eat, drink and never ever EVER be miserable

this month for me is largely jewels and maps, a v piratey december

Sketchy - 041224

Kind Of Blue

Blue in Green (feat. John Coltrane & Bill Evans)

still slipping vol. 1

w/ dad & frankie

COOKUP

Water Runs Dry

Uroko (鱗, fish scales)

Longtime friend, DJ, producer Sid Vaga saw that Nickodemus was about to play at the Electrafrique party in Dakar & asked if I can get in touch with this singer he noticed on DJ Cortega's Instagram page called Beni-Fadi. Beni-Fadi comes from Bandafassi, Senegal's South East region, where they speak an almost extinct language called Menik. In an attempt to keep the language alive, Beni decided to collaborate with electronic producers & bring his language & story of the Bedik people to the World. Mba-Mba (Dilemma) speaks of being proud of who you are & where you come from even when you are the minority. 

released April 6, 2023

Produced by Nickodemus & Sid Vaga
Written by Benoit Fader Keita (Beni-Fadi), Nickodemus, Sid Vaga
Additional percussion by Congafist
Vocals recorded in Dakar @ Deedo Studios
Special thanks to DJ Cortega (Electroafrique) & Passa Beatz

Remix & additional production by Jimpster
Remix & additional production by Passa Beatz
Mastered by EQuus
Artwork by Ojin Ngode
Turntables on the Hudson Music 2023

Buy on Bandcamp

Nickodemus & Sid Vaga feat. Beni Fadi - Mba Mba (Jimpster Remix)

II (10th Anniversary Sped-up Edition)

This Time (Sped up Version)

Ashram Sun’, Surya Botofasina's much-anticipated album follows his hugely acclaimed debut ‘Everyone’s Children’ and his first offering since his contribution to ‘New Blue Sun’ and global touring alongside André 3000. It is an ode to Surya’s upbringing and musical teachings in the tradition of Swamini Turiyasangitananda - aka Alice Coltrane, by the spiritual jazz colossus Herself, at Her Sai Anantam Ashram in California. ‘Ashram Sun’ is a deep listening, spiritual masterpiece with close collaborators Carlos Niño and Nate Mercereau, incl. contributions from the high priestesses of music Angel Bat Dawid, Mia Doi Todd, MidnightRoba and Radha Botofasina. 

https://suryabotofasina.bandcamp.com/album/ashram-sun 

CREDITS
There Will Be Brighter Days ft. Angel Bat Dawid
Surya Botofasina (keys, piano, synth, voice, and hand drum)
Angel Bat Dawid (clarinet, voice) 
Radha Botofasina (harp)
Nate Mercereau (guitar synth, pedals, sound fx)
Carlos Niño (bells, chimes, cymbals, drums, gong, percussion, plants)
Aaron Shaw (saxophone)
Efa Etoroma Jr. (drums)
Caleb Buchanan (bass)


Based on an edited live recording by Ken Barrientos 
from The Del Monte Speakeasy on August 27, 2021
           
Additional Recording by Carlos Niño and Nate Mercereau
Co-Produced and with Remix Elements by Nate Mercereau
Mixed by Carlos Niño and Nate Mercereau

From the album Ashram Sun

There Will Be Brighter Days with Angel Bat Dawid & Nate Mercereau

DINORWIC

Venus Smiles Not in the House of Tears

Storm

Dew Point Harmonics

Flutter Env

Twin Color (vol. I)

Going Home (IRCAM version)

Dream Trio

Everything Happens To Me

Steeze

Halogenix, Verbz - Steeze

Club Sodade

Angola (Carl Craig Mix)

Here Come The Warm Jets

Driving Me Backwards (Remastered 2004)

Dominique Lawalrée (b. 1954) is a composer born and based in Brussels. First Meeting is Lawalrée's first archival release to date. Culled from four different albums originally self-published on his private label Editions Walrus, circa 1978-1982, this compilation highlights the composer's unique sense of ambient and minimal composition. Originally considered for release on Brian Eno's Obscure Records, Lawalrée's music is now no longer hidden. 

