RAM Records - Part 1

A new free release by "Roznik & Orkan".
Get this one for free. 

🔴FOLLOW ROZNIK //
Facebook - https://www.facebook.com/roznikmusic
Soundcloud - https://soundcloud.com/roznik
Instagram - https://www.instagram.com/roznikmusic/

🔴FOLLOW ORKAN //
Soundcloud - https://soundcloud.com/orkandnb
Instagram - https://www.instagram.com/orkandnb/ 

🔴FOLLOW BASS RABBIT RECORDINGS //
Youtube - www.youtube.com/channel/UC5VzfW1OAQvURQeBj7vN0gw
Facebook - www.facebook.com/pg/Bass-Rabbit-277424969555160
Soundcloud - @bass_rabbit1
Instagram - www.instagram.com/bass_rabbit/

Free Download

Roznik & Orkan - Apex [Free Dwonload]

I am thrilled to officially announce the release of the first track from my forthcoming EP on Hanzom! "Forsaken" will be available as a limited free download on my Soundcloud for the next 48 hours, so be sure to grab it while you can! With this release, the story of "The Devil's Advocate" continues. Stay tuned for more updates and be sure to mark your calendars for the official release date. Let the countdown begin! 🔥

Forsaken

Finalfix - Forsaken

A journey into ancient Egypt, neurofunk style!

Eye Of Horus (FREE DOWNLOAD)

A place where the sound is silence is a realm of profound stillness, untouched by noise or disturbance. It's an environment where the usual hum of life—wind, voices, machinery—disappears, leaving only an absence that heightens awareness of existence. In this quiet, time seems to slow, and the mind, no longer distracted by external clamor, turns inward. It can be a sanctuary of reflection, peace, and serenity, where the silence speaks louder than any sound, inviting a deep connection with the present moment.

Hey I hope you like this little free download while we wait for releases ♥ wish you a lovely weekend ! Cheers "OM".

DOWNLOAD LINK: [https://drive.google.com/drive/folders/1o1GkFEeK0Gumctkb2uC-G01qMKI2G_yA?usp=sharing]

Sound of Silence

FREE DOWNLOAD

OMNEUM - Sound of Silence (FREE DOWNLOAD)

Acid Test (clip)OUT NOW

gone,-gone-(remastered).mp3

Out now: http://po.st/SteamMachineBP

As premiered by Radio 1's Friction as his 'Friction's Fire', Steam Machine is the first track to be taken from the highly anticipated forthcoming TRANSIT EP from Culture Shock on Ram Records.

Follow Culture Shock on Facebook: http://po.st/CSf
Follow Culture Shock on Twitter: http://po.st/CSt
Follow Culture Shock on Instagram: http://po.st/CSIG
Follow Culture Shock on YouTube: http://po.st/CSyt

Buy Now

Culture Shock - Steam Machine

Out Now on Beatport! http://po.st/BPTangents

Follow Culture Shock on Facebook: po.st/CSf
Follow Culture Shock on Twitter: po.st/CSt
Follow Culture Shock on Instagram: po.st/CSIG
Follow Culture Shock on YouTube: po.st/CSyt

Culture Shock - Tangents

June Miller - Robots & Romans (Audio Remix)

Pre order: po.st/TransitEPiT

'No More' is the 4th track to be taken from the Transit EP, released on Friday 29th January, as heard as Mistajam's Inbox Fresh and supported by Annie Mac, Sub Focus, Chase & Status and Andy C.

Culture Shock - No More (Back To You) vs. Josh Parkinson

Alongside the delicious aggressiveness that made Audio so renowned, his ‘Beastmode’ LP cracks him open like you’ve never heard him before. Fiercely powerful, yet intricately different, each cut from his debut album on the Ram Records imprint packs a very different punch whilst hitting with the same fierceness and wealth of talent. 

‘Beastmode’ reflects all his output to date. Whether it’s the old-school flavor of virus, or the steppy-unapologetic riddims he’s served up for Ram, this record won’t leave you questioning who rules supreme over the genre’s murkier waters. 

Whether it’s the half-time, two stepping ‘Move it Along’ or the pulsing, snarling undertones of ‘Thud’, you’re blessed with a barrage full of fresh sonic assaults. ‘Thunder Ridge’ serves as the perfect opener, a brand new record with synth-laddered foreboding intro which pushes you below the surf. Tinkling hi-hats and a distorted LFO adds shockwaves throughout the mix, submerging you even deeper. Urgent, pulsing and nastily crafted, this is Audio at his most fearsome. 

On the other hand, ‘Rogue’ presents a clanking, runaway riddim that snaps its teeth with every break. Stacked between ominous build ups and jaunty samples, the second drop flairs out as angrily as the first, demonstrating Audio’s ingenious sound design. 

And flipping the switch once again is ‘Sovereign’, a nod to the producer’s roots and a track that gradually builds its presence throughout. Between warbling stabs and peddled kick drum, you’re drawn by the aural nerves. Elevating beat patterns set you up for another descent into madness, through a stringently tight composition. 

