https://soundcloud.com/senglar/ashkan-behzadi-partitav-senglar-version

Partita
for solo Violoncello

I. Lobelia
II. Hop
III. Cicada
IV. Hoop
V. Marionette

Composed for:
Juan Aguilera Cerezo

Premiered on 
January 25, 2023, Espacio Turina, Seville, Spain

Partita (2022-23)

The BurglaR - دزد (Extended Version)

In the Mirror of the Sky

Foroud

Cael

Pauses - Hooshyar Khayam

Down Out Sober

A Walk in the Park

Persian Underground - Garage Rock, Beat and Psychedelic Sounds from The Iranian 60's & 70's Scene

03 I Was Thinking About You

Partita
for solo Violoncello

Composed for:
Juan Aguilera Cerezo

Premiered on 
January 25, 2023, Espacio Turina, Seville, Spain

I. Lobelia

V. Marionette

IV. Hoop

III. Cicada

II. Hop

07-Reng.mp3

آلبوم «هرات، تو فراموش نشده‌ای!» منتشر شد.
مهدی امینیان پروژه‌ای بِینا فرهنگی را به اسم Roots Revival راه‌اندازی کرده که در آن به دنبال احیای ریشه‌ها و ایجاد گفتمانی بین فرهنگ‌های مختلف از طریق زبان موسیقی‌ست و در این مسیر بانی همکاری موزیسن‌هایی از کشورهای مختلف شده. این پروژه از سال 2013 آغاز شده و از آن زمان در قالب تولید آلبوم موسیقی، پروژه‌های فرهنگی و اجراهایی متنوع در فستیوال‌هایی مثل Morgenland و  و مراکز موسیقی اروپایی با هنرمندانی از فرهنگ‌های مختلف همکاری داشته است.
نشر موسیقی ساخت ایران در همکاری با این پروژه، آلبوم موسیقی «هرات، تو فراموش نشده‌ای!» را منتشر کرده. این آلبوم مربوط به جدیدترین اجرای آنسامبل Roots Revival است که به موسیقی هرات پرداخته و در آن ناریا نور و فاروق رحمانی به عنوان هنرمند مهمان حضور دارند. در سری اجراهای آینده، Roots Revival سراغ موسیقی بدخشان، شاعران زن پشتون و موزیسین‌های مهاجر افغانستان که ساکن اروپا هستند خواهد رفت.
فایل صوتی آلبوم، برای خرید از داخل و خارج ایران و همینطور روی پلتفرم‌های موسیقی برای شنیدن در دسترس است.

The album "Herat, You Are Not Forgotten!" has been released.
Mehdi Aminian has launched a cross-cultural project called Roots Revival, aiming to revive cultural roots and foster dialogue between different cultures through the language of music. Since its inception in 2013, this project has collaborated with artists from various cultures, producing music albums, cultural projects, and participating in various performances at festivals and music centers across Europe.

Made in Iran Records has partnered with Roots Revival to publish the album. "Herat, You Have Not Been Forgotten!" album represents the latest performance by the Roots Revival ensemble, focusing on the music of Herat, with guest artists Naria Noor and Farooq Rahmani. In upcoming performances, Roots Revival plans to explore the music of Badakhshan, Pashtun women poets, and Afghan immigrant musicians living in Europe.
Album is available for purchase as well as on various music platforms for listening.

Roots Revival - Baz Amadi

"I am condemned to painting."
I heard these words of "Bahman Mohassess" a while ago. The painting "Fifi howls from happiness" made a profound impression on me. I took in the scent of his art and inhaled it deeply. The fragmentary and redness of Fifi's body, with a black hole on her face, and the hard, stony background, caused a "dream" to "appear" in me. I was trapped in my brain. It felt like a small, tight, rusty uterus, and I couldn't breathe. a brain that was formed like this due to a clueless, corrupt, and flattering society, with semi-dry and sticky sperm stains on it, the rottenness of the bourgeoisie, and the filthy loathsome beauty of women and men who intend to commit mass murder in the streets. I was condemned to create in this womb, in this only praiseworthy court, to carry out a mandatory task: "It comes easily and calms [spontané]." The album was unprofessionally recorded using a mobile phone, for the first and last time. I had no intention to create expressionistically; rather, I just opened the reins of my wrinkled mind and recorded the apparition of the instant emotions that were required to be expressed. I broke the deck of music, rhythm, and then I drowned it in a black vortex, amid the dried, purulent patches of blood painted with vermilion red. with disgusting chromatic movements seemingly rooted in consecutive disorientation and dizziness, with undesirable intervals complaining about whatever is desirable, with my out of tune piano. I have only painted this canvas once, and I will never record anything on it again, like a painter. This work is a colorful object, which I painted on canvas with sound. More than ever, I feel the presence of "Bahman Mohassess" in my life, but I do not dare to express my affection towards him, not to mention dedicating these works to him.

