Hi Ashwin , ramayanakkattee yute oru violin track tharumo?

Whole Hara Hara shankara

My first composition, based on the scale of Raga Hari Kambhoji (I hope).  

Carnatic Rock Fusion

A Sanskrit adaptation of Eric Clapton's acoustic version of Layla (as लीला - Leela) with lyrics by SP Suresh (https://twitter.com/vajrabhrt) & Vaishnavi S

Vocals, Guitars (Ovation acoustic) , Violin (Yamaha), Piano, Bass, Drum programming, mixing & mastering by @krishashok 

Lyrics

त्वयि एकाकिन्यां किं करिष्यसि  (What will you do for your loneliness)
Tvayi ēkākin'yāṁ kiṁ kariṣyasi 
यदा सहचरः कोऽपि नास्ति  (When for companionship there is no one)
yadā sahacaraḥ kō̕pi nāsti 
चिरम् धावन्ती गुप्ता असि त्वम्  (Time has past, you have been hiding)
ciram dhāvantī guptā asi tvam
जानास्येव तत् गर्व इति  	(You must know that it is your pride)
 jānāsyēva tat garva iti 

लीले, साष्टाङ्गं प्रणमामि  (Leela, I fall at your feet)
līlē, sāṣṭāṅgaṁ praṇamāmi     
लीले, प्रिये, त्वम् याचेऽहम्  (Leela, my love, I implore thee)
līlē, priyē, tvam yācē̕ham 
लीले, चित्तव्याकुलम् शमय  (Leela, pacify my troubled mind)
līlē, cittavyākulam śamaya 

तव शोकम् अपहर्तुम् अयते  (I tried to remove your sorrow)
tava śōkam apahartum ayatē  
त्वत्पिता यदा निराशाम् (अजनयत्)  (When your father let you down)
tvatpitā yadā nirāśām (ajanayat) 
मूढोऽहम्! त्वयि अनुरागो जातः!  (Fool that I am, love for you was born)
mūḍhō̕ham! Tvayi anurāgō jātaḥ! 
लोक एव अधोमुखीकृतः!  (My whole world was turned upside down)
 Lōka ēva adhōmukhīkr̥taḥ! 

उन्मादात् प्राक् मम (Before I become mad)
Unmādāt prāk mama  
मां पुनरुद्धर (Bring me back to normalcy)
māṁ punarud'dhara 
गतिर्नास्तीति मा वद (Don't tell me that there's no hope / way)
gatirnāstīti mā vada 
व्यर्थमिदम् प्रेम मा ब्रूहि  (Don't tell me that my love is in vain)
vyarthamidam prēma mā brūhi 

thanks to Kenneth Adair for the romanized version of the lyrics

Picture credits: Raja Ravi Varma's Urvashi & Pururavas

Leela

Nadha in Sanskrit means “sound” and Aradhana signifies “worship” or “devotional offering”. Nadha Aradhana is an intuitive synthesis of vocals and instruments performed twice daily in the Dhyanalinga Multi-Religious Shrine at the Isha Yoga Center in Coimbatore. It is offered live without any preplanning which makes the music live, spontaneous and soulful.

An enchanting and deeply healing mix of singing bowls and assorted natural musical instruments in conjuction with voices, Nadha Aradhana is a live offering that enables listeners to slip effortlessly into a receptive mode, making them available to the divine energies and Grace of the Dhyanalinga, and allowing them to experience deep states of meditation.

Every Nadha Aradhana ia an unfailingly moving experience. Emerging as it does from a state of deep interiority, it is an expression of the performers’ reverence and love – a response to the powerful presence of the Dhyanalinga. The soothing tone of the singing bowls sets the tone, inviting listeners to delight in an arabesque of pure sounds, unmediated by sahitya or lyrical content. Here singers of Indian and Western styles combine with the vocal and guitar to create a soaring oblation of sacred sound. As the music draws to a close, an intense and passionate sequence of Indian percussion takes over, its lingering echoes enabling listeners to experience the imminent silence that follows in a way they never have before.

Nadha Aradhana is performed in the Dhyanalinga Temple daily from 11.50 am to 12:10 pm and from 5:50 pm to 6:10 pm – timings that are recognized as sandhya kalas, or phases when nature itself undergoes a deep transition, and are known to be especially conducive for one to experience dhyana or meditation.

To download check this link - http://www.ishafoundation.org/soundsofisha/album/nadha-aradhana-an-offering-of-sounds-vol-2/

for more songs Check the Sounds Of Isha Blog - www.ishafoundation.org/blog/lifestyl…-new-release/

You may also like this. Check this youtube link - www.youtube.com/watch?v=FSMA9WlDqh4

'Dance Of The Dunes' - Carnatic Fusion - (Best Offering)- Guitar, Vocal, Bowls(Nada Aradhana)

Alaipayuthe Kanna | Kaanada | Carnatic Violin | Practice Session | Ashwin Vijayan

Starring: Rajinikanth, Goundamani, Manisha Koirala, Ashish Vidyarthi
Music: A.R.Rahman
Director: Suresh Krishna
Lyrics: Vairamuthu & Vaali
Year: 2002

Baba - MassTamilan.com

Ekam Eva Adhvitheyam - MassTamilan.com

A Carnatic fusion track.....Balaji Sivasubramanian a.k.a Lobo on the violin
Based on the song 'Nagumomu' in raag 'Abheri'.


Abheri CinCed

M S Subbulakshmi Bhavayami raghuramam

08 Nagumomu Abheri Adi Thyagaraja by Dr. BalamuraliKrishna garu1979b

I recently started experimenting with my electric violin to create deep cello-like tones. Once I came up with a few interesting musical 'hooks', I started looking for a song to complement these, and landed on Vatapi Ganapathim, a popular Indian Classical song composed by Muthuswamy Dikshitar. I've added multiple violin and vocal layers to complete the arrangement. I'm so excited about this song, and think this kind of a homogenous arrangement with only violin and vocal tracks to back the main melody can become a theme in itself for more videos in this channel. Hope you like it!

Vatapi Ganapathim - Flow by Karthick Iyer

Megh played by the maestro Pravin Godkhindi. I uploaded this since this track is not available on YouTube too and I wanted to share it with my friends.

Pravin Godkhindi - Hindustani-Instrumental---Flute - Megh

Trained in carnatic vocal and carnatic violin primarily. Prefers to play violin since I believe emotions can be conveyed much deeply with it!. Exposed to some amount of Bollywood during my undergraduate days at IIT Madras. Enjoy playing keys and making some raw covers once in a while..Mainly interested in semi-classical, melody, carnatic music theory with some inclination towards bollywood and moderately heavy fusion.

Alaipayuthe Kanna | Kaanada | Carnatic Violin | Practice Session | Ashwin Vijayan

Ashwin K Vijayan

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