Dark DnB - Part 1

Emperor - precursor ( mefjus remix )/Emperor and Mefjus - Void main void

Holographics

Holographics (feat. TR Tactics)

Feel This Way: The Remixes

Feel This Way (RYLLZ Remix)

LICIA & Solid State - Feel This Way (RYLLZ Remix)

Filthy dnb

wilder than a hurricane tekk.wav

Now the Future / Drop It Human

Drop It Human

The Spirit / Interchangeable

Interchangeable

TITAN041

Space Bears EP

Space Bears

Plastic Acid

Connected

Merging two of the finest technical wizards this genre has to offer, we are pleased to present the long awaited joint release from Hybris & DLR, entitled ‘A New Tomorrow EP’.

Sharing a mutual respect and support for each other’s music from the very start, the duo collaborates for the first time; in a demonic tech step title track, setting off the EP in fine style.

One solo track apiece follows the collab, as the EP develops into a soundclash of technical prowess, with each artist unleashing their own original strains.

The pair then unite forces, to remix previous label production from each other; as DLR revisits the 2012 killer ‘Crumbled’ in his ‘3rd Time Around Remix’, before Hybris reworks ‘Seeing Sounds’ album track ‘Ask The Question’ alongside MC Fokus.

A fusion of tremendous skill and two unique, well established sounds, we proudly welcome a joint release from two of our favourite producers of the decade so far.

Available early (out now) via our website and bandcamp pages:
• Dispatch Website: bit.ly/DIS108
• Bandcamp: bit.ly/DIS108BC

Order / Stream (All DL, stream and vinyl product pages covered via this link):
• All other stores: fanlink.to/DIS108

A New Tomorrow EP

Available direct here

DLR - Ask The Question [ft. MC Fokus] (Hybris Rmx) Dispatch Recordings 108 (CLIP) - OUT NOW

Proud to say that our last album has been remixed it's out now!
The Wrong Room - Remixed: fanlink.to/bsermx

The Wrong Room - Remixed

Black Sun Empire & State of Mind ft. VS - Caterpillar (Drumsound & Bassline Smith Remix)

Own it now: http://technique.lnk.to/LetItRoll2018

The biggest drum 'n' bass event on Earth, bringing together tens of thousands of ravers and hundreds of artists over three days and nights, is Let it Roll. As if that wasn't insane enough, this August, the award winning Czech festival will be graced with a Technique Recordings Label Night. And, there's brand new music to mark the occasion properly. Opening proceedings is a VIP relick of a tune from Drumsound & Bassline Smith's massive 2017 album “Wardance”. This version of “Control” ramps up the energy from the first bar, with insistently percussive synths leading the way. Then the pulsing, stomping drop, driven by a bassline with an extra layer of grit, is sculpted for maximum rave destruction. “Vybez” delivers us into a trademark Tantrum Desire cinematic opening. Expansive pads stretch into the distance as subtle hints of drum edge towards us over the horizon. There's no way you're going to see the dark, scything drop coming, with a screwface bassline that screams out for a reload. Then Technique's latest recruits, No Concept, take to the stage. They've already proven capable of creating multiple styles, and with “Make Noize” they've built a monster. The long tension-ramping build supported by that “make some noise” sample writes a very big cheque, but the drop is more than capable of cashing it. The warping and twisting bassline, those gut-punch drums, and the adrenaline-shot fills combine into an absolute beast of a tune. Finally L Plus gives us “Let Roll the World”. Gigantic uplifting arpeggios set the tone in the intro. The “let it roll” dialogue clip adds an extra boost of hype. And then there's an almighty drop which rattles off a full polyrhythmic ammo belt. A syncopated pattern in the bass weaves in and out of switching percussion instruments while a rock-solid kick and snare provide the scaffolding that holds it all together. Even in this four-track mini-compilation, the strength and depth of production skill on show makes it very clear why Technique is such a revered label. And it also demonstrates exactly why their Label Night at Let it Roll in August is going to be unmissable.

Technique Goes to Let it Roll

Own it now

L PLUS - Let Roll The World (Technique Goes to Let it Roll)

Preorder album here//
billain.lnk.to/nomadsrevenge

FOLLOW BILLAIN // 
twitter.com/Billain
www.youtube.com/user/BillainTV
www.facebook.com/BillainSystems
@billain

FOLLOW VORSO //
https://soundcloud.com/vorso
https://www.facebook.com/vorsomusic/
https://twitter.com/vorsomusic

FOLLOW RENRAKU GLOBAL MEDIA //
@renrakuglobalmedia
www.facebook.com/renrakuglobal/

BOOKINGS: JAY@BASSIC.CO
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Artwork illustration: Enis Čišić.
https://www.facebook.com/Enis-Cisic-Artwork-1427214104253742/
Artwork additional illustration: Adis Kutkut Antireal
Artwork graphic design: Adis Kutkut Antireal
www.facebook.com/0antireal/
antireal.tumblr.com/

Nomad's Revenge

Transhumanist

Billain & Vorso - Transhumanist (Bassrush premiere)

PUER

Dead Out

Eatbrain forthcoming
Pre-order: https://www.beatport.com/release/icy-wyrm-ep/2859867

Mizo - Desert Trail @Noisia radio clip

Mechtropolis LP

Planet 9 (Original Mix)

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

Drop It Human

Aud!o DNB

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