Du er en fantastisk rapper. Mackdaddy er virkelig en grineren funky og sej sang. Jeg kan ikke sætte tal på hvor mange gange jeg har lyttet på din musik!

Du er en fantastisk rapper, du er den rapper jeg har hørt flest gange!

Nastalga babbbbbes

Mechanical Lullaby- Coraline

-Other Fathers Song- Coraline 2009

Bruno Coulais is a French composer, born in Paris on 13 January 1954. He has a father from Vendée and his mother is an Iraqi Jew. He is most widely known for his music on film soundtracks.

Coulais began his musical education on the violin and piano, aiming to become a composer of contemporary classical music. However, a series of acquaintances gradually re-oriented him towards film music. Coulais was particularly influenced by director François Reichenbach, who asked him in 1977 to write the soundtrack to his new documentary Mexico Magico. The first full-length production he composed the score for was the 1986 film La femme secrète by Sébastien Grall. Until the end of the 1990s, he remained low-profile, composing mainly for television. His name can often be found from TV films by Gérard Marx and Laurent Heynemann. He also composed the soundtracks for Christine Pascal’s 1992 film Le petit prince a dit, and Agnès Merlet’s Le fils du requin in 1993.

In 1994, he met the television producer Josée Dayan, who let him write a theme for the TV series La rivière Esperance, aired on the France 2 network in autumn 1995. He worked with Dayan again with other major productions such as Le comte de Monte-Cristo, Balzac, and Les nuiteux.

The largest turning point of his career came in 1996, when he worked with directors Claude Nuridsany and Marie Pérennou of the documentary Microcosmos. This single film, which gave a great significance to the music in it, was a great success and made Coulais one of the most wanted composers of French film music. In 1997, he won the César award for the best musical score in a film, as well as a Victoire de la Musique. His reputation was confirmed by the soundtracks to Himalaya (1999) and Les rivières pourpres (2000), and after that Bruno Coulais’s name was to be found on most new French blockbusters, such as Belphégor and Vidocq.

After producing the soundtrack to Winged Migration in 2001, Coulais announced that he wanted to significantly reduce his contributions to film music, and instead concentrate on other projects, such as the creation of an opera for children, and collaborations with Akhenaton, Akhenaton’s group IAM and the Corsican group A Filetta, with whom he had worked since he had made the soundtrack for Jacques Weber’s film Don Juan in 1998.

In 2002, his name was found on the ending credits of the animation L’enfant qui voulait être un ours, and in 2004, on Frédéric Schoendoerffer’s Agents secrets. The same year, he wrote the soundtrack to the film Les choristes by Christophe Baratier, which subsequently became an international hit. The music for this film received as great praise as the film itself, and it won Coulais his third César award. Since then, Coulais’s collaborations in cinema seem to be limited to works by directors with whom he already shares some history, in particular Jacques Perrin, Frédéric Schoendoerffer, and James Huth.

Bruno Coulais’s musical style may vary significantly between different projects, but there are some constant factors visible: his taste for opera and for human voice (in particular that of children), for a search for original sonority, for world music and mixing different musical cultures, and finally, a certain tendency to give preference to the ambience created by lighting rather than the film’s narration.

Coraline Soundtrack Song  Exploration

Dreaming - Coraline

Exploration - Coraline

Installation - Coraline

Valse op.39  n°15

The Party - Coraline Soundtrack

Wybie

Music by Alan Menken
Lyrics by David Zippel 
All vocals by Pomme Narin
Piano by Tutu 
The song was recorded in 2008. I changed some "female-related" words to make it fit with my voice. I truly had great fun while recording. Thanks to Tutu for his piano backing track.

ทำนองโดย Alan Menken
คำร้องโดย David Zippel
เสียงร้องทั้งหมดโดย Pomme Narin 
เปียโนโดย Tutu
บันทึกเสียงปี 2008 ผมแปลงคำบางคำในเนื้อร้องให้เข้ากับเสียงร้องของผู้ชาย สนุกมากตอนอัด ขอขอบคุณพี่ตู่สำหรับเปียโนที่เล่นส่งมาให้จากพัทยาครับ

I Won't Say (I'm In Love) [male version] from Disney's Hercules

This is an excerpt of Installation from the film Coraline that I made myself so there is no copyright and it is completely downloadable for your concert needs. This instrumental is without the lead vocals, I created this for fans of who want to perform this as a choral piece, it could also be used as background music for a sound design exercise. I listened to this track over and over to meticulously recreate it within my software sequencer and is the focus of my first attempt at recreating an orchestral score after receiving the platinum composers edition of East West’s orchestral sample library. The success of this exercise was also contingent on the use of reverb and the positioning of instruments within the sound stage. The lyrics are not present as this was not the aim of the exercise. The notation for all of the parts is also available with correct lyrics, if you want them just send me a request email and i'll send the pdf. If you would like a version of this recording with the boys choir removed I can do that for you too.

Be sure to check out my instrumental version of Exploration as well https://soundcloud.com/thesymphonyoflight/coraline-exploration

The Party - Coraline Soundtrack

Asim

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