Feelings Matter

“Every street a canal, every skyscraper an island.”

REMADE002 is out digitally on April 8th 2022.

Cover art by Helin Sahin.

2140

SHALT - Home

The enigmatic artist offers us a utopian project for a newborn communist country pictured in Isotopia, a mysterious sound manifesto blending Afro-Caribbean traditional sounds with contemporary electronics, to be released on Paris via Brussels imprint Promesses.

Read more on CxC 🔗 couvrexchefs.com/en/negro-dinero-promesses-paternalismo-cultural

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PREMIERE: Negro Dinero - Paternalismo cultural (Promesses)

Guacamaya

Lao & Dj Fucci - Guacamaya

Desiring codes it is a meme about the invasive doctrine of the entrepreneur of himself and individualistic tirany that implies, it is just an anti-iconic evocation of the romanticism about club and the ideas sourrounded them as a political way, as an ideologic counter-apparatus to create new perceptions and subjectivities.

The future of this is a narcissist a-political-selfie, with all that entails.
credits
released November 18, 2022

Production, mix and mastering: Imaabs 
Co-Production Track 1 : Zutzut 
Co-Production Track 3 : ORJ

Desiring Codes

After The End ft Zutzut

MAKE YOU SCREAM (TSVI X BLACK EYED PEAS)

ESP: 

- “cr1s1s” es el punto de quiebre de nuestras inquietudes, una borradura de nuestros proyectos individuales (Practice-Loe, Tomás Urquieta e Imaabs) no hay un tú, un yo o alguna forma, es simplemente un punto singular en el cual nos propusimos inventar y jugar con el sonido hacia una perspectiva de lo que esperamos en cualquier club o rave.
 
Musicalmente, el estilo de “cr1s1s” es fácilmente identificable: Techno sin pretensiones en cuanto a complejidad rítmica o deambular en una suerte de abstracción ambient, pensamos que menos es más al respecto.

 - “El fin de un mundo en común” es el impasse actual del revival, que a nuestro criterio, es mantener momentos qué han sido cómodos para la industria y la cultura etnocentrista, donde se continúan perpetuando modos de entender y vivir la realidad, como una repetición infinita sin Balance, pero esto no implica el fin de lo posible, la tarea es crear y buscar fuera de las linealidades que nos enseñaron, la Génesis de mundos posibles, diferentes a este. 

ENG: 

- Musically, the style of cr1s1s is easily identifiable. In most of his works we can find a raw, dry and forceful techno. It's unpretentious techno in terms of complexity of rhythms, dreamlike or ambient abstraction, but sometimes less is more and in the case of cr1s1s it works perfectly. Rounds between House, Techno, Rave & Breakbeat, the only thing guaranteed: It will always burn the dancefloor.

- “El fin de un mundo en común” (The end of a common world) is the impasse about the revival, which is in our opinion shaped to maintain moments that have been comfortable for the industry and the ethnocentric culture, where the ways of understanding and living reality are perpetuated, as a repetition without Balance, but that does not imply the end of the possibilities... The task is to create and search for the Genesis of new realities, different from this.

Cr1s1s - Balance

@tatiaumiel
https://tatiaumiel.bandcamp.com/

Tati au Miel - Consistency

OUT TO https://soundcloud.com/pinealsounds ON THE DROP

GRAB THE WHOLE PACK HERE ~ http://bit.ly/2s8eXFo
GRAB THE WHOLE PACK HERE ~ http://bit.ly/2s8eXFo
GRAB THE WHOLE PACK HERE ~ http://bit.ly/2s8eXFo

SUPPORT THE ORIGINAL ~ https://www.youtube.com/watch?v=tE9QbbBoGfo

FREE

Arca - Else (Galtier Reconstruct)

FLUTE TRACK FOR THE DEEJAYZ

Buy: https://keiska.bandcamp.com/track/huilu-163

HUILU 163

@djgapdjgap

Why would today be too soon? 

Artwork by www.instagram.com/cavecanems

Mixdown by the artists 
Mastering by DJ GÄP 

(c) Ashida Park

Free Download

DJ GÄP - Soda

run by @amblio & @antoniaxm
ashidapark@gmail.com

DJ GÄP - Soda

Ashida Park

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