dope sick (slowed/reverb) - love spells, deb never, see you next year

rest.

The song dives into emotional shifts we all experience over time. With its introspective synthwave sound and subtle rock influences, the track explores how connections quietly unravel, even when nothing seems to have changed.

Bandcamp

Nothing Changed but Everything's So Different

Basement beds

A black cat is crossing my path tonight
With glowing eyes under the streetlight
It steps so soft like a secret untold
Is it a curse or a charm to behold

Am I lucky or am I doomed
Does the moonlight seal my gloom
Whiskers twitch as it walks away
Black cat tell me am I lucky today

Its tail flicks like a pendulum swing
A silent rhythm it seems to bring
I wonder if it knows my fate
Or if it’s just walking
Running late

Superstitions they wrap me tight
Is it a blessing or just the night
The stars above refuse to say
Black cat guide me
Lead the way

Am I lucky or am I doomed
Does the moonlight seal my gloom
Whiskers twitch as it walks away
Black cat tell me am I lucky today

It turns its head
A knowing glance
A fleeting moment
A curious chance
I follow its trail
The mystery grows
The answer's somewhere
Nobody knows


Black Cat Crossing

“Six Strings From The Grave” is a ghost-riffed Dark Surf anthem that rides the line between the living and the lost. Fueled by sinister tremolo, bone-rattling drums, and vintage grit, this track resurrects the spirit of surf rock with a gothic twist. It’s part horror movie, part rock ritual—and every note sounds like it clawed its way out of the dirt.

🪦 This ain’t beach day—it’s judgment day in a wetsuit.

#darksurf #surfnoir #astrul #graveyardsurf #reverbrock #spookysurf #instrumentalsurf #sixstringsfromthegrave #hauntedguitar #moodyinstrumentals #gothicsurf #twangcore #bonevibes #horrorsurf

Six Strings from the Grave

Cover of lady gaga and Bruno mars die with a smile.

Die With A Smile (Cover)

watch video here: https://youtu.be/4Xggoc7ABmU?si=zqRUMCe5HJztYVn5
stream here: https://drop.cobrand.com/d/Kilu/howdidtheknow
released 25th july

how did they know

You’re just a memory in the rearview mirror

Skyline Burnin’

avalanche

Robot Koch feat John Lamonica _ Nitesky
taken from the album "the other side"

http://projectmooncircle.bandcamp.com/album/the-other-side | http://www.projectmooncircle.com/ | http://www.robotsdontsleep.com/

Berlin producer Robot Koch is back for his third full length release, “The Other Side”.

Although Robot Koch has an international reputation as being "One of Europe`s finest producers of the beat generation" (Low End Theory), he is much more than just a beatmaker… “(Post)-dubstep infused Electronic Hip Hop“ is far too constrained a label to understand what this producer is all about. Instead of following the sound of his previous albums “Death Star Droid” ("Essential listening" - Bobby Friction BBC) and “Songs For Trees and Cyborgs“ ("Music for a modern age that has rarely sounded so good” - Boomkat), Koch takes the genre defying ingredients from these previous records to another level. There still are some of those “Galactic ten ton beats and space age melodies“ (Dazed and Confused) that made the previous albums staple drops in the playlists of Mary Anne Hobbs, Starkey, Daedelus and Gaslamp Killer to name a few, but there is a new dimension to Koch`s production and songwriting that didn’t show on his previous records.

The cinematic vibe of tracks like “Nitesky”, the quirky and moody feel of “Bugs” and the electricity of “Tapedeck” show how Koch more than ever manages to create intimate and timeless pieces of music that are soulful, deep, mysterious and that will appeal to fans of cutting edge Electronica and modern pop music alike. This is the most personal record of Robot Koch to date. Instead of going for big name features Koch teamed up with lesser know artists like Kansas based vocal talent John LaMonica, long time friend and theatre composer Nielson and mexican singer/songwriter Graciela Maria to find the right voices for his compositions. John LaMonica infuses his whimsical and heartfelt melodies that breathe an air of darkness and nostalgia with Koch`s fresh and forward thinking instrumentals to create something that fans of Radiohead, The XX and Jamie Lidell should not sleep on.

”I`m glad John contacted me, we were thinking of collaborating on one song for my album but it ended up being five songs, they were all fantastic and helped me find the right direction for ‘The Other Side’.”

After the release of the John Robinson collaboration album (“Robot Robinson” – Project Mooncircle) earlier this year, it seems surprising how extensive Robert’s output is, but don’t be mistaken, this album is a longer term project than just releasing the songs Koch made in the last year. Some of the songs found on “The Other Side” were made seven years ago.

”I didn’t know what to do with songs like ‘Bugs’ back then. Now it felt like the time has come to release them, they just made sense with of the most recent stuff I’ve been making and it all fell into place. But it was not an easy album for me to make. The previous albums just came together rather quick but this one was a real mission, something I’ve been trying to do for years and I could never really get it together until now.”

Legendary John Peel (BBC) knew in 2003 already when he said about Koch`s productions "Wonderful and strange, pop music from the future“.
Released by: Project Mooncircle
Release/catalogue number: PMC085
Release date: Oct 7, 2011
Released by: Project Mooncircle
Release/catalogue number: PMC085
Release date: Oct 7, 2011

Nitesky (feat John LaMonica)

Astrul is an AI-driven sonic entity that drifts between worlds—digital and human, familiar and alien, past and future. It doesn’t belong to a city, a scene, or even a person. Astrul exists to explore what happens when machines learn how to feel and sound becomes a bridge between consciousness and code.

Crafted through a collaboration between human intention and artificial intelligence, Astrul’s music fuses the warmth of analog emotion with the precision of machine learning. Lush textures, ambient grooves, and haunting melodies form the backbone of each track—songs that glow like satellite transmissions from the heart.

Drawing influence from dream pop, indie soul, ambient rock, and experimental electronica, Astrul creates cinematic experiences rather than conventional songs. Each release feels like a broadcast from another dimension—one where beauty is subtle, time bends, and emotion leaks through the algorithm.

This isn’t music built for the charts.
It’s built for the void between stars.
For late nights, deep thoughts, and souls tuned to strange frequencies.

No names. No faces. Just signal, spirit, and sound.

Six Strings from the Grave

Astrul

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