https://atomnation.bandcamp.com/album/2019-compilation

Each December we release a compilation that reflects the current year and looks ahead to the next. It's a mix of tracks where artists complement each other and where we feature some of their strongest work. It can be seen as a proud collection of tracks that defines the Atomnation sound.

2K19 features new work from Applescal, Milio, Mordisco and Sam Goku. Tunnelvisions, boys be kko, Coloray, Sky Civilian and Polynation complete the selection with songs that got released earlier this year on their respective albums / EP's.

On behalf of our artists and team, we wish you all the best for the new year. A couple of great projects are in the planning which we can't wait to share with you. Thanks for your support!

Atomnation - 2019 Compilation

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Check our playlist:
Psychill Blossom 🌸 Псайчил / псайбиент / Psybient
https://www.submithub.com/link/psychillblossom
Psychill Blossom is a vibrant journey through psychedelic chillout, psybient, and downtempo soundscapes. Blending ethereal melodies and deep grooves. Let the music guide you beyond the ordinary. #Psychill #Downtempo #Psybient


Maluns - Afterburner Trilogy - First Boost (Dense Remix)

Pre-Order

F2 Kev Sheridan - Samhain

This one goes out to all you soggy DJs out there. The selectors and entertainers whose slot is not in sync with mother nature’s winning hand. You look out over a sea of anoraks and subdued faces and wonder if the sun will ever shine again. You look at your beer and wish it was a warm cup of tea. You look down at your coat and realise you’ll never pack your winter wardrobe away for the summer…  

These instances are hard, if not impossible, to imagine as this year’s unlikely heatwave continues to dazzle and frazzle us. But we all know that those rainy day moments do exist. We’ve all played them in the past. We’ve all got many more in the future. And now Darkroom Dubs have the perfect soundtrack for them: Skinnerbox – ‘Music For Sad & Rainy Open Airs’. 

Two tracks tailored for the greyest of outdoor shows. Moody, pensive and vitally atmospheric; both ‘Cold Neck’ and ‘Wet Shoes’ counter and complement any damp DJ set consummately. The former is a lavish, eight-minute saga that ripples with analog weight and shines with sudden cosmic blasts. The sinewy latter extends the trip closer to nine minutes with a wriggling weave of acid and bass before smacking us hard with vibrant solar sensation in the epic breakdown. No matter how treacherous the conditions you play this in are, the sun will always rise.

Cold neck, wet shoes, warm heart: The weather might be an unpredictable beast, but these tracks most certainly guarantee temperate reactions. And let’s face it; this is Skinnerbox and Darkroom Dubs… These guarantee joy regardless of what weather mother nature throws at us. Enjoy!

Mastered by Conor Dalton at Glowcast Audio.
Art by Dave Beazley.
https://www.darkroomdubs.com

Played & supported by Ame, Kollektiv Turmstrasee, John Digweed, Nick Warren, Domenic (Sub Club), Toto Chiavetta, Audiofly, Luke Brancaccio, Eagles & Butterflies,  Baikal, Yotto, Rüede Hagelstein, Chris Fortier, JOBE, James Zabiela, Curses, Kolsch, Bog, Tiefschwarz, Fairmont, Tsugi Magazine, Data Transmission, Decoded, Ibiza Global Radio & many more...

Music For Sad & Rainy Open Airs

Skinnerbox - Wet Shoes (Clip)

Every tale has a twist… Silicone Soul take an unexpected left turn to sign the year out with their second label collection of 2018: 'Tales From Underground'.

Ten tracks deep, it’s a new collection of recent Darkroom Dubs heat. Wrapping up another considered year of timeless late night house music, the duo look back over every Darkroom chapter this year and present it as a whole story. Right now, we kick off with this three track sampler and it starts with something brand new…

Cannibal Ink and Rigopolar make their Darkroom debut with ‘A Thousand Years Before’, a track that sucks you straight into a hazy cosmic world with yearning faraway vocals and sudden textural flips. Pure alluring electronica; it nods to the days of Yoshitoshi and Morel, but pitched right down and beefed right up as today’s standards require.

It’s joined by more outstanding pieces of work: Eduardo De La Calle’s ‘Breatharian’ remains a major dancefloor incendiary device. A layered excursion into the deepest footnotes of musical hypnosis, it precision balances measured steadiness with the trippiest tendrils...

An intergalactic sensation that remains high right through to the final echo as the label bosses sign the sampler out with their immense remix of Dino Lenny’s ‘Chained To A Ladder’. Gloopy, foggy, relentless; it’s a nine-minute mystic abyss that snapshots everything the label stands for… Deep, mesmerising, unhurried and restrained house music designed strictly for the darkest of rooms at the latest of hours. Welcome to the underground.

Mastered by Conor Dalton at Glowcast Audio.
Art by Michelle Haswell.
www.darkroomdubs.com

Played & supported by Maceo Plex, All Day I Dream, &ME, Marvin & Guy, Edu Imbernon, Terr, John Digweed, Toto Chiavetta, Marcus Worgull, Upercent, Phonique, Rüede Hagelstein, DJ T, Nick Warren, Baikal, Joris Voorn, Guy J, Hernan Catteneo, AME, Correspondant, Ibiza Global Radio, WKDU Radio & more...

Darkroom Dubs Presents Tales From Underground Vol. 1

Dino Lenny - Chained To A Ladder (Silicone Soul's Self Destruction Blues) [Darkroom Dubs] (Clip)

Eccentric Tokyo based producer Ryunosuke Hayashi a.k.a. https://soundcloud.com/boys-be-kko joins the Atomnation family with his 'Big Boys Don't Cry' 12" - a 4-tracker that includes a big remix from the highly respected DJ, producer, and remixer Gerd Janson. Both artists make their first appearance on the Dutch imprint.

