Pev and Kowton opened up with this track at the Halloween party in Denver, CO.

Parallel Noise https://soundcloud.com/dingdong3/parallel-noise-dj-set-2-september-2017-studio-session

TECHNO2015

art-aud continues its challenge and reason to discover and introduce new talents, and this time welcome and present the debut release of Dj Archaea, a weird-loving nerdy dad from Tampa (USA). a threetracker that mixes many ingredients, certainly with uk-sound influences and veneration, but with a very American ghetto slappy touch. to complete the already succulent and colorful package of the aforementioned, we called two friends and such great artists to reinterpret his visions in their own way, with results that bring the whole to a beautiful sonic completeness. we are happy to be back!

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DJ ARCHAEA - TPA (INCL. FACTA / RIP SWIRL REMIXES) [A-A07]

It was about time they laid all their cards on the table; no more secrets, no more excuses and definitely no more sneaking around. How they'd not been found out yet was something of a miracle - there were many times the game had nearly been up, but somehow the truth had never come out. If they'd been honest from the outset, things could have been different, but sometimes putting your feelings out there, naked and bare, was more frightening than the repercussions. 

There's certain DJs that you can trust will curate a top drawer record label. With Bristol mainstay Danielle and her freshly minted Soft Raw imprint, we're definitely in safe hands. An extension of her own tastes as a DJ, the label will explore the contrast between soft and raw textures, casting a net far and wide to catch everything from abstract rhythms to technoid experiments and weighty sub-heavy sonics, whilst seeking to platform new producers who are carving out a singular sound. The first comes from Sam Black, better known as Slacker, who sets the tone in fine style with a collection of moody, rumbling cuts that lean heavily into jungle and half-time DnB.

PREMIERE: Slacker - Lay It Bare [Soft Raw]

Luke Slater’s Mote-Evolver reach the big 4-0 with the help of Chris Jarman, the commanding officer behind the Kamikaze Space Programme. Looking to redefine the concept of uncompromising from bass culture’s traditional Bristol HQ, ‘Concrete Musique’ is four tracks of loud, hard-nosed, techno-taunting speaker pressure.

Both ‘The Bailiff’ and ‘Network Rail’ power off boxy kick drums: such is their statement of intimidation, not much else is needed to accompany this campaign of haymaking through the arena.With percussion veering between tub-thumping and machine gunned tribalism, the pair set about a session of straight up and down ear-bashing. ‘The Bailiff’ carries the thinnest and daintiest of supernatural airs, while ‘Network Rail’ and its spearing loops demand to be housed in a hangar reaching breaking point.

Dancing on the live rail and taking a buzzsaw to its bottom end is the blackened electro breakbeat of ‘Radio’, laying down body-popping lino before the techno undertone turns it into a bed of nails. KSP’s palette is again sparse, watching the sparks fly while cowbells ring in the distance, making a date with the Deathstar for all poppers and lockers brave enough to face its wrath.

‘Death to the Valley’ is a versatile beast. Thanks to its explosive bass foundation, it can be found sweeping grime and trap before it, hanging out in the deepest techno recesses, and stomping its breakbeat feet. Another seethingly bare backdrop, punctuated by lab squiggles and signals vainly trying to keep a leash on the marauder it has let loose, means you should wear protection: contents are white hot.

Mote040 :: Kamikaze Space Programme - Concrete Musique

● It's the story of a road, a never-ending path. The story of a night that grows longer and lasts
longer. Along with her story, it goes through a before, an after, and a present moment.
In the beginning, there's the party, in the massive alchemy of a booming culture. A free and unbridled
party, in a crossroads of sound, in unison. The rhythms, sometimes tribal, sometimes haunting, blend
with a tormented melancholy. Closed in a box, open in a field, the aim is the same: to lose all its
elements.
Then time stops and space expands. Darkness reigns as the mind gradually ignites until it
reaches explosion point. Consciousness vibrates as the body comes alive. The orchestra grows
louder and louder until it reaches its peak.
Finally, reality returns, a future that hurts. The clock starts ticking again, and the field of vision
narrows. The tempta

● Artist: Lemon Schaden
https://soundcloud.com/lemonschaden
https://www.instagram.com/eendracht.wav/
● Label: Human Disease Network Recordings
https://soundcloud.com/human-disease-network
● Release: 2024.06.25

🛒 https://humandiseasenetwork.bandcamp.com/album/hdn037-lemon-schaden-la-lune-brille

📺 https://youtube.com/playlist?list=PLovNuJKkvPVumZ0Q3t-cnAL6oAxz59inu&si=QpnrJw3oJu6a5I4t

🛒

𝙋𝙧𝙚𝙢𝙞𝙚𝙧𝙚 : Lemon Schaden - Accident De Parcours [Human Disease Network Recordings]

IMPASSE001 - A1 - Serra

Cleric - Codes of Chaos EP
[CRG001]

A1 // Blitz
A2 // Restore
B1 // Distant Cry
B2 // 1514695B

Release Date - 9th of February 2015

New Year, New Project. Cleric launches the first release on his own imprint, "C L E R G Y".

