~How To Open Your Eyes In The Eye Of A Sandstorm~ Ep

doing this one on my own please share and support if you can relate would make me blush and send you lots of love~ sending lots of love to all of you either way
<3

how to open your eyes in the eye of a sandstorm

Ryhmäleijonankita

Brigh

CTM "Red Dragon" 
Posh Isolation 212 
Digital release
Out May 11th, 2018

about / a (feverish) narrative involving / touching upon
Elon Musks (cancelled/) failed robotic lander mission to mars,
Michael Jackson's final moments on stage 
and current personal life (motherhood)

Search as one might for an adequate charm to safely light 'Red Dragon,' Cæcilie Trier's evocations tend to outpace us at every step. The album's fever-dream story flicks through the recent past and the present. Elon Musk's extraplanetary desires cross with maternal notes. Michael Jackson, too, is watched over.

The terse titles that greet us in Trier's solo work are a wry sleight of hand. CTM, standing for Cæcilie Trier Musik, marks the impersonal boundary where intimacies are developed, trampled, and searched through. On her new album for Posh Isolation, produced with Asger Hartvig, aka MC Boli of Boli Group, the drama is composed and enduring, like a plot twist that lasts a life time.

Trier is a Copenhagen based cellist, singer, and composer, with her classical training apparent across her many and varied projects and collaborations. Having received critical acclaim from the earliest moments of her career, Trier's previous album 'Suite For A Young Girl' was nominated for the prestigious Nordic Music Prize in 2017.

'Red Dragon' keeps Trier's voice central to the affairs. The instrumentation wades in and out of focus from stage right and left. And as often as we are caught in the songwriting’s pirouettes and glances around the vocals, the splintering effect of the production impresses an inhuman déjà vu with regularity. This is especially felt in the electronics, sound bites, and digital ephemera that dress the songs. The bareness of the strings and guitars act as a peculiar balance, keeping us close just as we get a sense of the distance from which we are permitted a view.

'Red Dragon' features appearances from Coco O, Frederikke Hoffmeier (Puce Mary), Soho Rezanejad, and Dawda Jobarteh.

CTM - PALOMA Pt. 2

HELM - Chemical Flowers
Format: LP / CD / Digital
Cat.No: PAN 99
Release Date: 17 May 2019
Purchase: bit.ly/2Uxqs9z / bit.ly/2UpJ0bA

Luke Younger returns to PAN with an eight-track album of his most direct work to date. Composed alone at NO studio in the Essex countryside, to start an album with a piece called ‘Capital Crisis (New City Loop)’ seems an intentional misnomer. Long, sustained periods in the rural studio setting see Younger working with an array of fragmented, disassociated sound sources to build upon 2015’s Olympic Mess. It shares a similarly inclined vision of the urban environment, but here Chemical Flowers makes reference to paradoxical notions of authenticity and creative practice by way of questioning the structures around us. Collages are assembled and dismantled, temporal and spatial boundaries fluctuate and movement is an overarching theme.

Surrealist drowned world atmospheres sculpted far enough away from the source of inspiration leave plenty of room for ambiguity. The nocturnal nature of the recording process is self-evident, and pieces like ‘Leave Them All Behind’ tap into a deep psychedelic undercurrent. Confused narratives, emotions and aleatory hallucinations ebb and flow throughout. ‘I Knew You Would Respond’ evokes murky soundtrack terrain with eerie repetitive strings and ambient respite, disrupted periodically by brief bursts of granular noise. It’s one of the records most unnerving moments, possibly as it’s one of the most recognisably human.

The album navigates dense passages with recurring signifiers. Hollow percussion, modulating delay and curious field recordings come and go, maintaining a perpetual state of flux where nothing stays the same for long. The drowned world theatricals return on the swamp-like ‘Lizard in Fear’ whilst string rhythms creep in on the penultimate track to incite momentary electroacoustic harmony. Floating synthesis slowly washes over and the title track unfolds - five minutes of reverb-laced portamento, visions of decay and Editions EG influenced
world-building. Movement is key.

Chemical Flowers features string parts arranged and recorded by JG Thirlwell (Foetus / Manorexia / Xordox). Additional cello played by Lucinda Chua and saxophone by Karl D’Silva. The album is mastered by Rashad Becker, featuring artwork by Johannes Schnatmann & Bill Kouligas.

http://p-a-n.org

Chemical Flowers 

HELM - Body Rushes (PAN 99)

ASCII SNAKE

ascii snake

avaible on "limerence" at:
exael.bandcamp.com/album/limerence

composure

blurry

mix & artcover by @fru_tto

tracklist:

Seigén Ono - Tout-A-Coup, Une Dans Ma Téte
polido - Pausa de Vento (com Pedro Gomes)
embaci - tides
ulla - stunned suddenly
Elli - Tunnels Into U
Julianna Barwick - Nod ft. Nosaj Thing
dean blunt - Babyfather - BENZO AMORE Freestyle (feat. A$AP Rocky)
James Ferraro - Triad God Swarovski
Yikii - the last voice
Moby - Whispering_Wind

frutto - Imum Coeli mix 010

Part of Nom Occasions

superpang.bandcamp.com/album/nom-occasions

Design: Joe Gilmore

Nom Occasions

Ply (From Nom Occasions [SP27])

flame-heat-burning-consuming-estinguishing-ashes

(phoenix)

Ply (From Nom Occasions [SP27])

Atte Elias Kantonen

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