A quick exercise in Maxmsp with the ML Star family of objects, and of course additional ambient processing etc.

Piano Exercise ii

Finally remastered after 9 years, this is a recording of our very first installation in a freezing gallery in Hoxton in 2005. Original recording by Seb Hunter.
(The image is a spectrogram analysis / visualsation of a part of the track where a lorry drives past the window of the gallery.)

Blue Room 2014

An experiment in harmonic filtering, and a small composition based on our installation at the Science Museum in July 2014.


Gjallarhorn 01

Recorded in the Trent - Portland tunnel as part of the 'Noise and Silence' symposium, Nottingham University March 25/26 2015.

Walk

A composition using only sinewaves pitched at the same frequencies of the harmonic over tone series of a 'singing' bowl. 

This track formed the basis of our 'Chambers' piece performed with John Butcher. The actual installation lasted for 3 days.

Bowl harmonics

commissioned by the Siobhan Davis Studio, as part of the London Festival of architecture, 2010.

Equipment used:
x1 acoustic guitar, processed in Maxmsp & Logic Express.

Strata frequencies

A recording of a glass window in a condemned building with a contact mic.

Knightsbridge 2008

Bowater house window

Not music, but emergent sonic ecologies; a synthetic soundscape from an evolutionary system driving x2 4op FM synths modelled in maxmsp. None of this was written, but 'evolved' ... Part of a research project based atThe Bartlett School of Architecture, UCL, London, UK.

Sonic ecologies

An experiment in machine learning, markov chain periodicity and Debussy, and it all went wrong, the midi interface  malfunctioned, the code had a mind of its own, which I suppose it was entitled to, the results are here ...

Manufacturing Error

An attempt at developing a patch in maxmsp that uses machine learning organisational typologies, Self Organising Maps for note selection & Markov chain periodicity for rhythm alongside evolutionary computation (Genetic Algorithms)for generative development. The music here has not been actively written, but 'curated' so that an aesthetic themes can develop independently over time.

Curated Music

This music was generated live as a part of Ars Electronica 2020, supported by the Bartlett School of architecture's  Interactive Architecture Lab.

Curated & Optional Music … 
 
A common critique of machine learning processes is that they fall into common typologies of pattern recognition and repetition; identifying and classifying information, but not creatively manipulating the data into something novel.
 
This ‘system’ addresses this position, and blends analytical ML processes with evolutionary computation and human curation to ‘evolve’ music from a base position into something new and unique. 
 
The system is part of a series of experiments used to ‘evolve’ sounds and music to fit a convolved model of a space; audio analysis determines which musical characteristics of a given model go on to seed the next generation. 
 
This method will show us how musical processes can evolve to suit a given spatial condition, just as they have for thousands of years …

Curated Music: Live at Ars Electronica 2020

In 2016 we were invited to undertake an installation in Silo 468, a disused gas cylinder in Helsinki. We used the spatial parameters of the site to define the wavelengths of the sounds we used, modulated by local weather patterns, generating a sonic drawing within the space, immersive and inhabitable ...

Silo468.WAV

Audialsense, from 2005 to 2017 were are a London based sound & architecture research group, looking at the relationship between the physics of sound, the phenomena of listening, and the synthesis of the two into spatial representation and architecture. 

From 2017 onwards the work has mainly been the output of Paul Bavisters PhD research.

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