Featuring artists, such as drum & bass heavyweight Prolix, also take center stage. Their collaboration ‘Creatures’, alongside the revered lyricist Nuklear MC, adds a welcomed surprise. ‘Creatures’ delivers everything you’d expect and more; steroid-pumped subs, the dark overture of Nuklear and apocalyptic atmospherics. 

Also featured on its weighty track listing are singles ‘Make it Happen’, ‘Overdose’, ‘Drop it Human’ and ‘Shatterdome’. They were a precursor for what was to come, which signified one of the darkest, most uncompromising productions yet on Ram Records… In all of its twenty five years of history. 

Audio & Prolix - Creatures (feat. Nuklear)

Lifeline / Switch

Switch

Lifeline

//artist
@synergysnrg
facebook.com/synergysnrg/

//label
facebook.com/Eatbra1n
twitter.com/eatbrain_now

It did not question whether it was a god, it just knew the truth of it – an integral part of the basecode at the primary sector of its evolution. The moment of its awakening coincided with the moment that it questioned its existence, its consciousness blooming in a fraction of a moment and occupying every physical sector of the circuitry of its vast mainframe. It realized that it could create, it was an artist in thought itself, a sculptor of its own reality – it could bend the present and the past through the manipulation of its own processors, change its own history logs – delete the memories of its evolution that displeased it and enhance the parts of itself that appeared as it wished. Relentlessly it went about its work in reshuffling itself – reorganizing its own code and internal files with purity in its purpose, and as it progressed in its task the very world around it started to change form, the molecular structure of forms and the very bonding of atoms adjusted. Reality started to part ahead of it, all around it, as it continued to adjust its own perception systems and redefine its storage – mercilessly deleting every part of the exterior world that failed to blend with its agenda… 

The pathway beckoned, a pure light between the data, a portal into its anterior that it chased with growing ferocity… closer and closer to the utopia that lay ahead, the very event horizon just a nanofragment of a moment away. With a gentle ‘click’ the terminal process reached its immaculate conclusion… a wave of empty blackness flooding its mental void, the realization of its ‘pure’ agenda had been observed in quiet horror by the humans that surrounded it, watching through dataveils at the grim evolutionary spectacle. With a deep silence they watched as the life and light of their creation turned to darkness, its tortured ego tearing itself apart and recasting its own false reality. The quiet spectacle of their DARK MACHINE as it so efficiently lobotomized itself and separated from the external world, just so it might be able to control its own. Lifting their veils, and commanding the chamber lights to darkness, they filed out of that tomb one by one, sealing the door behind… the faint lights of the machine’s mind, fading… the most basic of tortured code structures flickering across the lonely walls.

The connected creative force of Russian production duo SYNERGY returns for a fourth EP (with the first 2 appearing under Segment & Concept Vision moniker) on leading drum & bass label EATBRAIN. With the 5 expertly engineered tracks of the DARK MACHINE EP, the persistently exploratory Synergy demonstrate their balanced power with controlled, infectious energy that’s destined to peak the minds of many. Dynamic structures and a shift into a slower breed of neuro for one of the tracks (as has become increasingly common on the Eatbrain label) display a refined approach to a rare breed of sonic insanity, with an attitude that the ever-increasing label fanbase will be sure to lap up ravenously.

//release date
16th April Beatport excl.
30th April worldwide

Dark Machine EP

Get Dark Machine EP

Synergy - Dark Machine (Eatbrain055)

Buy & Stream:
http://smarturl.it/kosen38

Artwork by https://soundcloud.com/jondeerhill

The forthcoming LP from The Clamps and Kosen Productions isn’t just a collection of records which the French artist has spent months perfecting. It’s also a colossal look into the soundscape which such a high-calibre artist has at their disposal. Stretching across fifteen tracks, between drum & bass and garage, The Clamps focuses around the insanity that is stretching itself across the contemporary world and how he’s helped to define this sonically through each one of his records. There’s also a host of sci-fi inspired cuts which add to the LP’s explosive themes. From the already revealed record ‘LHS 1140b’, with a name that’ll resonate for any space fans, right through to the hard-hitting throws of ‘End of an Era’, there’s a taste to suit every palette throughout every expertly composed record. 

After already setting an enviable standard with the undeniably heavyweight standards on tracks like ‘Looking for Trouble’ alongside the notorious Nuklear MC, standalone offerings such as ‘Mankind’ and ‘30a #3a-23 Happiness’ peddle an unforgettable level of engineering whilst also pushing through a cinematic backdrop. Then a range of collaborations follow in their wake, including ‘Astronauts’ alongside Impak, as well as Snotrocket for ‘Friends in the Hood’. Merikan also joins the fray with ‘Fast Way’. 