More info & pre-order: https://atomnation.bandcamp.com/album/big-boys-dont-cry

boys be kko - Big Boys Don't Cry

- Sweet Musique | Digging the best Melodic House & Techno since 2014 -

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➤ Instagram: https://www.instagram.com/sweetmusique/
➤ Website: https://www.sweet-musique.com/
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➤ Spotify : https://www.spotify.com/fr/user/sweet_musique/
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➤ Submit your demo : https://www.sweet-musique.com/demo/ 

♫ About ♫
Since releasing his first ep with us last year, Marabou releases have been sporadic at best. With "IOU" he is coming back in full forces with 3 prodigious original tracks. This ep is probably one of the most sophisticated and delicate piece of music we have ever had on the label and shows how skilled Fabian is. 

The ep is clearly rooted between indie and house with some techno touches on "Broken Lines". The kind of melody-driven, atmospheric tackle that the Berlin-based producer excels at. 

Faber slows down the tempo and provides an amazing reinterpretation. 

♫ Follow ♫
https://soundcloud.com/thatmarabou
https://soundcloud.com/azzur-2

PREMIERE : Marabou - Of Broken Lines (Original Mix) [Azzur]

New 2-track EP 'Tucan / Rain Dance' is out now on @atomnation
https://atomnationrec.lnk.to/TucanRainDance

Channel Tropico

Tunnelvisions - Rain Dance

Milio - Afterglow

Released on our 2019 Compilation amongst tracks from Sam Goku, Tunnelvisions, Mordisco, Sky Civilian, Polynation, Coloray, boys be kko,  and Milio.

https://atomnation.bandcamp.com/album/2019-compilation

Applescal - Open Heart

Buy: https://atomnation.bandcamp.com/album/2019-compilation

Mordisco
https://www.facebook.com/mordisco.official/
https://soundcloud.com/mordisco_official

Atomnation
https://www.facebook.com/Atomnation/
https://soundcloud.com/atomnation

Psychedelic reminiscences, vibrant percussions, and hypnotic progressions characterize the eclectic sound of Ángel and Hugo, A.K.A. Mordisco.

Hailing from Granada, Spain, they play records and produce music together. Their approach blurs the lines between Techno, House, and Disco – providing a very free and personal vision to dance music.

This vision recently translated to an EP released on My Favorite Robot Records that included a remix from the respected veteran producer, DJ and remixer Sascha Funke. Also, earlier this year, their track “Zenit” released on Coloray’s Intercept records and made many dancefloors move.

Thanks to the organization and curating of their Mordisco Club parties in their hometown, Ángel and Hugo have been able to obtain an expression channel since 2011 with which they show their particular vision of independent electronic music.

That expression is clearly represented in the guest artists who have gone through their parties and with those who have shared booth: Red Axes, Fort Romeau, John Talabot, Pional, and Jeniffer Cardini, amongst many others.

The next step for Mordisco is the release of a new track right before the end of the year and forthcoming on Applescal's Atomnation records. "Ventura" has a punk-indie feel with a magic scat vocal sample that's right on the money and will make many dancefloors move.

Premiere: Mordisco - Ventura [Atomnation]

Sky Civilian - Where Is That Good Energy Lurking

www.facebook.com/evabe.dj
www.facebook.com/hafendisko
www.youtube.com/hafendisko
www.twitter.com/hfn_music
www.hfn-music.com/hafendisko

Eva Be has been a defining presence on Berlin’s music scene over the past 20 years. Being an integral part of the Sonar Kollektiv crew since the early days, her style has spanned multiple genres and moods, ranging from trip hop, dub, experimental electronics through to house and elements of techno. Here, after a couple of outings on Poker Flat Recordings, Eva joins hafendisko with three tracks that perfectly encapsulate her eclectic, funky style. 
This Is Be. E. ratchets up the tempo for a more direct reaction - Eva’s exceptional sound design provides a track full of flavour and nuance - while hitting hard enough to keep any dancefloor on its toes. 
The Way is a rolling dubby house track - the driving groove is coupled with trippy delays and drum fills. 
Elbows also experiments with echoes and space - a minimal groove supplies the basis for dubbed out spoken word vocals before a thick bass line kicks in.

This Is Be. E.

The Way

Eva Be - The Way

Artist: Kev Sheridan
Label: Maeve
Title : It's Gonna Be Perfect
Catalogue : Maeve 20
Format: Digital
Release date: 03/07/20

Kev Sheridan returns to Maeve with his second EP for the label and it has been worth the wait. Our favourite multi instrumentalist delivers a 4-tracker including a brilliant map.ache remix of the title track. 

Spanning ambient, house and breakbeat, It's Gonna Be Perfect EP, speaks to the many mixed emotions of these strange times we're all experiencing. Combining melancholic moments with pure elation, this record is aware of where we're at but gives you plenty of hope for where we are going.

Kev Sheridan - Wasn't As Hard As You Thought

I N F O // constantcircles.com/premiere-soulphiction-tedium-freeride-millenium
F O L L O W T H E A R T I S T & L A B E L //
https://soundcloud.com/soulphiction-aka-jackmate
https://soundcloud.com/freeridemillenium
************************************************
F O L L O W C O N S T A N T C I R C L E S //
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************************************************
F O L L O W  J U S T  H E R //
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Queer Base

INFO HERE

CC PREMIERES: Soulphiction - Tedium [Freeride Millenium]

Buy/stream: https://kompakt.fm/releases/videosphere

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”

Sky Civilian - Where Is That Good Energy Lurking

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