‘Pianoforte’ features a Fazioli F212 sampled to utmost realism using multiple microphone positions - including Ambisonics microphones, in order to capture the pure sweetness and rich harmonic body only Fazioli can deliver.

After recording the Piano’s sonic emissions from every corner possible, we decided to push the limits we set with ‘The Upright’, and decided to work independently on the Stereo and Ambisonics versions. This time, while part of our time dedicated their time to prepare independent Microphone Positions and Mixes (for Stereo), the other part of the team focused on creating custom Ambisonics mixes that will help you feel the richness of the Piano from several angles.

This means that whether you decide to work on Stereo or Multichannel Arrays, ‘Pianoforte’ will always surprise you with a unique opportunity to fit the glorious sound of this Fazioli on your mix.

We invite you not only to play a Piano anymore, but to feel and live the Piano through your music with with beautiful result of perfect craftsmanship.

More info at www.audiobrewers.com

Nuam By Matias Muñoz Parietti (Solo)

Shoft Jazz Improvisation (Compact)

Jazz Improv By Doug McKenzie (Solo)

Debussy - Claire De Lune (Solo)

‘Pianoforte’ features a Fazioli F212 sampled to utmost realism using multiple microphone positions - including Ambisonics microphones, in order to capture the pure sweetness and rich harmonic body only Fazioli can deliver.

After recording the Piano’s sonic emissions from every corner possible, we decided to push the limits we set with ‘The Upright’, and decided to work independently on the Stereo and Ambisonics versions. This time, while part of our time dedicated their time to prepare independent Microphone Positions and Mixes (for Stereo), the other part of the team focused on creating custom Ambisonics mixes that will help you feel the richness of the Piano from several angles.

This means that whether you decide to work on Stereo or Multichannel Arrays, ‘Pianoforte’ will always surprise you with a unique opportunity to fit the glorious sound of this Fazioli on your mix.

We invite you not only to play a Piano anymore, but to feel and live the Piano through your music with with beautiful result of perfect craftsmanship.

More info at www.audiobrewers.com

---

Meinard Müller, Verena Konz, Wolfgang Bogler, and Vlora Arifi-Müller
Saarland Music Data (SMD)
In Late-Breaking and Demo Session of the International Conference on Music Information Retrieval (ISMIR), 2011.
Saarland Music Data (SMD) by Saarland Music Data (SMD) is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0

Chopin - Impromptu In A Flat Major, Op. 29

Composed by Frankie Sartori.

‘Pianoforte’ features a Fazioli F212 sampled to utmost realism using multiple microphone positions - including Ambisonics microphones, in order to capture the pure sweetness and rich harmonic body only Fazioli can deliver.

After recording the Piano’s sonic emissions from every corner possible, we decided to push the limits we set with ‘The Upright’, and decided to work independently on the Stereo and Ambisonics versions. This time, while part of our time dedicated their time to prepare independent Microphone Positions and Mixes (for Stereo), the other part of the team focused on creating custom Ambisonics mixes that will help you feel the richness of the Piano from several angles.

This means that whether you decide to work on Stereo or Multichannel Arrays, ‘Pianoforte’ will always surprise you with a unique opportunity to fit the glorious sound of this Fazioli on your mix.

We invite you not only to play a Piano anymore, but to feel and live the Piano through your music with with beautiful result of perfect craftsmanship.

More info at www.audiobrewers.com

Celestial Light By Frankie Sartori

Beethoven - Sonata 17 'Tempest' Mov 3 (Allegretto)

This demo was made using exclusively Pianoforte. No third party libraries or effects were used.

‘Pianoforte’ features a Fazioli F212 sampled to utmost realism using multiple microphone positions - including Ambisonics microphones, in order to capture the pure sweetness and rich harmonic body only Fazioli can deliver.

After recording the Piano’s sonic emissions from every corner possible, we decided to push the limits we set with ‘The Upright’, and decided to work independently on the Stereo and Ambisonics versions. This time, while part of our time dedicated their time to prepare independent Microphone Positions and Mixes (for Stereo), the other part of the team focused on creating custom Ambisonics mixes that will help you feel the richness of the Piano from several angles.

This means that whether you decide to work on Stereo or Multichannel Arrays, ‘Pianoforte’ will always surprise you with a unique opportunity to fit the glorious sound of this Fazioli on your mix.

We invite you not only to play a Piano anymore, but to feel and live the Piano through your music with with beautiful result of perfect craftsmanship.

More info at www.audiobrewers.com

Getting There

Composed by Rupert Schnitzler @rupertschnitzler.

‘Pianoforte’ features a Fazioli F212 sampled to utmost realism using multiple microphone positions - including Ambisonics microphones, in order to capture the pure sweetness and rich harmonic body only Fazioli can deliver.

