чего-то творчество Fatloaf'a вспомнилось

//artists

@burroakmusic
facebook.com/burroakmusic

@lifesizemc
facebook.com/lifesizemc

//label
facebook.com/Eatbra1n
twitter.com/eatbra1n

// release date
Beatport Excl. 09.04.21
& Worldwide - 23.04.21

Scruggs & Sonny Jim had ridden long since dealing the final blow to the plantoid behemoth that had first impeded their journey some many months ago. They had left that beast’s lair far behind, and happily so for the stench of commingled acrid sap and gunpowder that filled it once the pair had finished. Astonished by the wonders of this alien land, their journey had lead them through biomes never before seen, in which red rock sandstone bore forth soaring forests filled with idyllic glens and treacherous thickets alike. Through these, they had climbed in an ascent to a high plateau, and it was at this peak that the pair saw a sight unrivaled by any in their journey thus far.

Rising above the forest that continued onwards below was a great stone structure of peaks and turrets, connected by a network of bridges that hung precariously over the ravines and canyons of the mountainside upon which it was built. The building’s spires rose to a height of such impractical grandiosity that the pair wondered what the purpose of such a structure could be or, more than likely, could have been. For all of the stature that it had certainly once commanded, the building was a shell of its former self, a relic of unique hubris worn bare by the selfsame forces that allowed the forest beneath it to thrive. No light shone from its windows and no figures stood atop its balconies, for whatever cataclysm had befallen its creators had driven them from this place long ago. All of these thoughts passed through Scrugg’s mind as he gazed upwards, and to synthesize them he asked a single question of his partner, Sonny Jim.

“Hey, Sonny Jim,”
“Yeah Scruggs?”
“Why the hell would you bother hauling rocks all the way up there?”

With nothing but a grunt and a shrug in response, Sonny Jim spurred his horse onwards, and the two resumed their journey, riding into the shadow cast by the great castle that lay above.

BURR OAK drive the EATBRAIN horde into the shadowed depths of their latest EP, DARK AGE, the latest from the duo, and a follow up to their previous releases Roots of Evil & Hawkeye on the label. Within, the duo unleashes six tracks stacked with aggressive tonalities and futuristic textures that unveil the latest in the sonic tale of these twin bassline masterminds.

Dark Age

Dark Age EP

Burr Oak Ft. LifeSize MC - Dark Age (Eatbrain 120)

Buy - https://bit.ly/3dIO0jL

Promising newcomer Notequal takes on the mystical banger "ID" from the BorkerBrothers & Surge, featuring the vocals from BLKJuzon, on Hanzom Music.

@borkerbrothersofficial
https://facebook.com/BorkerBrothers

@notequalmusic
https://facebook.com/Notequaldnb

@hanzommusic
https://facebook.com/hanzommusic

Contact us
‣ studio.drumandbass@gmail.com
‣ https://studiodrumandbass.com
‣ https://twitter.com/Studio_dnb
‣ https://facebook.com/Studiodrumandbass
‣ https://instagram.com/studio_drumandbass

Follow us on Instagram

BorkerBrothers & Surge ft. BLKJuzo - ID (Notequal Remix) [Premiere]

Download / Stream: https://outnow.io/t/neonlightdesire

Neonlight are diving deeper into spiritual abyss. With Desire the German duo construct a backdrop of diffidence and restraints towards wishes and aspiration. No other than @flowanastasia found the right words and tones to transport this emotional aspect of an otherwise blasting song.

Desire

Download / Stream

Neonlight - Desire ft. flowanastasia (Blackout Music) OUT NOW!!!

Buy & Stream : https://kosenprod.fanlink.to/desolate

The Clamps is still delivering the heat on Kosenprod. This time with a 4 tracks Ep, he combines his influences from the past with the modern sounds, traveling around the decades of Drum & Bass.
Main title "Desolate" brings you into his deep universe where nostalgia collides with a dystopian future, while "The Last Leaf" immerses you in an epic and melancholy journey. 
It continues with "Burdens", which is a mechanical universe, spiced by industrial sounds and hard-hitting drums, tainted with poetry.
To finish "Savathûn" is a pure techstep rollercoaster, charged with mighty energy.
Each with their own messages, these tracks will make you feel your most primary emotions as well as the most refined ones.


Follow The Clamps: 
https://soundcloud.com/the-clamps
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/theclampsmusic
https://theclamps.bandcamp.com/
https://www.youtube.com/channel/UCOmoeezEUIYxswcTiZzHqZg


Kosen: 
https://www.kosenprod.com
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://kosenproduction.bandcamp.com/
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod
https://www.youtube.com/channel/UCIbBlXzP1ovUmTYnf5JpswA


All tracks written, composed and programmed by Julien Carbou.
Artwork: Julien Carbou & AI
Mastering: Julien Carbou

Desolate

Buy & Stream

The Clamps - Savathûn [KOSEN 60]

Lost In

Chill the f*** out, it's a freebie :D! 
Get it here: http://www.neosignal.de/themothershipvip/

Dont want to exchange for email??
You can like Phace or Mefjus on Spotify in exchange for a free download: http://bit.ly/Spotify_Mothership

Listen to Phace on Spotify: bit.ly/phacespotify
Follow Phace on Instagram: www.instagram.com/phace_/

Listen to Mefjus on Spotify: bit.ly/mefjusspotify
Follow Mefjus on Instagram:www.instagram.com/martinmefjus

Mothership VIP

DOWNLOAD

Phace & Mefjus - The Mothership VIP [Free Download]

//artist
@teddykillerz
facebook.com/teddykillerz1/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below. 

The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”

The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.

//release date
Beatport Exc. 22.10.2018 
Worldwide 05.11.2018

Chopping Machines EP

Buy / Stream EP

Teddy Killerz - Drop It (Eatbrain068)

This is my remix of "Mefjus - Divergence" OUT NOW 
on Vision Recordings !

http://fanlink.to/ManifestRemixed

Misanthrop online:
Facebook: www.facebook.com/Misanthrop.Neosignal/ 
Soundcloud: @misanthropnsgnl 
Twitter: twitter.com/MisanthropNSGNL 
Instagram: www.instagram.com/misanthropnsgnl/
Spotify: spoti.fi/2RsDgrM
Apple Music: itunes.apple.com/gb/artist/misanthrop/42318041

Mefjus - Manifest

Mefjus - Divergence (Misanthrop Remix) OUT NOW !

*** OUT NOW ***

http://smartlinks.cygnusmusic.net/l/UKSFN1900005/5d7f55a0297f133142294f52

Audio - Atomize

The Austrian-based AKOV returns to Bad Taste to close out the year with his untouchable style. This time around he's bringing The Syndicate in on the madness for a raucous six-track EP of the same name. Consisting of Maztek, Billain, Exposure, Mean Teeth, Zombie Cats and Bad Taste Recordings label boss Vegas, the EP is an untethered dive into the darker side of the dancefloor.

Check this razor-sharp premiere of Akov & Mean Teeth's "Bulletproof" offering from the EP above and lock in your pre-order of this one as it hits the streets December 17.

Follow:

@akovmusic
@meanteeth
@bad-taste-recordings

Vinyl

AKOV & Mean Teeth - Bulletproof [Bassrush Premiere]

4years later https://www.dropbox.com/s/phku0dqj0p74zth/Concord%20Dawn%20-%20Morning%20Light%20%28Barbarix%20Cover%20Version%20Bootleg%29.wav?dl=0

Concord Dawn - Morning Light (Barbarix Cover Version Bootleg)

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

Audio - Atomize

Aud!o DNB

Recent comments

spati420

DrumshrooM

extime

Pharcom

Related tracks