Saravá Seu Zé Pilintra! É emocionante demais ouvir esta música! Gratidão  Luz Ametista minha família 

Sarava meu Zé! Meu amigo que tanto me livtave ajuda! 

Mestre Antonio Carlos de Xangô - vocals.  Dih Neques - percussion.   Gloria de Iemanja da Xambá, Gizelda Maria de Xangô, Celia do Coco (Filha de Seu Manoel do Coco), Negra Dany - backing vocals.  

Recorded in Rio de Janeiro, Olinda and Porto Alegre. Vinyl mastered and cut by Frank Merit at The Carvery London, digital master by Krishnin at Blissonance, Paris, France. Graphic design by Senegambia. Models - Renata Batista & Luang Senegambia. 

À memória de Mestre Antonio Carlos de Xangô

Letras/Lyrics - Yoruba/Português/English

EXÚ O LODÊ (Dono da rua, Exu) -  Exú (spiritual entity, from the street, from outside)
EXÚ EXÚ O BARÁ LANÃ (Dono do caminho, rei do corpo, Exu) -  Exú (spiritual entity which belongs to the path)
6X

AMODIBAU EXÚ
BARÁ
LANÃ EXÚ 
BARÁ
EXÚ ADAGUE
BARÁ
EXÚ AGELÚ
BARÁ 
Mojúbà Èsù! (Reverencio ao Exu)
BARÁ  

Èsù abánà bánà Èsù abánàiyé - (Exu encontramos no caminho, surpreende no caminho, Exu encontramos nos caminhos do mundo) - Exu finds the way, surprises on the way, Exu finds the ways of the world
Èsù abánà bánà Èsù abánàiyé - (Exu encontramos no caminho, surpreende no caminho, Exu encontramos nos caminhos do mundo)- Exu finds the way, surprises on the way, Exu finds the ways of the world
2X

EUADEMI CHECHEMI - (Aos outros sempre fazemos uma estátua, ele é reverenciado, Exu encontramos no caminho criando) - To the others we always make a statue, We  meet Exu on the way while creating
EUADEMI CHECHEMIRÊ - (Aos outros sempre fazemos uma estátua, ele é reverenciado, Exu encontramos no caminho criando) - To the others we always make a statue, We  meet Exu on the way while creating
3X

EXÚ DA LANA FUÁ (Oh! Exu, abre o caminho me limpando, oh! Bará abre o caminho para os Orixás) - Oh, Exu, open the way while cleaning me, oh, Bará, open the path to the orixás
EXÚ DA LANA FUMALÉ - (Oh! Exu, abre o caminho me limpando, oh! Exu abre o caminho para os Orixás) - Oh, Exu, open the way while cleaning me, oh, Bará, open the path to the orixás
3X

E BARÁ EXÚ DEMÍ - (Exu cria abertura de caminho, faz a viagem que nós fazemos a oferenda) - Exu creates an opening in the way, makes the trip and we make an offering
EXÚ DEMÍ EXÚ DEMÍ LANÃ (Exu cria a abertura de caminho para a oferenda) - Exu creates an opening in the way for the offering
8X

Amor (É Revolução)

Buy at BandCamp

Axé para o Bará Featuring Mestre Antonio Carlos De Xangô

Voou Andorinha (Ferrugem)

Juçara Marçal - Exu

11 A Cigarra | Elza Soares

Phone soul

Kiko Dinucci e Bando Afromacarrônico - Padê Onã

J.B. de Carvalho
Ê RERÊ (CABOCLO 7 FLEXAS)
(J.B. de Carvalho & Rossini Pacheco)
1953

J.B. de Carvalho - Ê rerê (Caboclo 7 flexas) (1953)

Quilombo do Futuro dives deep into afro-brazilian rhythms and sound system culture.  It's the roots of the terreiro growing and overtaking the asfalto.  Crumbling it bit by bit.  Life that springs from urban decay.  Coco, maculelê, samba, jongo and capoeira meet ragga and dub, hip hop and kuduro, grime and dubstep. Organic elements combined with electronic production to bring the punch and power for big sound systems, this is serious batucada and bass, mids, treble. TUDO.

Maga Bo has performed and worked in over 40 different countries - from Delhi to Sydney, Berlin to Addis Ababa, New York City to Brasília, all the while keeping his feet (and ears) firmly planted in the sonic axis RJ/SP/BA - Rio de Janeiro, São Paulo, Salvador.  Inspired as much by his experiences touring internationally in the global beats and bass world as his time spent in the traditional Afro-Brazilian roots scene in Rio de Janeiro, Quilombo do Futuro offers a careful juxtaposition of raw, heavy bass with organic, instrumental and vocal subtlety.  Far from relying on pre-made loops of "Brazilian" drums or other shallow cultural signifiers, this album was recorded with some of the most original and brightest musicians in Brazil today. 