After recording the Piano’s sonic emissions from every corner possible, we decided to push the limits we set with ‘The Upright’, and decided to work independently on the Stereo and Ambisonics versions. This time, while part of our time dedicated their time to prepare independent Microphone Positions and Mixes (for Stereo), the other part of the team focused on creating custom Ambisonics mixes that will help you feel the richness of the Piano from several angles.

This means that whether you decide to work on Stereo or Multichannel Arrays, ‘Pianoforte’ will always surprise you with a unique opportunity to fit the glorious sound of this Fazioli on your mix.

We invite you not only to play a Piano anymore, but to feel and live the Piano through your music with with beautiful result of perfect craftsmanship.

More info at www.audiobrewers.com

Journey In A Nutshell By Rupert Schnitzler

FULL Album Available in Stereo and Dolby Atmos:
https://distribute.avid.com/share/MTAwMDAwNTg5NTE1

Axé (pronounced ash-eh) brings Epic Music and Latin American instruments together for the first time. Our aim was to sample a massive ensemble of powerful drums in a wet hall to create a massive-sounding ensemble that will bring composers a new take on what Epic Soundtracks can be.

With 81 Instruments in total, divided in 5 categories 17 Low Surdos, 17 High Surdos, 17 Dobras, 15 Caixas and 15 Repiques), Axé delivers a complete set of percussion that can fit perfectly in any large-size Epic composition.

Axé comes with different mixes aimed to offer composers a wide amount of perspectives that can adapt to any need. From Four independent Mono Spot mixes for a localised feeling, all the way to Stereo mixes (Close, Mid, Far and Balanced) and even Immersive Mixes (180-degrees, 360-degrees, 360-degrees with Presence and Front) natively compatible with any speaker-array.

Axé also includes Sound Design Percussion Kits as well as Tonal Articulations, and finally, we also developed a Smart Sequencer that will help you generate musically-coherent rhythms with one click.

Axé is available at www.audiobrewers.com

#kontakt #sound #music #samplelibraries #samplelibrary #vr #vst #sounddesign #producer #audiobrewers #wyhiwyg #soundlibraries #soundsamples #composers #nativeinstruments #ambisonics #binaural #ambix #atmos #spatialaudio #spatialsound #spatialmusic #epic #percussion #samba #batucada #brazil #latinamerica

Smasher (naked) by Alejandro Cabrera

This demo was made using exclusively the '2021 Collection'.

As a small boutique company, we enjoy having a close relationship with our customers, this is why we decided to create this library to celebrate our 1-year birthday along with the holidays and most importantly, with YOUR music.

‘The '2021 Collection’ is a library created with you in our minds, we are extremely grateful to be able to create our sample libraries and most of all, we enjoy having you use them in your music.

This library contains a collection of the best Sound Design pads we created in all our 2021 releases (‘The Upright’ included), this time, together in one patch.

Additionally, we crafted 30 presets to demonstrate all the potential this small library has, so that you can explore how we work, and most importantly, so that you can be inspired in creating music - never stop!

To celebrate with all our customers, we are offering this library FOR FREE for the next months (through 1 February, 2022).

On 1 February 2022, this library will stop being distributed.

This library is privately distributed to all the customers who want to participate in ‘The Art of Brewing Audio’ event, this is not a competition (i.e. everyone gets a copy of the library).

'Choirs' preset only (Naked) by Alejandro Cabrera

'Exploring Harmonies' (Naked) by Alejandro Cabrera

'Intensity' (Naked) by Alejandro Cabrera

Composed by @rupertschnitzler using exclusively Pianoforte

‘Pianoforte’ features a Fazioli F212 sampled to utmost realism using multiple microphone positions - including Ambisonics microphones, in order to capture the pure sweetness and rich harmonic body only Fazioli can deliver.

After recording the Piano’s sonic emissions from every corner possible, we decided to push the limits we set with ‘The Upright’, and decided to work independently on the Stereo and Ambisonics versions. This time, while part of our time dedicated their time to prepare independent Microphone Positions and Mixes (for Stereo), the other part of the team focused on creating custom Ambisonics mixes that will help you feel the richness of the Piano from several angles.

This means that whether you decide to work on Stereo or Multichannel Arrays, ‘Pianoforte’ will always surprise you with a unique opportunity to fit the glorious sound of this Fazioli on your mix.

We invite you not only to play a Piano anymore, but to feel and live the Piano through your music with with beautiful result of perfect craftsmanship.

More info at www.audiobrewers.com

Comfort Tree By Rupert Schnitzler

‘Peace’ is an artistic statement against armed conflicts and the current state of the world.

'Peace’ might be one of the most beautiful and meaningful projects we’ve ever taken part in - from its core concept all the way to its execution.

