RAM Records - Part 1

Lion's Den

Blow Out

Obsession

Devils / Disbelief VIP

Devils

Overload EP

Feel It

On Road

Skull Smasher

TAKE ME HOME

Riftwalker

I love father pucci so I made this tune.

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MADE IN HEAVEN

Out now: http://po.st/SteamMachineBP

As premiered by Radio 1's Friction as his 'Friction's Fire', Steam Machine is the first track to be taken from the highly anticipated forthcoming TRANSIT EP from Culture Shock on Ram Records.

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Buy Now

Culture Shock - Steam Machine

Out Now on Beatport! http://po.st/BPTangents

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Culture Shock - Tangents

Pre order: po.st/TransitEPiT

'No More' is the 4th track to be taken from the Transit EP, released on Friday 29th January, as heard as Mistajam's Inbox Fresh and supported by Annie Mac, Sub Focus, Chase & Status and Andy C.

Culture Shock - No More (Back To You) vs. Josh Parkinson

Now the Future / Drop It Human

Drop It Human

The World

Load

Lifeline / Switch

Switch

Lifeline

Buy or stream 'Hospitality House Party' here: http://www.HospitalRecords.lnk.to/HospitalityHousePartyso

The Hospital Records family are here to provide your much needed dose of fresh cuts from all corners of drum & bass in their ‘Hospitality House Party’ compilation. The annual summer album from the south-London based imprint provides a soundtrack for a time in our lives that has changed every one of us. From their homes to yours, their weekly virtual parties have allowed us to come together under the shared love for 174 beats per minute.

The album is packed with 32 brand new original tracks, collaborations and remixes to make sure that good vibes and even better music are in plentiful supply, featuring the likes of Camo & Krooked, Flava D, London Elektricity, S.P.Y, Kings Of The Rollers, Degs, Logistics and Makoto, seamlessly blended together by Nu:Tone on the continuous mix.

Delivering everything you’d expect plus more, Urbandawn’s ‘Carnival Blues’ is a nod to his eclectic musical background.The Sao Paulo-based sonic architect canvasses vibrations from around the world into an untestable drum & bass cruncher. Villem sets the compilation in motion with ‘We Had A Song’ ft Leo Wood, a 2020 cover of a classic by the progressive contemporary icons The Roots - “You Got Me”. Villem infuses drum & bass with neo soul and hip hop to create a sublime liquid bouncer drenched in moreish guitar riffs and comforting strings.

His first release since his seventh studio album, Hospital head-honcho London Elektricity has teamed up again with the Stockholm-based Bulgarian Goddess, providing stunning orchestral sounds in ‘Someone Once Gave Me A Melody’. Camo & Krooked meet Pola & Bryson on their official remix of ‘Turn Up (The Music)’. Incorporating the anthemic synth and vocal leads from the original, brisk breaks and growling basses flip the tune on its head turning it into a sub-heavy summer striker.

Embarking on an interplanetary journey through bass-ridden black holes, powerhouse trio Kings Of The Rollers have stepped up with ‘Saturn’s Strings’, plus ‘The Prophet’ which marks Voltage’s first solo release on Hospital Records. The compilation also sees an exciting release from dance music duo My Nu Leng as they join forces with Dread MC on ‘Worldwide’, a tearout destroyer that draws for system shaking basslines.

Whilst they won’t be able to unite the Hospital family and wider drum & bass community this summer, Hospital Records and Hospitality continue to supply the highest calibre of music, no matter what the circumstances.


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Hospitality House Party

Middle Finger (feat. MC LowQui)

Out Now

Unglued - Middle Finger (feat. MC LowQui)

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

Drop It Human

Aud!o DNB

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