Working with celebrated Brazilian musicians, BNegão, Gaspar, Lucas Santtana and Marcelo Yuka, the record also brings in new talents, Funkero, Biguli and one of the most innovative groups in Brazilian music today, BaianaSystem.  Bo's mestre of capoeira angola, Mestre Camaleão, brings the berimbau while Rosângela Macedo's vocals hold down tradition.  Guyanese Brooklynite, Jahdan Blakkamoore, and Panamanian Chicagoite, MC Zulu, bring the dancehall vibe to riddims that most don't even try to touch.  All percussion was tracked and produced by Maga Bo and his long time partner in riddim, percussionist and fellow carioca, João Hermeto. 

A quilombo was an autonomous, fugitive settlement founded by ex-slaves and others in colonial brazil.  The Quilombo do Futuro is more than a possible physical space.  It is a potential world-wide agglomeration of cultural resistance.  After centuries of wealth generated by an economy built on slavery (and the subsequent post-abolition adaptations), the Quilombo do Futuro is a break from this legacy.  Fortified by an international community based on plurality, inclusive democracy and direct communication, cultural resistance is paramount in creating a sustainable, healthy existence in the face of world-wide corporate domination.  

Born in the United States and based in Rio de Janeiro since 1999, Maga Bo has collaborated with Mulatu Astatke, Issa Bagayogo, Bollywood star Shilpa Rao, BaianaSystem as well as releasing critically acclaimed remixes for Poirier, Luisa Maita, Filastine, Blick Bassy and Bomba Estéreo.  His music and remixes have also been released on Tru-Thoughts, Ninja Tune, Cumbancha, Dutty Artz, World Connection and many others.  Among his many international tours, he has performed at the Sydney Festival, WOMEX, Club Transmediale and Mundial.

Eu Vim de Longe feat. Rosângela Macedo - Letras por Rosângela Macedo

eu vim de longe
vim na beira do caminho
saravá papai bendito
eu num quero andá sozinho
(nós não vâmo andá sozinho)
 
refrão:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô



I came from afar
I came on the edge of the way
bless pope Benedito
I don't want to walk alone
We're not going to walk alone

chorus:
ilaiê lalaiê ilaiê
lalaiê ilaiê
lalaiê ilaiê ô

12  Eu Vim de Longe feat. Rosângela Macedo

My remix of this amazing track from the group Luz Ametista.

Original track here:
https://www.youtube.com/watch?v=ngy75XNQuFQ&list=PLi2JuCVT9VBMyBIBTJiGzwabykZbG0e-U&index=7&t=0s

<a href='https://theartistunion.com/tracks/d928b2'>Download for free on The Artist Union</a>

Free Download

Luz Ametista - Sou Filho De Zé Pelintra (Atimos Remix)

CD "Segura o Cordão" - Tiné (2004)

música e letra / music and lyrics: Tiné e Caçapa
arranjo / arrangement: Caçapa
produção musical / music producer: Caçapa

voz e pandeiro: Tiné
voz e violas dinâmicas de 10 cordas: Caçapa
coro e apitos: Nilton Jr.
flauta em sol e flauta baixo: Sérgio Campelo
violão baixo: Hugo Linns
guizos e maracas: Gilson Filho
bombo 12": Sid3

VENTO CORREDOR - Tiné e Caçapa (2004)

Um dia eu sonhei com este ponto e, quando acordei, o lembrava quase inteiro. Peço licença ao Cacique para publicá-lo. Oke aro Kao!

Olha a cobra mole, mole
mexe, mexe, bole, bole
Olha a cobra mole, mole
mexe, remexe, bole, rebole

Vem chegando aqui agora
Mestre Cacique Cobra Coral
Seu cocar esconde a chuva
Seu bodoque atira o sol

Ele é o rei da mata
da bonança e do temporal
Vem chegando aqui, agora
Mestre Cacique Cobra Coral

Ponto para o Mestre Cacique Cobra Coral

Atimos is a Brazilian-born DJ and producer, based in London, dedicating his research to regional rhythms from all over the world.

Luz Ametista - Sou Filho De Zé Pelintra (Atimos Remix)

Atimos

Recent comments

G.Piffer 👽

Ferri_Lagang

Maguu Sciamma

Iva Pierle

Related tracks