Alongside the delicious aggressiveness that made Audio so renowned, his ‘Beastmode’ LP cracks him open like you’ve never heard him before. Fiercely powerful, yet intricately different, each cut from his debut album on the Ram Records imprint packs a very different punch whilst hitting with the same fierceness and wealth of talent. 

‘Beastmode’ reflects all his output to date. Whether it’s the old-school flavor of virus, or the steppy-unapologetic riddims he’s served up for Ram, this record won’t leave you questioning who rules supreme over the genre’s murkier waters. 

Whether it’s the half-time, two stepping ‘Move it Along’ or the pulsing, snarling undertones of ‘Thud’, you’re blessed with a barrage full of fresh sonic assaults. ‘Thunder Ridge’ serves as the perfect opener, a brand new record with synth-laddered foreboding intro which pushes you below the surf. Tinkling hi-hats and a distorted LFO adds shockwaves throughout the mix, submerging you even deeper. Urgent, pulsing and nastily crafted, this is Audio at his most fearsome. 

On the other hand, ‘Rogue’ presents a clanking, runaway riddim that snaps its teeth with every break. Stacked between ominous build ups and jaunty samples, the second drop flairs out as angrily as the first, demonstrating Audio’s ingenious sound design. 

And flipping the switch once again is ‘Sovereign’, a nod to the producer’s roots and a track that gradually builds its presence throughout. Between warbling stabs and peddled kick drum, you’re drawn by the aural nerves. Elevating beat patterns set you up for another descent into madness, through a stringently tight composition. 

Featuring artists, such as drum & bass heavyweight Prolix, also take center stage. Their collaboration ‘Creatures’, alongside the revered lyricist Nuklear MC, adds a welcomed surprise. ‘Creatures’ delivers everything you’d expect and more; steroid-pumped subs, the dark overture of Nuklear and apocalyptic atmospherics. 

Also featured on its weighty track listing are singles ‘Make it Happen’, ‘Overdose’, ‘Drop it Human’ and ‘Shatterdome’. They were a precursor for what was to come, which signified one of the darkest, most uncompromising productions yet on Ram Records… In all of its twenty five years of history. 

Audio & Prolix - Creatures (feat. Nuklear)

https://www.instagram.com/drumatandnb?igsh=YTV0NjkzdGI2Mmwx

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

unnormal guy with unnormal brain..(•ิ_•ิ)

Audio & Prolix - Creatures (feat. Nuklear)

Aud!o DNB