Quick spinoff from Junto 189.

With:
https://soundcloud.com/keithysdunimselfamischief/falling-fruit-may-cause-injury-disquiet0189-tonelayer
and:
https://soundcloud.com/ascythethroughnettles/germanium-ceiling-disquiet-junto-project-0189-tone-layer


Fruit From The Ceiling

Correctly guess the number of bird species to win a jelly bean.

Based on a continuous field recording - no splicing or multitrack ... embellished after the event with 2x drone machines slaved together, running autonomously.

The View From a Tin Lined Room

Stray Strat-jam fragments cooked on a MidiPunk teaser, re-synthed and re-seq'd, then rounded with a layering of WildSilences --> https://soundcloud.com/wildsilences/the-wall ... and a little Stoch5 as flavour-of-the-month.

https://soundcloud.com/wildsilences
https://soundcloud.com/midipunk

No Walls [Punk Silence]

Check out --> Wildsilences – Safe-with-me

This one mixed with beats sliced from the neighbour's stump grind festival, a glued up steel string smashed in roadside trash, a bit of strat cycling and a day in the echo chamber.

A Wave Upon [Tolerant Silences]

Pretty much every posted track from this year, which wasn't a collaboration or Junto. 
Gave them about 2 sec. each - just picked any arbitrary start point with 'hard attack' and chained them all together. The result is not much of a tune ... would Salamander please pass the butter & knife? (Hint: it WILL sound much better with a factor=1 & resolution = 4.27 sec PaulStretch in Audacity!)

Maybe there is something in there that will provoke a little curiosity anyway. And it was interesting for me to hear them again - I guess a vague 'fingerprint' emerges.

Original postings were from APatchOfNettles, then AScytheThroughNettles on to ASoupOfNettles:
Meteorological Cycles.mp3
Idle.mp3
One River And Embers.mp3
One Pound of Picrate.mp3
Stochs Diversified.mp3
One Stoch 4 at 950m.mp3
One Urbane Stoch 5.mp3
One More Windmill.mp3
One Drum Departure.mp3
One Stoch 5 with a chance of showers.mp3
One Stoch 5 555 505.mp3
Blue Read as Green.mp3
Stoch 5 Stridulation.mp3
Glazed Ground Shard.mp3
A Gentle Southerly At Dusk.mp3
Glint and Movement, A Tide Pool.mp3
Meted Disbelief.mp3
One Fractionating Retort.mp3
Waste Reclamation.mp3
One Stropped Blade Edge.mp3
No Sordid Ends To Serve.mp3
Sole Recourse.mp3
One Abrupt Point of Contention.mp3
One Red Box.mp3
Through One Pane of Quartz.mp3
No Dove, No Branch.mp3
One Slice Of Air.mp3
Candella.mp3
But It's Still Got A Drop In There.mp3
One Fixed Hinge.mp3
The View From a Tin Lined Room.mp3
To Cool Grass Below.mp3
The Principle of Moments.mp3
All The Hours.mp3
Flecked Silvered Mirror.mp3
The Mechanics' Institute.mp3
Early Grey Rain.mp3

--------------------------------------------------
Disquiet Junto Project 0209: Audio Journal 2015
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.

This week’s project is a sound journal, a selective audio history of your past year.

Step 1: You will select a different audio element to represent each of the past 12 months of 2015. These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, and not drawn from third-party sources.

Step 2: You will then select one five-second segment from each of these dozen audio elements.

Step 3: Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

Step 4: In the notes field accompanying the track, identify each of the audio segments.

(Level Up: Alternately, you can use more than 12 audio segments — do two a month, or one a week, or one a day. Whatever you choose, just keep them evenly distributed across the year. You might make the segments shorter, to keep the full track length to 60 seconds.)

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the early afternoon, California time, on Thursday, December 31, 2015, with a deadline of 11:59pm wherever you are on Monday, January 4, 2016.

Length: The track should be 60 seconds long.

More on this 209th weekly Disquiet Junto project (“The Assignment: Create a sonic diary of the past year with a dozen five-second segments”) at:

http://disquiet.com/2015/12/31/disquiet0209-journal2015/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

One Time Around The Sun [Disquiet Junto Project 0209: Audio Journal 2015]

Browned one side, and a quick flip of --> https://soundcloud.com/asoupofnettles/one-time-around-the-sun-disquiet-junto-project-0209-audio-journal-2015

(Just wanted to hear it without the jaggedness...)

Please feel free to concoct your own variant melding of this and the original!

Another Time Around The Sun

An elaborate excuse to poach John Magill's "Faye Wray's Lungs" --> https://soundcloud.com/johnmagill/faye-wrays-lungs

It is here layered into a 3 machine live recorded improv, - both the Stoch4 & Stoch5 running, ganged to a new device which is possibly the Myrm2 = debatable that it is of Stoch stock...

No post effects on the machine track. Some Audacity EQ & spatial manipulation to FayeWray, to weave it in.

Thanks, John.


Poor Audrey [Black&White B-Grade Magill]

Thanks to 337is for putting this track out there.
Thanks to Lily for being so smart!
All that is required is to join together the things which make a noise.

https://soundcloud.com/337is/lilly-action-poem-drink-1
https://soundcloud.com/337is

One Rolled Action [337 Lilies]

Honouring: Ern Malley, see --> http://www.ernmalley.com/ern_malley.html   *   Sampling: "Stagnant Fragment" Dave Dallwitz, “Ern Malley Jazz Suite”, Swaggie Records, Melbourne, 1975.   *   Full text at --> http://jacketmagazine.com/17/ern-poems.html   *   Dave Dallwaitz is accompanied by 484Hz Saw & 121 Square through the Myrm2 machine   *   Audacity mashing.
--------------------------------------------------------------------
Culture as Exhibit

“Swamps, marshes, borrow-pits and other
Areas of stagnant water serve
As breeding-grounds ...” Now
Have I found you, my Anopheles!
(There is a meaning for the circumspect)
Come, we will dance sedate quadrilles,
A pallid polka or a yelping shimmy
Over these sunken sodden breeding-grounds!
We will be wraiths and wreaths of tissue-paper
To clog the Town Council in their plans.
Culture forsooth! Albert, get my gun.
--------------------------------------------------------------------

Disquiet Junto Project 0212: 484 Hz Love Songs
The Assignment: Make music intended to attract male mosquitoes.

