the problem is that the audio stream above does not follow the conversation so....useless as you have to start back from start every time you want to study a word. Not very customer friendly.

if you got the notion part 2

Suedo5K x Death - Life I Live

A poem by Emily Dickinson accompanied by original background piano music:

"Dear March—Come in—" 

***

Dear March—Come in—
How glad I am—
I hoped for you before—
Put down your Hat—
You must have walked—
How out of Breath you are—
Dear March, how are you, and the Rest—
Did you leave Nature well—
Oh March, Come right upstairs with me—
I have so much to tell—

I got your Letter, and the Birds—
The Maples never knew that you were coming—
I declare - how Red their Faces grew—
But March, forgive me—
And all those Hills you left for me to Hue—
There was no Purple suitable—
You took it all with you—

Who knocks? That April—
Lock the Door—
I will not be pursued—
He stayed away a Year to call
When I am occupied—
But trifles look so trivial
As soon as you have come

That blame is just as dear as Praise
And Praise as mere as Blame—


Analysis of the poem (excluding the background music): 

Emily Dickinson's poem "Dear March—Come in—" personifies March as a welcomed visitor, celebrating the arrival of spring. Through playful and enthusiastic language, the poem captures the excitement and renewal associated with the changing season. It reflects themes of rebirth, nature's vitality, and the joy of emerging from winter's dormancy, highlighting the poet's deep appreciation for the cyclical beauty and rejuvenating power of nature.


Concerning the background music:
 
Neo-Contemporary Ethereal Fusion music is an attempt at an extraordinary and intricate musical journey that incorporates an array of innovative elements and artistic influences. Drawing inspiration from Neo-Classical, vant-Garde, and Contemporary music, it stands as a tribute to the limitless possibilities of sonic exploration. 

This track showcases relentless commitment to pushing the boundaries of musical expression beyond the musical rules. 

Its Experimental nature invites listeners to embrace the unknown, as it delves into uncharted sonic territories. The result is an intricate tapestry of sound that challenges traditional norms and expectations. 

The Ethereal and Ambient qualities infuse the music with an almost otherworldly aura, creating an immersive and transcendent listening experience. 

The Minimalist approach adds depth and complexity through simplicity, allowing each note and sound to carry profound significance. The Fusion elements weave together a rich and diverse sonic palette, transcending genres and conventions. This Fusion not only tries to captivate but also provoke thught and emotion, making the musical tracks truly Expressive in its storytelling. With a Cinematic flair, this music may transport the listener to distant realms and evokes vivid imagery and emotions. It's Evocative in its ability to paint sonic landscapes that spark the imagination. 

The Abstract and Melodic interplay within the composition balances the avant-garde with a sense of familiarity, ensuring that listeners remain engaged throughout their auditory journey. The Atmospheric quality of the music immerses the listener in a rich sonic environment, making it an ideal choice for moments of reflection and introspection. Its Tranquil and Meditative essence invites contemplation and introspection, providing a serene backdrop for inner exploration. 

Enigmatic and Reflective, the music invites listeners to explore the depths of their thoughts and emotions. It serves as a catalyst for introspection and self-discovery, leaving an indelible mark on the soul.

Dear March—Come in— by Emily Dickinson

Kallimni ‘Arabi

An Intermediate Course in Spoken Egyptian Arabic 2 

By Samia Louis, with Iman A. Soliman

The complete series of innovative new coursebooks in Egyptian colloquial Arabic

The accompanying audio carries recordings of the dialogues and exercises in each chapter, made by Egyptian native speakers. From the basics of communicating (asking directions, the language of shopping) to more advanced conversations (future plans, hobbies, and free time), Kallimni ‘Arabi is structured so that students learn Egyptian Arabic using real-life situations and expressions. The key topics covered gradually lead students to understand, use, and speak Arabic, rather than simply memorize fixed phrases.

Kallimni 'Arabi - Book 2 - Module 8 - Track 22

Kallimni ‘Arabi

A Beginners’ Course in Spoken Egyptian Arabic 1

By Samia Louis

The complete series of innovative new coursebooks in Egyptian colloquial Arabic

The accompanying audio carries recordings of the dialogues and exercises in each chapter, made by Egyptian native speakers. From the basics of communicating (asking directions, the language of shopping) to more advanced conversations (future plans, hobbies, and free time), Kallimni ‘Arabi is structured so that students learn Egyptian Arabic using real-life situations and expressions. The key topics covered gradually lead students to understand, use, and speak Arabic, rather than simply memorize fixed phrases.

Kallimni 'Arabi - Book 1 - Module 1 - Track 01

AUC Press

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