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Album: Arnaud Lazlaud ‎– Le Malade Roi / Elan
Label: Hertz-Schrittmacher ‎– HERTZ 022
Format: Vinyl, 7", 33 ⅓ RPM, Limited Edition, Red Marbled Translucent 
Country: Germany
Released: 01 Jan 2008
Genre: Electronic
Style: New Wave
http://www.discogs.com/Arnaud-Lazlaud-Le-Malade-Roi-Elan/release/1250602

Arnaud Lazlaud ‎– Le Malade Roi

Hungry Like The Wolf -  W H I † E  Remix

Trespasser’s sonic architecture, built upon heavy synth layers, arp drones and deranging oscillators, took shape melting down with a chronology of subversive, mind-altering sonorous incarnations and congregating into a daze of techno-ambient, post-punk and remote 8-bit glitched memories.

Released June 1, 2016 
Buy: vaguenessrecords.bandcamp.com/album/trespasser

www.trespasser.co // contact@trespasser.co

Sign-up to the TRESPASSER Vault with instant access to extras, news and sonic resistance info, link here to opt-in without buying: eepurl.com/bD6FtD

Vagueness Records, 2016.

A2/02 - Black Mantra

Video:
https://www.youtube.com/watch?v=85lr3oEQTzI

Track:
https://open.spotify.com/track/78jGLHJNlHOdfDh4nyIddy

Written & produced by Lizette Lizette and Nicklas Stenemo
Mixing and mastering by Jon Bordon

Photographer: Izabella Englund
Artwork: Lizette Nordahl

Queerbody

Rest

Lizette Lizette Feat. Nicklas Stenemo - Rest

Come Out

Preview of ARC-009

Yu Su - Preparations For Departure

A1 - Make Your Escape
A2 - Bluestone
A3 - Highland Way To My Heart
B1 - I'll Say When I Can
B2 - Early

ARC-009: Yu Su - Preparations For Departure - PREVIEW

R-decay

SIDE J - J M S KHOSAH
SIDE B - BRASSFOOT

PROFESSIONALLY DUBBED 60-MINUTE CHROME PLUS CASSETTE

FORTHCOMING..... 0800nca.bandcamp.com

SINNY SIN SIN

NCA SIN

31 Based Squad

Butter Sessions presents Roy Batty Jr’s follow-up to last year's tape Scope Dynamic (Ken Oath) with a four-track digital EP Dash Retention. This release was conceptualised whilst travelling through South America and completed shortly after returning to Summer Hill, Sydney in the summer of 2018. Roy cites the disparate landscapes of Peru and Bolivia as visual influences for his new EP, stating “within one frame there could be a lake, past that sparse fields into plateaus and past that snow-capped mountains, it didn’t make sense.”

Roy’s preference for the field recording returns in this release; many of which came from the trip. He features the sounds of industrial stamped foley to escort disjointed tech-step. The first half of the release is a treat for the vigilant listener, who will be alerted to recordings of a throttling chain saw, shattering glass, and a barking dog, interjected with drum & bass tinged percussion. Gai Hills features an elating melody paired with jerky percussion. It’s dream music but not as you know it.

In contrast, the second half of Dash Retention pulls us gently along the forest floor with its new-age nuance, obvious in the EP’s endnote Treast. As a body, Dash Retention congregates Roy’s jarring visions with twisted rhythms, sometimes staggering structure and bass-heavy production; marking a clever oscillation between styles but separates the EP from the IDM tag.
credits


Mastered by C. Kikos
Design by M. Syawish

Roy Batty Jr. - Elastic Scream - Preview

Pre-order 'Cybernetic World', the new album from Proto Droids direct via spunoutofcontrol.bandcamp.com... sales start Friday September 4th. Choose from two hand numbered limited edition vinyl colours with Japanese style Obi strip. Artwork by Eric Adrian Lee.

PROTO DROIDS - CYBERNETIC WORLD - PLEASURE MODE

No Reason to Stay is a Good Reason to Go

UVL is proud to release two new side-long compositions from Max Eilbacher. Edition of 150 three color risograph print.

Digital Sketch For Strings
One morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.

Spectral Masking Room Construction
A work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.

- Max Elibacher, 2020

Arnaud Lazlaud ‎– Le Malade Roi

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