In this collection, the listener finds the sounds of piano, synthesizers, percussion, wurlitzer, organ, and voice, all performed by Lawalrée. Using these tools Dominique creates miniature themes that gallop across the speakers in slow motion, stretching our normal sense of dynamics and color, effortlessly widening the stereo plane. On “Musique Satieerique,” Dominique pays homage to the influence of Satie with simple repeated piano figures and a lush field of organs and flutes. And on other selections, like “Le Maison Des 5 Elements,” he takes a more wistful, ambient approach, layering keyboard lines, and invoking found/tape sounds to create a hypnogogic world of his own. Childlike in its playfulness and surreal to the bone, the music spins like a carrousel placed inside the Rothko Chapel. Lawalrée’s sense of timbre, tone, and overarching composition is like an impression of a home movie whose charm lies in its knowledge of intimacy, shared by few. An incantation of innocence.

First Meeting

Dominique Lawalree - La Maison Des 5 Éléments

The Debut Album "Nothing Is Still", out now on Ninja Tune.
Buy / Stream: https://leonvynehall.lnk.to/nisYo

Follow Leon Vynehall -
Spotify: http://found.ee/lv-sp
Apple Music: http://found.ee/lv-am
Facebook: http://found.ee/lv-fb
Twitter: http://found.ee/lv-tw
Soundcloud: http://found.ee/lv-sc

Nothing Is Still

Movements (Chapter III)

"PLEASURE, JOY and HAPPINESS," AVAILABLE FROM DAY END RECORDS (DE-002).

STREAM: https://ffm.to/rlembdx
VINYL: https://dayendrecords.bandcamp.com/

eddiechacon.com

https://www.instagram.com/eddie_chacon_

https://www.instagram.com/johncarrollkirby

https://www.instagram.com/dayendrecords

Eddie Chacon experienced proper, peak-nineties acclaim in the soul duo Charles and Eddie: they scored a global No. 1 in 1992 with “Would I Lie To You,” appeared three times on Top of the Pops, and featured on soundtracks from True Romance to Super Mario Bros.. Their crooning style was clearly pop-ready, but undeniably reverent: the pair first met when Eddie noticed Charles carrying a vinyl copy of Marvin Gaye’s "Trouble Man” on a New York subway train.

By that time, Chacon had already been navigating music in interesting ways, all the way back to his teen garage rock band with the late Cliff Burton (Metallica) and Mike Bordin (Faith No More). In the late ’80s, he released a full-length on Uncle Luke from 2 Live Crew’s label and signed to Columbia as a solo act. He was a working artist, always popping up in unexpected places: through the course of his career, Chacon would write, sing, or produce ten Top 40 hits around the globe.

In the words of Mac DeMarco: “Eddie Chacon is planet earth’s number one musician. Yesterday, today, and forever.”

Years ago, Chacon retired from music for a second calling as a fashion photographer and creative director. In an interview at the time, he said, “I was fortunate to have a 35-year music career and felt that there wasn’t that much more for me to say or achieve.” Very thankfully, that’s no longer the case. Private experiments, far from the major-label center he once frequented, began to feel urgent and new. “There’s nothing more exciting for me than getting to start from the beginning again,” he says today.

“Pleasure, Joy and Happiness” will be available July of 2020 on the boutique Los Angeles-based label Day End Records. This is a thoughtfully considered album of quiet, confident R&B: it doesn’t jump out at you, but rather gets in you. Produced by John Carroll Kirby, the like-minded artist and collaborator with Frank Ocean and Solange Knowles, it features restrained percussion from Kanye West’s Sunday Service drummer Lamar Carter. Celestial soul as a break from chaos, these are quietly challenging songs as timeless as they are contemporary.

“What a rare and cool challenge it was for me to help Eddie re-emerge after a long hiatus,” says John Carroll Kirby. “I was excited to produce a record for him that captured the chill, laid-back wisdom and easy vocal mastery he has that you don’t see that much these days.”

Lead single “My Mind Is Out of Its Mind” finds a deep groove to try and contain spiraling heartbreak, while the sweet and wobbly “Trouble” balances the delightful near whisper of the title track “Pleasure, Joy and Happiness.” But even the project’s lightest moments feel sincere and mature. Altogether: a truly unifying release, coming from a man who’s earned the right to share such a regal, romantic sound.

“I used to think to myself,” Chacon says, “if I ever make a record again, I’d want it to be a record you’d have to be my age to make.”

Sketchy - 041224

SLY DIG