Non Anniversaire

This one started as attempt to do some abstract pop. It evolved into a place somewhere between pop and jazz, at least to me. There was a time in the late sixties where the harmonic language I use here developed. Songs like Being Alive, by Sondheim, Wichita Lineman, by Jimmy Webb and others used a combination of 6th's 11th's 9's and suspended cords to create this floating feeling. It's basically some version of stacking 5th's, harmonically. I'm generally a thirds guy. A big third sounds so good on a bass, think "Walk On The Wild Side". Daphnis et Chloé Suite n°2, by Ravel, most of Jobin's work and Giant Steps, by Coltrane would be mastery of stacking thirds, in my opinion. In fact Daphnis et Chloé, Suite n°2 is one of my favorites and one that dazzles me still. It's funny though. Because this type of approach, the 5th's I mean, in popular music, was only prominent in the late sixties to mid seventies I tie it emotionally to childhood. I was born in 1968. I could go on but I think that's enough. Thanks for listening and indulging my thoughts.

Painted In Pastels

Love chemistry

The Old Mill

Great wild grains
Human tamed grass
For thousands of years
Ground sustenance passed
We priced this grind in Latin d
To Craanford mills
History we see

Destination for read news
The illiterate learned in kiln room
Tools of health from hard French stone
Great gears of life
Good kids to hone

Great milestones carved
Celtic design
Our base stone still
Upper runner grind
Our mill stone dresser
Life ground by hands
Grooved harps our patterns of furrows and lands

Good lands be dressed
Carve cracks as furrows
Pick wonky tool bran cleaned from kernal
Prove worn stone
Jack stick paints red
Red ochre even our fine stone bed

Wonder wheel of water
Overshot it strikes
Thunderous gravity falls for Mill might
Gargantuous gears turn our great stones
Feed us our years fine sustenance tones


The Old Mill (Poem and Notes)

Two periwinkles munching on a seaweed stipe. Their varying tempos and soft crunch created an entrancing rhythm. 

Extract from a 20m recording by Julie Brook's tidal sculpture Tide Line along the Fife coastline, created as part of the national coastal arts festival Beach of Dreams. 

Species: Common Periwinkle (Littorina littorea)
Location: Cellardyke, Fife, Scotland.
Date and time: 16 May 2025 at 14:52
Habitat: Coastal
Gear: Sound Devices 744T, Aquarian Audio H2Ds

Periwinkles Duet

Rege - Back To The Past

The shadow defines the shape. 

 All music composed, performed, recorded and mixed by Cepheid
· Artwork by PNNTWA® LOG©
· Mastering by Cepheid

Scattered Bath (To the Wind)

We're trapped in a vortex of chaotic despair
Like echoes of screams, the silence fills the air
With walls closing in, the madness starts to swell
The shadows are lurking, they're casting their spell
We're lost in a labyrinth, searching for light
But all we find are fragments that vanish in night

I've got thunder in my bones

Screaming youth, stand together
Screaming youth, fight forever
Screaming youth, break the tether
Screaming youth, change the weather

Rather face the storm than be alone
I've got thunder in my bones
Rather face the storm than be alone
The clock is ticking down, but we refuse to break
Adrenaline pumping, we dance on the edge of fate
With every heartbeat, the chaos ignites
We’re screaming for freedom in these endless nights
The future is burning, but we’re living it loud
Through the noise and the fury, we stand unbowed

I've got thunder in my bones
Rather face the storm than be alone
I've got thunder in my bones
Rather face the storm than be alone

Screaming youth, stand together
Screaming youth, fight forever
Screaming youth, break the tether
Screaming youth, change the weather

In the whirlwind of chaos, we find our way
Through the noise of the night, we won't decay
With every scream and tear, we claim our fight
We embrace the darkness, but demand the light

I've got thunder in my bones
Rather face the storm than be alone
I've got thunder in my bones
Rather face the storm than be alone

Thunder in My Bones

Track in Progress!
Rework of an older Track of mine!

ᗷᗩᔕᗴᖴIᖇᗴ 🔥

New trap instrumental from JSC Beats — built for rappers, producers, and fans of raw, aggressive sound. This beat hits with heavy 808s, sharp hi-hats, and dark melodic layers. Perfect for freestyle rap, vocal recording, street visuals, or high-energy playlists. Whether you're spitting bars or crafting a banger, this track brings pure underground pressure.

Pressure (Instrumental)

Klangtunnel

Sputterbang
Marjorie Razorblade
Glittur
Skate Punk Gutter

Thunder in My Bones

Atomic Krimson

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