Extended Jungle & Rollers_part2

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Claymore

15 Years Of Low Down Deep

Thrill Seekers (Serum Remix)

Emergency System

Surprise / Order Cancelled

Order Cancelled

This one hits really hard! Out now via BrainRave Music.

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Like & Follow!

► https://soundcloud.com/aye-rights-dnb ◄

► https://soundcloud.com/skatty-1 ◄

► https://soundcloud.com/brainravemusic //  https://www.facebook.com/profile.php?id=100087904778949 ◄

► https://soundcloud.com/districtbassmusic // www.facebook.com/districtbassmusic // www.instagram.com/districtbass // www.youtube.com/districtbass // https://districtbass.bigcartel.com ◄

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All rights belong to the artists and the label.

Cortex Chronicles Vol. 1

Scary Mary

Support

Aye Rights & Tollgate Shindigs - Scary Mary

Bogota

Don't Kill

The future is bright, and we have six fresh tracks to back up that statement.
Adaptations showcases fresh Blackout talent, this time ranging from the melodic sounds of Eluun to the destructive neuro basses of Teniak.

Dropset delivers 'Fracture', which you can get here from March 29th: https://bfan.link/gen-iii

Dropset - Fracture

Cortex Chronicles Vol.2

Asteroid Shower

Drumago & Tschul - Asteroid Shower

Instinkt comes through with the heavy funked out roller "Payback" The track rides on a brutal bassline and punchy drum hits, staying true to the gritty, tech-driven vibe of the compilation. The energy is undeniable, with cleverly placed switches and detailed soundscapes keeping it fresh throughout.

DL // Stream

Instinkt // Payback // LTDC4C041 // OUT NOW!

D-Struct has been a major contributor to Drum & Bass over the last two decades. Drifting is his latest EP and this time he's bought some friends along for the ride.
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Written & produced by John Aronson (https://soundcloud.com/d-struct) and Kemal Okan (https://soundcloud.com/kemal-crypticaudio)
Mastered by @macc
Photography by Alan Dunkerly

DOWNLOAD

D-Struct & Kemal - Drifting

https://www.beatport.com/track/detroit/19818743

Silent Witness - Detroit

Imposters EP

Buss Back

This is my Drum and Bass BOOTLEG of the song "I Enter" By Secondcity & Tyler Rowe. (FREE DOWNLOAD)
I really hope you enjoy the track, as this is my best work up to date, feel free to use it wherever you like. 

Many more BOOTLEGS coming from me in the near future, improving my production every day, so stay tuned.
If there are any specific tracks you'd like for me to make a BOOTLEG of, comment the original song.

If you enjoy my productions, I'd appreciate if you'd drop a follow on my Instagram :)
IG: www.instagram.com/kairishs/


Free Download

Secondcity & Tyler Rowe - I Enter (KAIRISHS BOOTLEG) (FREE DOWNLOAD)

Hope you enjoy my take on the Boomtown Opening Ceremony remix.

BOOMTOWN OPENING CEREMONY REMIX - TSALF

Zero
Method then teams up with L33 to explore some
lower Frequencies, the two producers swapping
ideas around, and coming up with a monster of a
tune, tough, ready and resolute.

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www.facebook.com/djoptiv
twitter.com/optiv
For Bookings contact: tom@gramagency.co.uk
North America: Scott@CyberGrooveProd.com

Deep Fields LP

Zero Method & L33 - Frequencies

Patience

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

Hoarding, just straight up hoarding. That’s how I would describe this. If it’s on my decks, it’s probably here too

Claymore

Aud!o DNB

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