Fifi  Apparition of a Dream

Fifi Op.2 Nr.1

Frans Bak
Danish composer, artist, and instrumentalist

Web:  https://fransbak.com/
YouTube:  https://www.youtube.com/user/ComposerFransBak
Facebook:  https://www.facebook.com/FransBak/
Spotify:  https://open.spotify.com/artist/4KyULSYP9ZU6WBnUfvudjG
Soundcloud:  https://soundcloud.com/fransbakmusic
Instagram:  https://www.instagram.com/fransbak/


🎹 Piano Lounge
YouTube:  https://www.youtube.com/channel/UCHG6WDS4KbD2j9XXRyhFOKg
SoundCloud:  https://soundcloud.com/piano-lounge-125794806
Facebook:  hhttps://www.facebook.com/Piano-Lounge-344801679237245/

📩 Submissions
https://www.submithub.com/blog/piano-lounge

Piano

Frans Bak - Waiting

هربار که برای متهمی تقاضای اعدام می‌شه مدافعین و مخالفین حکم اعدام شروع می‌کنن به بحث و رسانه‌ها پر می‌شن از دلایل تکراری و جدید دو طرف. اما گاهی وقت‌ها اتفاقی که افتاده طوریه که بعضی از مخالفین کلی اعدام هم یا سکوت می‌کنن یا بدشون نمی‌آد که تو این مورد خاص یه استثنایی در نظر بگیرن و متهمی رو که مثلن چند تا بچه رو کشته یا یه جای شلوغ شهر بمب گذاری کرده اعدام کنن.  تو اپیزود چهارم پادکست کانال‌ بی، قصه‌ی وکیلی رو تعریف می‌کنم که مخالف اعدامه و معمولن دفاع از چنین متهم‌هایی رو برعهده می‌گیره. جودی کلارک تا حالا جون چند تا بمب‌گذار و بچه‌کش و متجاوز رو نجات داده و حالا داره از جوهر سارنایف، بمب‌گذار ماراتن بوستون دفاع می‌کنه.  نکته‌‌‌ی جالب اینه که طبق قانون، کسی که اساسن با مجازات اعدام مخالفه نمی‌تونه عضو هیات منصفه این دادگاه بشه. برای همین این خانم باید یک سری آدم طرفدار اعدام رو قانع کنه که متهمی رو که در مجرم بودنش هم شکی نیست اعدام نکنن؛ ماموریت غیر ممکن.

اپیزود چهار - بدترین بدترین‌ها

Please feel free to contact me via email: 
behzadi.ashkan@gmail.com
https://takensemble.bandcamp.com/album/love-crystal-and-stone-2
Ashkan Behzadi (b. 1983) is an Iranian-Canadian composer residing in New York City. He completed his Doctor of Musical Arts (DMA) in composition at Columbia University. Prior to this, he earned his bachelor's degree in composition and music theory from McGill University, and he holds a bachelor's degree in architecture from Tehran University.

The dialectical relationship between modernist lyric poetry and contemporary music constitutes the foundation of Ashkan's aesthetic exploration in recent composition projects. His works demonstrate a meticulous attention to detail, often incorporating musical allusions to create a miniaturist and gently lyrical landscape. Ashkan's musical endeavors aspire to evoke the collective memory of folklore lyrical singing or group dancing, avoiding the pitfalls of folklorist aesthetics.

Ashkan has collaborated with various ensembles, including TAK Ensemble, Ensemble Recherche, Oerknal Ensemble, JACK Quartet, Divertimento Ensemble, Ensemble Alternance, Ensemble UnitedBerlin, Ekmeles Ensemble, Yarn/Wire, Ekmeles, and Wet Ink Ensemble. His contributions to the field have garnered recognition through awards, artist residencies, and participation in prestigious festivals. Notable accolades include the Koussevitzky Composition Award, Fromm Foundation Award, MacDowell Fellowship, Civitella Ranieri Residency, Dialoge Festival at Stiftung Mozarteum Salzburg, Rondo 2017 in Milan, and Manifeste Festival at IRCAM.

Ashkan Behzadi holds a position as a composition faculty at the Manhattan School of Music and teaches as Lecturer at Columbia University.

V. Marionette

Ashkan Behzadi

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