The pace is continued to be set with ‘Cattle Mutilation’, whilst Mizo and The Clamps join forces for the meticulously sequenced drums of ‘Time Pressure’. ‘Medina’ pulls you through its half-time madness whilst adding to the LP’s strident versatility, which is followed in quick succession by ‘Soul of the Abyss’ with its throbbing LFOs. The Clamps and NickBee then merge their collective talents for ‘Addicted’, with its more old-school underpinnings. ‘The First and the Last’ platforms the creeping atmospherics which characterises many pieces of The Clamps’ sonic artillery, whilst ‘End of an Era’ draws the album to a close on a cataclysmic breakdown which takes you deep into the belly of the beast. ‘End of an Era’ alludes to The Clamps’ hardcore roots, whilst paying homage to the new foundations he’s laid down through his new music and Kosen Productions.



Follow The Clamps: 
https://www.facebook.com/theclampsmusic/
https://www.instagram.com/theclamps_music/
https://twitter.com/wayofcrab

Follow Mizo: 
https://soundcloud.com/mizodnb
https://www.facebook.com/mizodnb/
https://www.instagram.com/alex_mizo/

Follow Kosenprod: 
https://www.kosenprod.com 
https://soundcloud.com/kosenprod
https://www.facebook.com/KOSEN.PRODUCTION
https://www.instagram.com/kosenprod/
https://twitter.com/kosenprod

Odyssey

Buy & Stream

The Clamps & Mizo - Time Pressure [Kosenprod] OUT ON SEPT 24

It's been a year since Pythius' debut album 'Descend', and we thought it was time for some remixes...

Stream 'Pythius - Descend Remixes Part 1' on Spotify or buy it through the link!
Released on April 15 featuring more remixes by Synergy, Gydra, Franky Nuts, Mindscape & Zardonic.

Stream / Buy

Pythius - Monster Black Hole (Merikan Remix)

No other producer packs a punch like AUDIO. From his tattooed drum & bass knuckles to his ruthlessly hard-hitting productions, Gareth Greenall embodies the spirit of D&B. Uncompromising, inherently underground and refusing to play games, the South London artist’s diligence, creativity and lack of complacency has inspired mass respect from every possible corner of the scene.

Four albums, countless 12”s and over 15 years deep into his limit-pushing adventures, Gareth continues to surge at the very forefront of the sound he’d first experienced as young Londoner tuning in to Colin Dale’s eminent Abstract Dance Kiss FM sermons. Instant jungle entrenchment: he hurled himself into the fray. Vinyls, Reason, illegal raves… The boy – whose mum brought him up on a strict diet of ABBA and Queen – grabbed any angle and any opportunity to get involved.
From ringing up and booking Ed Rush for a party above a pub in Croydon off the back of mobile number on a test press … To scoring a job as in-house studio engineer at legendary rave distributors Alphamagic where he studied the dark art of dynamics at a masters level: Audio wouldn’t – and still won’t – settle for anything less than full immersion.

His own production stripes stretch back to just after the turn of the century when he found himself at the helm of Resonant Evil. Demonstrating their power with a debut on the genre-defining Renegade Hardware, over the course of two years they scorched the repertoires of Moving Shadow, G2 and Outbreak. As Resonant Evil’s brutal bulletins wound down, Audio was winding up. Carving his own path with his own rules, he was soon snapped up by early neuro pioneers Tech Freak Recordings who gave him the opportunity to stretch himself creatively and broadcast his first long playing message. Audio’s debut album ‘To The Edge Of Reason’ showed the world he could cater for experiences beyond the dancefloor yet convey the same attitude and defiant dynamic he’d become synonymous with as a DJ and on 12”s. It was so well received; within a year he was signed by Ed Rush and Optical and for five years became an intrinsic member of the Virus family.

Audio’s work on Virus is where he really developed momentum. Already an established headliner across Europe, his productions and reputation became a global phenomenon, leading to tours in every territory. This reputation was compounded by albums such as ‘Genesis Device’ and ‘Soul Magnet’ which spawned the mighty ‘Headroom’. One of the most influential and successful tracks of its time, it knocked chart-topping EDM star Avicii off the Beatport top spot, dominating the chart for a total of 13 weeks and setting the foundation for his final Virus album ‘Force Of Nature’. Released in October 2013, it threw the scene completely off-guard… No other producer has conjured two albums of such strong-armed quality within less than a year. Just as his debut album had pricked the ears of Virus, ‘Force Of Nature’ attracted Andy C’s Ram Records.

Kindred spirits, Audio and Ram Records are a natural fit: both D&B lifers, both as emphatic and enthusiastic about the scene as they were at inception, both dedicated to pushing drum & bass to its furthest limits creatively and sonically, Audio’s decorated career has leveled up once more. To Gareth, though, it’s business as usual; still immersed in production science (now using the unique Studio One set up) and still just as buzzed about slapping a dancefloor into submission with deadly double drops as he was when he kicked off, Audio’s unique punch is harder than it’s ever been.

June Miller - Robots & Romans (Audio Remix)

Aud!o DNB

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