, and distant, unintelligible voices figuratively emerging from the recesses of one's memory to bring forward unease and pain. It's up to the listener whether to welcome and overcome them towards closure and acceptance, or rather drown in the sorrow and descend on dark paths. Both choices are equally viable.

HeedLess & POL100 - BROKEUP [PAYNOMINDTOUS Premiere / Club Late Music - GUN]

33 - 33-69

Format: Digital/Vinyl
Cat.No: CANVAS012
Release Date: 21st October 2022

Pre-order available at https://canvas-index.bandcamp.com/album/33-69

C.A.N.V.A.S. is proud to announce the release of 33-69, the debut album of 33. 33-69 laments and commemorates the interruption of the simplicities, beauties and charm of mortal life in full Baroque splendour, whilst also partaking in the final opportunities for carnal pleasure and orgiastic excesses in the earthly realm.

Through their collaborative project 33, Billy Bultheel and Alexander Iezzi further consolidate a partnership which has taken many forms within a visual, artistic spectrum. Their practice envelops performance art, music and installation, whilst pinpointing, developing and elaborating the most meaningful and poignant marriages of the disciplines. Their differing backgrounds have informed the way that their long collaboration works – Bultheel with his conservatory training, and Iezzi coming from DIY punk and experimental music scenes.

Their debut album 33-69 paints a tumultuous world within which the 33 collaboration is extended to a number of other presences that pierce the stormy skies to torment, delight and enchant. Amongst them are Ivan Cheng, Steve Katona and Dylan Kerr who appear in grace as the broody clouds part to let in some light. As the light recedes, NAKED haunts amongst the shadows on 'The Knife', with an avalanche of metallic noise.

'Thomas The Obscure', with Patrick Belaga's Cello performance, introduces an element of serene, meditative calm before 'Heaven's Blade' cuts through with the ultimate rapturous frenzy. The album ends with 'Speed and Beer’, a dizzying brass-led anthem which conveys a sense of nausea and confusion, surfacing from the shadows.

Bultheel and Iezzi carry with them a wealth of composition and performance experience and skill, boasting impressive trajectories which cross each other frequently. Now based in Berlin but hailing from Belgium and Arizona respectively, have worked together for the past three years, producing musical performances that explore relationships between movement, sculpture and electronic and classical music. This complex and intricate working relationship culminates in the creation of 33-69 as a defiant debut — a dense and finely crafted work which finds unlikely pathways through which to navigate Baroque, Lieder and exuberant club through humour, dread and exaltation.

33-69 was conceived during the first Covid-19 lockdowns and documents the duo’s experiences of pandemic life in Berlin. Recreating that dopamine shot and collaborating towards a sense of community that the pandemic had suddenly folded away. The record is a short but powerful rush of emotional states and bodily desires, translated into cerebral and carnal electronic compositions of EDM, noise and techno. 


Written, produced, recorded and mixed by 33 (Alexander Iezzi & Billy Bultheel)

Additional vocals on sirens by Dylan Kerr

Mastered by Ali Najafi

Design by Leïth Benkhedda & Stelios Ilchuk

www.c-a-n-v-a-s.com

33 - Fireworks

I Cant Process Without You

Syntrovert - The Gathering

01. Syntrovert - Hunt 
02. Syntrovert - Vault 
03. Syntrovert - Dungeon 
04. Syntrovert - Scope 
05. Syntrovert - Fighting (The Giant Scarab From Desert) 
06. Syntrovert - The Gathering 
07. Syntrovert - Through The Mountains, Toward The Ocean 
08. Syntrovert - Vault (Imaabs Remix)

Syntrovert:

@syntrovert
syntrovert.bandcamp.com 
@syntrovert 
www.facebook.com/syntrovert/

Imaabs:

@imaabs
imaabs.bandcamp.com

The Gathering

Pay What You Want

Vault (Imaabs Remix)

Proud to have this one out now on @cr_label , part of an amazing release, much love to everyone who contributed to it

Buy: circadian-rhythms.com/releases/cr004/

Artwork by Eric Hu

Surin

'Elisabetta' EP out now!
Music by @coreselfsavesyou

Artwork by @ptwiggs
Mastering by @djgapdjgap

Download

Core Self - Damned Whores And God's Police

Artist: @daemondaemon & @therealendgame
Catalogue Number: IM082
Album: DXE
Release Date: October 30th, 2020
Format: Digital

Following up his debut on Chino Amobi’s Intelligent Models with ÆOS, critical lyricist DÆMON teams up with Hyperdub’s affiliate and dark alchemist Endgame for a forceful collaborative EP that summons haunting ambiences with powerful passages and persuading rhythms.

Oscillating between the xenomorphic vocal capacities from DÆMON and the haunting club explorations of Endgame, DXE is a collection of industrial compositions that conceive an esoteric setting where two colliding forces unite for an intriguing and provocative exordium. A correspondence that inherits the divergent influences of the counter cultural soundscapes of Oakland and London - the artists hometowns - in a prodigious way.

The dark approach on the dancehall-inspired vocal performance from DÆMON is a highlight that contrasts with the experimental impressions of Endgame’s production, switching widely from punk to dembow motives within a contemporary take on overwhelming electronic explorations as a divergent complement that enrich the duo's exhilarating approach.

Introspective scopes define each track from the record. Let me breath is a crushing encounter for the prosaic verses of DÆMON, as his spoken word opens up a sonic void with overdrive motives. While the indulging energy of Queue shows off a more danceable side of DÆMON with a demonical dancehall inspired beat, in Eye Teeth, his bars match perfectly with the cybernetic warfare melodies from Endgame. Hearing him sing about being wounded within the act of liberation in Caged consolidates an acute poetry that fits thoroughly within a grinding techno beat, a devastating apocalyptic ballad culminates the record where an ethereal vocal from Deka repeats subtly on 530I.

It might be the presaging lines from DÆMON embracing the powerful and ominous production from Endgame that makes DXE a dark and a futuristic experience, envisioning a forward-thinking piece of puncturing yet suggestive experimental dance record.

Mastered by Fausto Mercier
Artwork by Francesca Landi

DÆMON & ENDGAME - Eye Teeth (IM082)

Lyo XS - Deadly Rush

run by @amblio & @antoniaxm
ashidapark@gmail.com

Core Self - Damned Whores And God's Police

Ashida Park

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