The steps for this project are as follows:

Step 1: Recent research by Brian Johnson and Scott Ritchie of the Australian Institute of Tropical Health and Medicine has revealed that 484 Hz is “the frequency of a female Aedes aegypti’s wings flapping,” and thus is the frequency that attracts the male of the species. You can read up here:

http://www.abc.net.au/news/2016-01-19/scientists-discover-frequency-traps-male-yellow-fever-mosquitoes/7084434

Step 2: Create a brief, seductive love song that somehow features the 484 Hz frequency.

Step 3: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted shortly after noon, California time, on Thursday, January 21, 2016, with a deadline of 11:59pm wherever you are on Monday, January 25, 2016.

Length: Length is up to you, though between 30 seconds (mosquitoes do have a short lifespan) and 3 minutes (vaguely pop-song length) seems appropriate.

Upload: Please when posting your track on SoundCloud, only upload one track for this project, and be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please in the title to your track include the term “disquiet0212-484hzlovesongs.” Also use “disquiet0212-484hzlovesongs” as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 212th weekly Disquiet Junto project (“The Assignment: Make music intended to attract male mosquitoes”) at:

http://disquiet.com/2016/01/21/disquiet0212-484hzlovesongs/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


Malley Mire [Disquiet Junto Project 0212: 484 Hz Love Songs]

Driving in the lines from --> https://soundcloud.com/337is/racheting-in-dub

Ambient sounds from --> https://archive.org/details/aporee_29540_34000


----------------------------------------------------------------
(CC) Stuff:

MaoPuKeng Wetland Park, Puli Township - Frogs chirping
by Wu,Tsan-Cheng

Published August 10, 2015
Usage Attribution 3.0
Topics field recording, phonography, soundscape, sound art, soundmap, radio, ephemeral, listening, radio aporee


Frogs chirping , Insects sounds, Wetland ,Dogs barking ,
Best with Headphone, Proposal to turn up the volume ,
Zoom H2n MS+ XY( SoundMap20150810-21) , recorded by Wu,Tsan-Cheng
----------------------------------------------------------------


Sleepless Silhouettes [337 stems-in-bud]

No dramatic hook in this one, given the 'looping installation style' brief - but I think it can sustain the reflex for construing information from a 'temporal mass' ... ran it for quite a while here at home = no one smashed the laptop or unplugged the stereo!

Mixed the 3x tracks as a base layer, with the DWAVE pitched/slowed down some octaves; fed resonant/reverberant pattern driven sends to form a 'bass line' , 'synth drone' & 'chimes'.  Looped some fades through the resulting 6 layers, then added 2x live machine runs from the Stoch5 - rhythmically and harmonically related, but not time-synched or melodically attached. Frayed both ends with a little reverb and fade to close the long loop neatly ... not sure this method still works so good as mp3 but it locked tight in Audacity.

--------------------------------------------------------------------------------
Disquiet Junto Project 0213: Complex Signatures
The Assignment: Combine three field recordings from artist Charles Lindsay to explore and express notions of perceived techno-organic intelligence.
 
Step 1: Consider what it is that Charlie is exploring in his work: “I’m thinking about evolution, entropy, sentience, and the complex signatures of intelligence: what microtonal soundtrack would best express the micro and the vast, the field and the matrix, what we call nature and what we call machine, in unity, as music or as sound?”

Step 2: Download the three tracks recorded by Charle that are in this playlist on SoundCloud. The first track was made on the Osa Peninsula in Costa Rica, rain-forest ambient sounds caught with a parabolic microphone at nightfall. The second was made with a hydrophone at dusk amid the Bunsby Islands in British Columbia. The third was made at the D-WAVE2 Quantum Computer at NASA Ames.

https://soundcloud.com/charlies-experiment/sets/disquiet-junto-complex-signatures

Step 3: Follow this request from Charlie: “Please process, merge, and mix these tracks to seven minutes total. Imagine the final track looping indefinitely in a sound installation in a museum or gallery environment. This use of sound in controlled space is something I’m very interested in, as a real time, real space tool to blend so-called realities. Imagine dream images, much the way our mind seems to, glitches and all. I look forward to what you come up with, and thanks very much for your interest.”

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted shortly before noon, California time, on Thursday, January 28, 2016, with a deadline of 11:59pm wherever you are on Monday, February 1, 2016.
 
  
http://disquiet.com/2016/01/28/disquiet0213-complexsignatures/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Eight Places [Disquiet Junto Project 0213: Complex Signatures]

Arduino 328 - 2bit PWM filter - darlington class-A output amp - a bit of C code - LDR's - wayward attitudes... FM lead voice vs glitch drum tracker with saw drone = live 2x tracks.

$35.00 of Gristle and Bone

Someone needs to know : Crows are chasing ravens in Tartu Raadi graveyard...

------------------------------------------------------

Tartu linna asutus Kalmistu, Kalmistu 22, 50303 Tartu, Estonia - Crows and Ravens in graveyard - by Veljo Runnel 
http://aporee.org/maps/?loc=27287

Crow and Carrion

Thanks Keithy! Not a lot changes...
--> https://soundcloud.com/keithysdunimselfamischief

aSoupOfNettles

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