Melody from Dmitrii Shostakovich's Symphony No.5 embedded with rhythms from granular synthesis

Granular Shostakovich

Audio composed for "Suture" - a contemporary dance production at the Maidment Studio Theatre, Auckland, 2006. Snippets of female voice reciting poetry. Delay. Granular synthesis. Percussive glitch. Numinous.

Shymn

A remastered 16-bit Audiophyla track. Minimalist. Zoned-out.

Valve

Also released under Lomarthian (Coralie Martin on bass, synth and vocals - Stiobhan Ell on dark midi and sporadic glimmerings of guitar), our joint project - more in a post-rock kinda vein but merging with some subspecies of indietronica.

The Mustang was played through an Alesis BassFX foot pedal into an old tube amplifier and recorded using a single AKG mic. Aeons later, synth parts were written around and layered over the existing structure of Coralie's freeform explorations on bass.

The still of Coralie was taken from a short video of the recording session in our Ōpaheke home.

Ōpaheke Murmurations by Lomarthian

Gravity Sling

Smorgasbass

["Rinn an Telebhisean Fuaim Ne​​​ò​​​nach"] [II.24mix]

Shadowplay

March '24 remix of a track from "Hexachord".

Faux Coder

From a 5-track EP based on Aleksandr Scriabin's 'mystic chord'. March '24 remix of Olivine from "Hexachord".

Olivine

Inkling

"Rinn an Telebhisean Fuaim Neonach" [III.24mix]

Abair Fuaim

Voskhod

Free Fall

"Baroqstep". Stomping razor bass with chromatic runs and trills on a spinet = baroqstep (unless you can think up a better descriptor).

Wig Out

Crossfire

Producer of instrumental tracks, both electronic and analog, in a range of styles.

Sonophyla

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