Thanks, as always, to @rosindust on violin, it's our eighth piece together. Together as friends. 
Peace.

Here all our collaborations:
https://soundcloud.com/francescocartocci/sets/grazie-tatiana?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Composition and all arrangements: Francesco Cartocci

Enemies - with Rosin Dust

WalkingSteps

Composition Soundtrack by Éric Richarte

Plugin/Vst utilisés:
Berlin orchestra inspire 1 et 2 (Orchestral Tools)

Berlin Trip

Finally Summer!

2nd track from our project Highly Deranged

by
ONKVLO
Scratch Kelly

Follow us @
soundcloud.com/highlyderanged

House Of Mirrors

ruhe

I step on the scene, feeling ambitiously empowered
Eyes on the prize, I stand unbeknown this hour
a hunger deep within, cold-fusion nuclear flame
I've had it with it all, with it all the same

I want it, Im gonna get it, no time to stall
Forget these these distant twisted quantum dark matter walls
If ever it is as above as it is below
Then we should terraform constellations and watch them glow

You call them songs, and yet I call them trash
The way to navigate my life, this woebegone ash
With insidious intrepid glare in the third degree
I'm reaching for the moon, with thourough nominal apogee

But the galaxies I claim, a claim way far too bold
But as matters persuade, that's my crown of gold.

I want it. Give it to me. Give it to me now.

Stuck in my grift work, lost in the grind
I wanna break free, before I lose my mind
Stuck in my grift work, lost in the grind
I wanna break free, before I lose my mind

You should look close, because you'd never really know
Who wears their tats on the inside, and they'd never really show
I wont settle for less, I'm destined for more
I'll conquer the galaxy, explore every shore

You call them songs, and yet I call them trash
The way to navigate my life, this woebegone ash
With insidious intrepid glare in the third degree
I'm reaching for the moon, with thourough nominal apogee

But the galaxies I claim, a claim way far too bold
But as matters persuade, that's my crown of gold.
Stuck in my grift work, lost in the grind
I wanna break free, before I lose my mind

I'm reaching for the moon
I'm reaching for the moon
I wanna break free

I'm reaching for the moon
I'm reaching for the moon
I wanna break free
I wanna break free
I wanna break free

Stuck in my grift work, lost in the grind
I wanna break free, before I lose my mind
Stuck in my grift work, lost in the grind
I wanna break free, before I lose my mind
before I lose my mind
before I lose my mind
What What
before I lose my mind

Griftwerk - Attenbourough Mix

Disquiet Junto Project 0614: Alternate Route
The Assignment: Do something you often do, but differently.

Playing acoustic instruments into a system of effects is a thing I’ve been doing a lot. Usually I do this in an improvisational, exploratory way: having only a rough idea of what I want to start off with, and then just seeing (actually: listening) where the music will take me.
Something I’ve been thinking about is using this way of playing in a context where at least some of the material is composed, thought out before hand.
So I used the prompt to do a bit of experimenting in this area.

The piece I made uses Erik Satie’s Gnossienne 2 as its main material. 
My idea was to dissect that piece into its component parts, then play and explore around those separate parts and in the end stitch the recordings together into something that would stay true to the original score. A sort of rearrangement.
In the end I had to abandon that idea. Lack of time mostly. And also, I thought it worked better to give some of the non-melody parts a bit more space.

The instruments used are piano (actually: sampled piano), kalimba, duduk, zither. And I used mainly three effects chains: one centred around saturation (on the duduk), one around using lfo’d panning - and a bit of distortion - as a sort of tremolo effect (on the zither), and one around using reverb with varying room size - giving a sort of tape warble feel - (on the whole mix).

I can see some potential for this way of working with composed material (also using my own compositions), though using composed material while still retaining the notion of the music arising in the moment of playing (that is: without requiring a lot of editing), is a different matter.

More on this 614th weekly Disquiet Junto project, Alternate Route (The Assignment: Do something you often do, but differently), at: https://disquiet.com/0614/

Gnossiennesque - after Satie Gnossienne 2 (disquiet0614)

Disquiet Junto Project 0621: The Leftovers
The Assignment: Use recently discarded material to make something new.

Step 1: At the end of the calendar year, people often participate in holidays that result in lots of leftover food. Think about the leftovers — discarded tracks, or MIDI files, or ideas — that result from your music-making process.

Step 2: Scrounge around on your hard drive and recording equipment, and in your memory, to access the sort of creative leftovers that came to mind in Step 1.

Step 3: Make a new track primarily using the resources that surfaced in Step 2. You can, of course, add new material. And be sure to reheat sufficiently.

Old test file of 3 Euclidean sequencers. 
1)  Steingraeber & Söhne piano - Hirajoshi
2) Tank drum - Dorian  C3 (Left channel)
3) Kalimba - Major Pentatonic A#3 (Right channel)

Some noise filters, used in an extremely controlled manner.

Very light track, performed on tiptoes.

AQUA III

AQUA III (disquiet0621)

Start From The Endless

SALUT SALUT

Athens and Rome is the new symphonic-acoustic single by JOHN E VISTIC. The song is a foretaste of his latest solo acoustic album 'Ten Simple Songs About Death' coming soon. The single is due out 15th March 2024 on Deafendling Records (Bristol UK). 

PRESAVE ON SPOTIFY NOW!  
https://distrokid.com/hyperfollow/johnevistic/athens-and-rome 

ATHENS AND ROME is produced with additional instrumentation by Tom Hackwell (Erotic Secrets of Pompeii) and features a towering inferno of lyrics and acoustic guitar, atop a rising tide of strings, synth and tympany drums. The song cites Cicero's famous maxim about Justice and Natural Law. Do not be fooled by the quiet intro, this song GOES BIG. The accompanying video by John E Vistic, which premieres with LOUDER THAN WAR, was filmed in a series of stormy days and nights off the coast of Ireland in a memorable road trip while delivering a piano. Remember, kids, Never Surrender! NEC SPE NEC METU.

Athens And Rome

Homemade music from me to you.
Musical focus on unexpected transcendence.
Sometimes it's the space between things that deliver the most opportunity.
Definitely interested in collaborations. 
Promotions and sales, not so much.(Especially those that say they like a track, but haven't followed you, commented, or liked a track.)

Griftwerk - Attenbourough Mix

AUDADDIO

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