This takes on the feel of a folk tune almost. Nice work.

really nice feel to the track and the drum & bass is pumpin'!

this is dope, youre a talented producer for sure

Very nice sounds! Great ambient track. well done

We'll Be Better After The Rain

Καλυψώ

Craftworld

A tensely dramatic, big, complex song of unease, love and compassion for all.

Gibson The Paul guitar at the foundation of the song.

Russia

"SWEAR BY MY RED EYES" Deep Hip Hop Instrumental | 89bpm | prod. by DJS

Original composition.... Alejandro Gonzalez M.

Mysticum

Sunshine

Summer Songs (for Soprano and Chamber Ensemble)
Duration: ca. 24'

MOVEMENTS:
I. Summer Music (May Sarton)
II. The KIte (Anne Sexton)
III. Childhood (Sharan Strange)
IV. Moths (Jennifer O'Grady)
V. Summer Night, Riverside (Sara Teasdale)

Performers: American Modern Ensemble; Marnie Breckenridge, Soprano
For More Information: https://robertpaterson.com/summer-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2333
Online Perusal Score: https://issuu.com/robertpaterson/docs/paterson_summer_songs__score-chambe
Also available as a version for soprano and piano: https://robertpaterson.com/summer-songs-piano-vocal-version

PROGRAM NOTE
There is a seemingly endless supply of poems about summer. After writing Winter Songs for bass-baritone and chamber ensemble or piano, I realized that I had inadvertently only set poems by male poets, so I decided to restrict myself to female poets for this cycle. I am well-aware that this could emphasize a potential cliché: woman can be viewed as more "summery" and men more "wintery,” but more than anything, this is merely a way to offer a course correction, so to speak, or even a yin and yang, as well as a way to create a balance between these two works.

Summer Songs begins with a setting of Summer Music by May Sarton, a light, happy, playfully musical poem filled with allusions to nature. The second movement is a setting of The Kite by Anne Sexton, a poem about honoring and enjoying the moment, and the simple things in life such as flying kites with children. Childhood, the third movement, is a setting of a poem by Sharan Strange about children capturing fireflies. The fourth movement, Moths, is a setting of a poem by Jennifer O’Grady about moths, but relating to late night conversation on a front porch. The cycle ends with a setting of Summer Night, Riverside, by Sara Teasdale, a passionate, warm, optimistic poem that muses on the timelessness of summer.

Summer Songs was commissioned by The ASCAP Foundation via the Charles Kingsford Fund, for Marnie Breckenridge and the American Modern Ensemble. Special thanks to Marnie Breckenridge for her assistance in selecting the poems for this cycle.

Commissioned by The ASCAP Foundation via the Charles Kingsford Fund, for Marnie Breckenridge and the American Modern Ensemble

ARTISTS
Robert Paterson, Conductor
Marnie Breckenridge, soprano
Sato Moughalian, flute
Pascal Archer, clarinet
Matthew Ward, percussion
Geoffrey Burleson, piano
Esther Noh, violin
Dave Eggar, cello

The Four Seasons

Summer Songs - II. The Kite (Text: Anne Sexton)

Covid Patch

Alternative Rock

Download: https://analoguetrance.bandcamp.com/album/warm-sun

Recorded in one take...
sound mastering with Ableton...

Instruments:
Tanzbär (Drums)
Minitaur, Sirin, with delay (Bass)
Dark Energy I + II (Synth Solo and Sequences)
MemoTron + NordRack 2x (Strings and Pads)
Delay + KeyStep + KeyStepPro + BeatStepPro (Control)

AnalogueTrance

SunDance

Downloads: https://analoguetrance.bandcamp.com

The world is sound and sound becomes music!

Sounds and music with analogue and virtual analogue synths and music machines by 

AnalogueTrance!




Inspired by BerlinSchool, especially by KlausSchulze and TangerineDream and a lot of other musicians ...

Trance? - listen: “TRANCE FORMATION” (by Eberhard Schöner)

https://www.youtube.com/watch?v=2H_jJw3OZJA

SunDance

AnalogueTrance

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