The Instrument:
'Peace' is a one-of-a-kind bowed instrument created using the shell of a missile.
The idea was to use something originally created to destroy, to create art as a statement against armed conflicts and the current state of this world.
DustBowl Cinematic created a beautiful instrument with two completely independent resonance boxes. One of them being the empty shell, located where a Cello resonance box would be, and a second resonance box 3 metres high from the ground, projecting sound downwards toward the musician through a military helmet.
‘Peace’ was recorded to be completely compatible with Crescent, meaning all the arcs, crescendi, decrescendi, etc. fit perfectly when used together.

The Recording:
'Peace’ was recorded meticulously to capture all the resonance and colours the instrument can offer.
Because the instrument consists of two resonance boxes, we created Mixes both in Stereo and Ambisonics to fill your music in innovative ways.
Peace comes with 4 Stereo Mixes (Mix, Body, Helmet, and Binaural) as well as 4 Ambisonics Mixes (Mix, Body, Helmet, and Audience), which can be used in any Dolby Atmos project.

Peace offers a next-generation Adaptive Polyphonic Legato, which automatically adjusts the legato to your playing speed, allowing you to play from very slow to very fast passages.
Additionally, full polyphony, on-the-fly articulation switches, multiple dynamics, and two types of legatos (portamento and finger-on legato), allow you to create music without having to look at your computer once!

'Peace' is available now at https://www.audiobrewers.com

Teaser 2 (naked) By Alejandro Cabrera

Elegance (Demos)

Obsessive Worry (feat. Christian Sleep)

1840s Symphoney (feat. Rupert Schnitzler)

Axé

Rats of Berlin (feat. Rupert Schnitzler)

Elegance (Perspectives)

Native Damp Mix (feat. Rupert Schnitzler)

Peace

Native Ears Perspective (feat. Rupert Schnitzler)

Improvisation II (feat. Cari Tibor)

An Army of Orcs

Stereo Frame Microphones (feat. Rupert Schnitzler)

No Peace (feat. Cari Tibor)

Native Sounboard Perspective (feat. Rupert Schnitzler)

When I'm Finally Done (feat. Rupert Schnitzler)

The Upright

A Better World (feat. Bob Dedes)

Winter (feat. Christian Sleep)

After the Fall (feat. Frankie Sartori)

Discoveries (feat. The Last Haven)

Astrometry

Featuring a beautiful upright piano from the late eighties, ‘The Upright’ is the first virtual instrument ever to be recorded, mixed, and delivered fully in Ambisonics, allowing you to take control of how you want your listeners to feel the message you’re delivering with your music.

Regardless of your final mix being in Stereo, Binaural, VR, or any Surround configuration, ‘The Upright’ will always keep not only the fidelity of the sound but transport your listeners exactly to where you want them to be.

As technology helps artists and listeners to get closer, Audio Brewers has decided to take the next step and offer you a tool to allow your listeners to tear down that last layer that would keep them from feeling exactly what you were feeling. It is no longer about them hearing your music, it is about them living in it and feeling the way you felt while composing.

Available at www.audiobrewers.com

The Upright Felt (naked improv) by Matías Muñoz

Signals ‘Blue' is the ultimate tool to design custom textures that can adapt to any tonality, be major or minor and from there, to a plethora of chords with multiple voicings. This way, the resulting texture not only fills your music with an ambience, but this ambience is coherent to the chord progressions as you move through your music.

Unlike other textural libraries in which samples are ready with baked effects or pulses, we decided to create raw textural samples so that YOU would be in control of the results thanks to our powerful and versatile engine. By having these textures in raw, you will decide how they combine, how they pulse, how they modulate and which effects are applied - a complete textural Swiss-army knife.

But that’s not all! Because our philosophy is to create sample libraries in Ambisonics so that they can be compatible with any speaker-array, we saw the sampling phase as a new challenge and instead of using plugins with reverbs or virtual halls, we partnered with ‘Dust Bowl Cinematic’ and spent a great deal of time to research and develop an acoustic art installation that would reshape sounds in a custom three-dimensional sphere, they called it Pandora.

Pandora has helped us push our sampling methods to a new level, and thanks to it, we’ve been able to offer Digitally Processed samples in an organic Ambisonics environment - everything that we captured and mixed was the natural replica of real acoustic morph.

Available at www.audiobrewers.com

For more info on Dust Bowl Cinematic: cinematic.dustbowlguitars.com

Northern Lights by Frankie Sartori

The Castle by Audio Brewers

Pioneer developers of Sample Libraries for Stereo, Spatial and Immersive Audio. Recorded, Mixed, and Delivered in native Ambisonics. For Kontakt VST, AU, AAX​.

Audio Brewers

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