https://robbiedoherty.bandcamp.com/track/how-to-love

How to Love [out now on bandcamp]

Recorded at KaterHolzig, Oberstuebchen  5th january 2014

Tracklist:
Canson - untitled
Canson - untitled
Canson - Bellevue - Katermukke
Ante Perry - L.O.V.E. (Canson lovely mix) - Katermukke
Soukie & Windish - Hero (Canson Remix) - URSL
Vincent Giumelli - Skyfall (Canson Remix) - 324 Records
Ordinary Subject - Moments like this (Canson charmed mix) - Frieda Musik
AMyn - Twisted River (Canson Remix) - Moodfamily
David Dorad - Ohrdruff (Canson Remix)
Canson - Wapa - URSL
Canson - Kuma - URSL
Canson - Good morning - URSL
Soukie & Windish - Oak & Whiskey (Canson Remix) - URSL
Kalabrese - Desperate Man feat. Khan (Canson Du Mix)

Kater Closing Set

İsmet Özel - Evet, İsyan (kofiakofo edit)

August/September

B2 Drums Of Taksim (Baris K & Mehmet Aslan Remix)

Retro Future Disco

An Elegy to the Broken and never Weres (Planet Jumper re-edit)

Enjoy an entire night recorded at Istanbul's minimuzikhol, by Baris Bergiten and Muzo B!
© 2017 Deep House Proposal
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Deep House Proposal Podcast 087 By Muzo B & Baris Bergiten B2B Live @ MiniMuzikhol Istanbul March 10

The Anjunadeep Edition 157 with Death on the Balcony

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Death on the Balcony make their Deep Edition debut ahead of their 'Through The Wilderness EP' out tomorrow. 

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Soundcloud: @deathonthebalcony
Facebook: www.facebook.com/dotbmusic

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Subscribe on iTunes

The Anjunadeep Edition 157 with Death on the Balcony

Few artists can claim to have their own distinctive “musical voice”: a style of composition and production that listeners instantly recognize. For starters, it takes years of experimentation to perfect, and most people simply don’t have the patience, talent or skills to pull it off. 

Ali Kuru is one of those rare producers whose music sounds like nothing else around. The Istanbul-based artist has spent the best part of a decade honing his trademark style – a fragrant and intoxicating aural brew that combines a myriad of influences with atmospheric field recordings and snaking, mind-altering Middle Eastern instrumentation – via releases for the likes of Luxa Flex, Kalisah, Sound Architecture and, most recently, Leng. 

It’s to the latter label that the publicity-shy producer returns with his most ambitious release to date, Egzotik. 15 tracks and 70 minutes deep, it’s not so much a debut album as a statement of intent. From start to finish, it feels like a humid, sweat-soaked saunter through the winding streets of Istanbul in the company of a musician who draws more inspiration than most from his immediate surroundings. 

Those surroundings come to the fore on opener “Bazaar”, where tipsy horns and gently strummed electric guitar passages slowly rise above the sound of a harbourside market. 

They’re present, too, within the souk rhythms and cascading pianos of “Zorba The Greek”, beneath the gentle throb of “Lost Bedouin”, inside the spaced-out, stargazing pulse of “Hiyar”, and around the chiming melodies and mournful strings of hushed ambient closer “Adios”. 

Kuru’s genius lies in his ability to take familiar musical tropes and twist them into unique, Ottoman-inspired shapes. So, while “Tangerine Dream” doffs a cap to the stretched-out hypnotism of the legendary krautrock band of the same name, its reliance on backwards drum hits, locked-in grooves and psychedelic sample loops is a far more contemporary proposition. 

Some may hear the influence of Detroit beatdown in the slow and dubby house grooves of “Le Voyage De Space”, while others could describe the drowsy “Ashoka” as being Weatherall-esque. Yet none of these tracks, layered as they are with traditional Balkan, Persian and Arabic instrumentation, sound like anything other than Ali Kuru productions. 

The result is an album that surprises and enthralls in equal measure. Highlights come thick and fast, from the bubbling, dub-house psychedelia of “Mount Damavand” and haunting deep techno humidity of “Sacred Vallley”, to the Augustus Pablo-in-Ankara shuffle of “Jungle Flower” and potent hookah hit of “Return to Paradise”, where sampled voices rise above a typically tactile groove.

10 - Ali Kuru - Mount Damavand

few days ago, something special happened at the end of a show in France where I was playing b2b with mamene S3A.
the sound engineer, waited for the place to be empty and just played this beautiful track for the staff and the artists packing their stuff and it had a really strong effect on me. something beautiful, out of time, lost in a little snowy village, this song I know since I was a kid sounded different and affected me.
the funniest part of the story is that S3A did a France Gall edit few weeks ago to pay his tribute to this wonderful and talented artist, thanks to him for opening the road.
here it is, only three days after the show cause it feels linked to that moment for ever to me.
-
hope you'll like it fam.
folam.
-
mastering : Mangabey (thx mamene)

August/September

Ashkan.

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