Shock the Algorithm

get in line

This is a collaboration with Taylor Brysiewicz.  Upon discovering an adequately functioning upright piano in the basement of the conference room at the Banff Centre (where we were both visiting for a conference on Random Algebraic Geometry), we decided to play some improvisational piano duets which led to this collaborative composition.  Taylor had the foresight to take a quick audio memo on his phone where we recorded a few excerpts alongside some commentary about the chord progression.  After returning home from the conference, Taylor turned our fragments into a completed piano part.  I then added a flute part while trying to maintain the impromptu spirit of the original, namely, by locking in some of the improvised phrases from my early takes (as opposed to indulging in my normal habit of making dozens of rounds of revisions).

Composed by Taylor Brysiewicz and Skai Eriksson
Piano performed by Taylor Brysiewicz
Flute performed by Skai Eriksson

Song art created in Mathematica (it is the level set of an algebraic function with randomly sampled coefficients, hence fitting into the theme of the conference that gave occasion to the collaboration).

Random Jam in Banff (flute and piano)

Souk

This is the self title track from the upcoming debut album of Shock The Algorithm my friends (tbr mid-2024)!
 Enjoy...ROCK AND ROLL KILLS!
 (p) & (c) 2023, STA.
Youtube link: https://youtu.be/OKGfQuK63Ng
---------------------------------
 lyrics:
So you had enough today?
I thought u'll visit us one day
Was waiting for another sunray
to hear you once again prevail

I thought you'd live forever
i dreamed our bonds would never sever
at least you did one more last endeavour
and that's why i would admire you forever

You lived your life and that was fine
it was super cool and you were on the first line
you didn't pretend , you neved showed off
you didn't have tattoos or fake persona blastoff

You lived your life, till your 49
and afterwards your soul forevermore shine
your face is now on t-shirts, your name on NY street
and that's why i sing and say....ROcknRoll kills anywayyyy

You toured nonstop for 22 years
thank god there was music and brushed away your fears
you got bullied so many times
and then you wrote the world's top class rhymes

For them you were the underdog, the freak 
for us a legend and not the weak
you gave us hope, the music & soul 
You were so true and not a fake persona blastoff

Rock and Roll Kills

L'inverno del nostro sconforto

The Endless Spring

Date de publication: 10/01/2024

Musique, arrangements, claviers, mastering: Cyril MENDEZ

© Cyril MENDEZ 2024, All Rights Reserved.

Undertone

Acoustic

In music, the term “arabesque” refers to a highly ornamental melody whose free unfolding expresses a slowing of time within the composition. Unlike the straight line, which is the most direct path from A to B, the curving movement of the arabesque creates an effect of circular phrases that conjure perpetual melodies. Debussy referred to "arabesque" as a piece of music with exquisite detail and clear repetitions of ideas and artistic balance. This term is used for various kinds of melodic, contrapuntal, or harmonic ornamentation. Several composers including Claude Debussy and Robert Schumann have used this term as a title for compositions. The term "arabesque" is taken from the Arabic art and architecture which was very ornate. THANK YOU FOR LISTENING!

Arabesque

Cast of Characters:
mistermark-- @user-432503709 -- Mark--sax (VST), organ, tremolo guitar chords (synth), harmonica, composition, production, mix
Mysterious Decibel--@themysteriousdecibel --MD—lyrics and primary vocals
TexMex Shaman–@texmex-shaman –Stephen– second electric guitar solo, and mastering
J.J. Terrell–@j-j-terrell –piano and electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, first electric guitar solo, rhythm guitar comping 

This is a song started when Mark came up with its architecture, recorded in a  slower, more laid back version on his own. However, he wanted a more souped up version with solos in turns. 

So, he turned to The Eclectic Collective to fill in the pieces. He originally had solos in all the parts which he laid down on the keys, and he had some lyrics, too. However, once he heard The Mysterious Decibel's excellent lyrics and vocals, the song totally changed the direction and the vibe, for the stellar. 

But MD didn't start the whole thing. As happens sometimes, even without Tez on this one, we still needed to clear out some space to let everyone have their say. So, Mark went in and lengthened the song mechanically. Once we had a final form, Ken, as always, came up with the foundation for the song, allowing Josh to add his version of Mark's bass line. 

Then, after MD gave us the vocals to form the song, we got down to adding the solos. JJ first added his thrilling opening piano solo, as well as the electric piano solo right after the first verse, which Mark is also playing a VST sax solo in, as well. Then Josh added his guitar solo, which is the first of the two, with a very clean tone. Right after that, Stephen added his fiery solo, which follows right after with a more overdriven tone. Finally, Mark stepped back in and added his killer harp solo at the end. Of course, it needed to be mixed well, too, so we turned to Stephen for that important role, once again, which he fulfilled expertly.  
 

This past Tuesday, we released a fun little series of interviews over a compilation of some of our favorite musical moments. If you want to hear our voices and some of our thoughts about music, check it out. I realize it's a big ask at twenty minutes, but you might really enjoy it, especially if you follow us, and have been for a while. It's a celebration of all of our work over the past almost year together in various forms. This song was supposed to be a showcase of all of our skills, except Tez isn't in on this one. He'll be on the next one, though, for sure.
  We hope you enjoy this jazzier side of the EC as much as we enjoyed making it. MD's lyrics are about a psycho killer artist who hides clues about his murders in his paintings. 
Original Lyrics by The Mysterious Decibel:

Some might say he's crafty and planned.
With a shade of black and a brush in his hand
Some might say the world is his oyster
But no Pearl lays inside just a conjuring blur

He'll paint you a murderous scene
With the blending of  sin all between pigments of green
He's a shady fella Who hides behind the canvas!
I spy something with my little eye
This art might show just where he died

Will you find it?
The secret
Some freak shit
are you so sure you'll really wanna Keep it ?
The secret
Are you so sure you'll really wanna keep it?
Ahhh a little secret
Are you so sure you'll really wanna keep it?
It'll haunt your mind like it does him too
He's a swifty one he'll come for you!
The secret
The secret
The secret
Are you so sure you'll really wanna keep it?

I spy something with my little eye
This art might show just where he died

His art might show
might show
might show
just where he died

A Brush With Death -  (EclecticCollective) w/ special guest mistermark

noxpox - Dingens (thingy)

River Dancer

so much negativity and aggressive behavior. news is always about murder and mayhem. the public gets fed fear every day in mass quantities. This is what it is like. 24-7

Zhanre Free

Social Mudslide

This track contains R2-D2 noises, cyborg chimps, robot whales, Fred Flintstone running noises, and pew pew laser guns.  Listen at your own risk.

Snuffer

and rice | untitled project 001 sessions | ambient atmospheric psyche drone industrial horror WIP | Shifty 6.1 gp1 104 bpm take 1 81725

01 - SA - ORBIS - Loops Menu - Bell Stones
02 - SA - ASE - Go Pluck Yourself
03 - BS - Era 2 - Vocal Codex - Lord of Wind 1

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Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Souk

aTch

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