Cleric - Restore

Cleric - Distant Cry

Three artists riding high off career-peak years combining for some darkly alluring techno? Yes please. Well, Clockwork and Avatism’s pairing isn’t strictly new, but they’ve been picking up a considerable head of steam under the CW/A moniker in recent months – including a booking at perhaps the last Fabric NYE of the pre-sniffer, pre-breathalyser era – and this release is their largest statement to date.  

We could have plumped for a typically unblinking edit from Lucy, but pulled Ilian Tape don Dario Zenker’s remix out the bag instead. He flattens the landscape of the title track, shelling claps down like pintacks to keep the pace choppy and brisk. It’s a good’un, and it sees release on Parachute Records next month.

CW/A "Day of Riddance (Dario Zenker Remix)" - Boiler Room Debuts

Born in the east of France, but resident further south in Lyon since 2003, Pierre Serafini has been immersed in underground music his whole adult life. First as guitarist in teenage shoegaze and postpunk bands, then as samplist experimenter Opti, as head of the Airflex Labs label from 2008-12, and most recently with his more technoid alter-ego PEEV - he has always been about exquisite detail and musicality which has seen him forge alliances with many in the international post-dubstep generation as they passed through Lyon and played shows he promoted.
This track, which perfectly bridges his more banging four-to-the-floor exploits and his subtler structures, comes out on the 22nd Feb on the UML VA#03 compilation from top Belgian label and party promoters Under My Label.

PEEV "Bentham Panopticon (Reese V)" - Boiler Room Debuts

READ > inverted-audio.com/premiere-tim-shatnyy-eyes

Eight years since their debut release, Moscow-based label Resonance return with 'Beyond Dualism', the latest offering from Basel-based producer Tim Shatnyy...'Eyes' is a striking example of Shatnyy’s ability to craft cerebral, percussive landscapes that draw you deeper into the void. Fragmented rhythms pulse with a ritualistic urgency, whilst ethereal melodies float between the space like broken thoughts. As the track develops, the tension between industrial drones and transient synths creates a space where time becomes elastic, a state of suspended consciousness where the boundaries between the real and the insubstantial begin to dissolve.

@timshatnyy
@resonancemsk

Beyond Dualism

Eyes

Tim Shatnyy - Eyes [Resonance]

https://nasanieru.bandcamp.com/album/waiting-for-the-time

https://www.instagram.com/_nasanieru_/
https://soundcloud.com/nossankneeroo

PREMIERE: Nasanieru - Low End Journey

power of 2

zipp prompt

Game Awareness

The first release on Project Squared in a year, "Make Your Mess" is a three track EP by Melbourne's Craig McWhinney. Craig has been making music for years and releasing since the late 2000s on Melbourne labels such as Pinksilver, Melbourne Deepcast and his own Haul Music; also on labels based further afield such as Brendon Moeller's Steadfast and Speedy J's Electric Deluxe.

Craig's music is Techno, but it isn't preoccupied with the 4/4, employing broken, swung and rolling drum patterns. His tracks often include melodic and harmonic elements and effects reminiscent of Dub Techno but without conforming to the pastiche template of the sub-genre.

The Make Your Mess EP is composed of the core title track and two additional tracks that arose as interpretations and variations on the initial production: "Provocation Is An Excuse" is more furious and loud, "Disengage" is more restrained. All three are around 125 bpm and were produced in the space of a month between September and October 2012.

Mastered by Matt at Alchemy London

Release Date: 18 February 2013

PSQ008 - Craig McWhinney - Make Your Mess - www.projectsquared.net

Upcoming Warmwoods EP from EOD on bbbbbb. Out 20.09.19, preorders up on our bandcamp, Juno, Redeye, deejay, hhv and OYE.

Pre-order

A2. EOD - (Untitled) (w - R6)

Phost is ZDBT of 1800Haightstreet's new solo moniker. This track was released for Lobster Theremin's PLUR VOLUME 4 compilation.

IMPASSE001 - A1 - Serra

Asusu

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