Torsten Müller - 5 string acoustic bass
Randy Raine-Reusch  - Balinese suling gambuh
An alternative mix for the Gambuh  track recorded for the Kamüra album on Zadiscs (see http://www.asza.com/CD-store/Kamura.shtml. This one without Henry on guitar. Randy and Torsten had performed this as a duo previously.

Gambuh Duo with Torsten Müller

Telematic improvisational performance by Tina Pearson on flute in Victoria BC, and Randy Raine-Reusch on bowed zheng in Vancouver BC.

Glacial Shift with Tina Pearson

Written at the request of Debra Sparrow on the occasion of a statue of her direct ancestor being installed in Stanley Park Vancouver. Khaltinaht was the daughter of Chief Kiapilano. Portuguese Joe Silvey met her on the shores of Musqueam, where she was born. She’s wearing a woven blanket that her people used. Her dentalia shell headdress and dentalia shell scarf show her status as a noble woman. Silvey and Khaltinaht had two children together before she died of tuberculosis in her early 30s.

Written and performed by Randy Raine-Reusch, 2015 SOCAN. © 2015 Randy Raine-Reusch

Khaltinaht

Raine-Reusch - khaen, Jean Derome - sax, and Pierre Tanguay percussion

Six with Jean Derome, Pierre Tanguay

A west African raft zither and flute performed by Raine-Reusch through real-time processing by Stefan Smulovitz

Toba with Stefan Smulovitz

Composed for HENDRIX UNCOVERED, Marzena Music 101, 2010, works inspired by Hendrix. Composed/performed by R. Raine-Reusch: zheng, nigenkin, sho, didjeridu, tibetan voice, lead vocal, hun.

Wind Still cries

Performed at the Canadian Embassy Theatre in Tokyo in 1998.  This is an improvisation on a 23 string Chinese zheng, tuning picked at random. 

Of Pine and Silk, Page 5

Performed by Randy Raine-Reusch on a bowed 23 string Chinese zheng. See score at http://www.asza.com/scores/r3pine.shtml

Of Pine and Silk, pg 4

Live at the Vancouver East Cultural Centre in Vancouver, Canada, 1997. Performed on a 23 string Chinese zheng by Randy Raine-Reusch. Score at http://www.asza.com/scores/r3warmth1.shtml

Warmth of Stone (1)

Yesterday Tomorrow

Freedom

An interpretation of Randy Raine-Reusch's Graphic score "of Pine and Silk" by Peggy Lee on cello and Eyvind Kang on violin.

of Pine and Silk, Page 4 - Live: Peggy Lee & Eyvind Kang

"Globe-trotting visionary" Georgia
"Very multi-instrumentalist" Folk Roots Magazine
"The Noah of musical instruments" David Greirson - CBC Radio

Randy Raine-Reusch is a composer, concert-artist and improvisor specializing in New and Experimental Music for world instruments. An innovator interested in extending the boundaries of music, he has created distinct new performance styles on a number of world instruments from his collection of 700. 

Raine-Reusch has spent over thirty years exploring the relationship of music to psychology, philosophy, and spiritual or religious practices. He studied at the Creative Music Studio in the 70's with artists such as Fred Rzewski, Jack Dejohnette and Karl Berger, before going overseas to study with master musicians in Australia, Malaysia, China, Indonesia, Thailand, Burma and the Philippines, as well as with "National Treasures" in Korea and Japan. As a result his music now contains clear influences from a variety of indigenous cultures and is heavily influenced by Taoism and Zen.

In his performances Raine-Reusch strives for a balance of virtuosity, innovation, and a contemplative depth of spirit, while retaining the essence of his instruments. His unique voice has led him to perform and/or record with the Tianjin Symphony Orchestra, Aerosmith, Yes, The Cranberries; Pauline Oliveros, Stuart Dempster, Jon Gibson; Barry Guy, Robert Dick, Frank Gratkowski, Mats Gustafsson; Sainkho Namtchylak, Jin Hi Kim, and Issui Minegishi, the Japanese Iemoto, or Hereditary Grand Master, of Seikyodo Ichigenkin. As a solo artist, with his world beat ensemble ASZA, or with Chinese zheng virtuoso Mei Han, Raine-Reusch has performed at two WOMAD festivals, three World Expos, and on tours to Australia, Germany, Spain, Czech Republic, South Africa, China, India, Korea, Japan, Singapore, Vietnam, Malaysia and the Philippines. A two-time Juno award nominee, Raine-Reusch has performed on national and international broadcasts in China, Australia, Germany, Spain, Singapore, Canada and the United States, including on the famed American PBS “Prairie Home Companion,” and has appeared in five documentary films on music.

As a composer, Raine-Reusch has a distinctive voice, whether creating simple folk melodies or extremely experimental works that challenge both the audience and performers. He has premiered works ranging from large-scale site-specific extravaganzas, electro-acoustics, or realtime interactive computer works, to intimate chamber pieces for film, dance, and theatre in Australia, Canada, Hong Kong, and Spain, including three World Expos and numerous computer music conferences.

Raine-Reusch was a consultant/founder of the Rainforest World Music Festival in Sarawak, Malaysia; the consultant for Cirque du Soleil's Quidam; and the artist director of a number of other festivals and large-scale events. Raine-Reusch was a consultant and Director of Acquisitions for the Musical Instrument Museum in Phoenix Arizona, and a consultant for the Stearn's Collection of Musical instruments at the University of Michigan, Ann Arbor. He has acted as producer on numerous CDs and CD ROMs on Canadian and international labels. He is a contributing editor for Musicworks Magazine and has recently written Play the World: 101 World Instrument Primer for Mel Bay Publications. He has been a guest lecturer in the fields of composition, performance, ethnomusicology, and psychology at prominent universities and conferences worldwide. Raine-Reusch is a founding Board Member of the Museum of World Music, a past Board Member of the Canadian New Music Network, a member of the Canadian League of Composers, and an Affiliate of the Canadian Music Centre.

From 2008-2011, Raine-Reusch returned to Borneo as the Artistic Director and Consultant for the Rainforest World Music Festival in Kuching, and Borneo Jazz (Miri International Jazz Festival) in Miri, Sarawak, Malaysia. He has since stepped back from this position, and has been doing consulting and artist mentoring in Korea and Vanuatu. 



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