@edv3ctor @joe-gilmore

a guest mix by another founder member of the v3ctor collective, joe gilmore. known for his record sleeve & book designs, joe is an audio artist in his own right too. here he graces us w/ a two hour mix of computer music, electronica & algorithmic abstractions

www.altoradio.live

radio broadcast

social schemata w/ joe gilmore - 05.03.21

Curious Casus

Here's the first single from our "Black Milk" EP

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String Figures vi - Inouï (and free)
Watch video :  https://vimeo.com/channels/staffpicks/252069857 / https://www.youtube.com/watch?v=f9qp9ghz9ZI
Album out March 2nd via SVS records @svs-records
Pre-order album : http://bit.ly/2FdEQZa

Music:
Written, recorded, performed, and produced by Zoë Mc Pherson
Mixed by Jeremy Michel
Mastering by Rashad Becker

Video:
Direction - Alessandra Leone
Concept and music - Zoë Mc Pherson 
3D Animation - Andreas Barden
DoP - Julian Moser

Produced by Zoë Mc Pherson
Thanks to the support of Flanders, state of art.

stringfigures.xyz/
Instagram : http://bit.ly/2BCFa0o
Facebook : http://bit.ly/2BCFpbO
Soundcloud : http://bit.ly/2DULkOz
Spotify : spoti.fi/2nmtdqt
Twitter : http://bit.ly/2BCnNg7
Youtube : http://bit.ly/2DIep0q

SVS Records
svs-records.com/
Facebook : http://bit.ly/2BCHAfu
Soundcloud : http://bit.ly/2nqsepA

Part of an ongoing audiovisual album—titled 'String Figures'—by Zoë Mc Pherson, film directed by Alessandra Leone and animated by Andreas Barden.

vi. Inouï (and Free)

Twelve years have passed since eedl released their masterpiece “Everse” [spa.RK, 2007] and in that time the duo -formed by Miguel Ángel Martínez and Joan Duat- have shied away from the spotlight and stage. Despite this apparent lethargy, their previous two works - "Parallemped EP" [spa.RK, 2003] and the aforementioned "Everse"- provided them with cult national scene status, while raising more than a few eyebrows among European “headz”. Both works continue to sound overwhelmingly modern and undated, an obvious signal that eedl is a special breed of cutting edge electronic music.

Although creatively silent for a number of years they have remained musically active. As well as his career as a product designer, Miguel Ángel has applied his musical experience to the technology sector, and since 2016 has fully immersed himself in “modular”–Winter Modular, Befaco, Plankton Electronics and Patching Panda–; Meanwhile, Joan, office programmer and classically trained pianist, has found his equilibrium with work and building a family life.

"Unstored" is their long awaited return to the fray and their second studio album. It is comprised of eight songs, some of which have been have been slow cooked since 2002, with others gestating more recently. Maybe such a long hiatus seems excessive, but the meticulousness nature and obsessive love for detail found in "Unstored" more than justifies the wait, which at times felt like a long goodbye. This collection of songs navigates between perfectionist electronica, new generation electro, noisy harmonies, glitch and deconstructed rhythms; a sonic memoire with strong roots in British experimental electronic music -reminiscent of Autechre or Plaid-, another reason in understanding the longing produced by their extended absence.

It is therefore with great honour that in early January 2020, Lapsus will release the new album from the elusive eedl project in a luxury edition format.

eedl - Unstored [LPS21]

@lsma_rds
@lyl_radio

Artwork: David Schleinkofer

We find two druids: Momor and Atepomar walking quickly along the winding spirals of a country road, leading towards to the magic hill of ravens - Lugdun, located at the confluence of two mighty rivers - Ron and Son...Sunrise is just slowly emerging, slicing darkness of the night with sword of light...Feels still cool...Cause of this they wrapped deep in decorated with embroidery of sacred symbols mantles that are almost cover their eyes...On the way sages actively discuss various aspects of the practical approach at musical practices which they study and share in their almanac - D.A.T.S.A., published by the LYL library of the Lyon...

Among their reasoning, possible to hear a variations of how the smooth integration of cultures into each other, creates completely new ways of interacting with the space surround, thereby allowing to see what was not previously reflected in the mirror of reality...

With discussion, the trees quietly began to thin and a small clearing opened before the eyes...Bordered with stones of various heights, with ogamic inscriptions and a huge oak tree rising in the middle...As soon as the druids took to the stage, one of the mighty branches was taken by a huge raven, glancing at the guests with his unblinking eyes...As if evaluating whether they can be here or not...Having convinced himself of the legitimacy, he set off...From under their mantles Momor and Atepomar took out different flasks and a thermos, made fire, collected mistletoe and sat under a tree...Looking to the East, they started their ceremony, which became the new chapter of amateur exotic`s mix-tales!

SOICHI DATSA - AMATEUR EXOTIC'S D.A.T.S.A. RESEARCH PROGRAM

CE-22

Giugno "A Love Like Mine Is Hard To Find"

February 2020

Giugno - This World

Out on August 7th, 2020. Available at https://shop.tapeterecords.com/new/conrad-schnitzler-frank-bretschneider-construct.html

About the Con-Struct series
Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=min- imal label in Berlin reissued two Conrad Schnitzler al- bums at the outset of the 2010 decade, label honcho Jens Strüver was granted access to this audio library.
Strüver came up with the idea of con-structing new compositions, not remixes, from the archived material. On completion of the first Con-Struct album, he decided to develop the concept into a series, with different electronic musicians invited into Schnitzler’s unique world of sound.

Bretschneider on his Con-Structions
I read the name Conrad Schnitzler for the first time in the arti- cle about Tangerine Dream in the Rowohlt Rock Lexicon from 1973 (back then, at 17 in the GDR, an indispensable guide). The first time I heard his music was only in 1980, when his wave track “Auf dem Schwarzen Kanal” was played on the ra- dio, an RCA 12“ Super Sound Single in disco remix. Then the man was gone and stayed under the radar again, in spite of his almost inflationary number of releases. Maybe his mate- rial was too obscure or his approach too radical to be noticed by the general public. It wasn‘t until 1988 that I heard from Schnitzler again, a tape on Jörg Thomasius‘ East Berlin Kröten Kassetten label. And again almost 10 years later his Plate Lunch CDs “Rot” and “00/106”. But it was all too rough and raw for me, both in terms of sound and organization, kind of mechanically and not really cool. Only after I heard Wolfgang Seidel at the NBI around 2002 with one of his tape concerts, I came slowly closer.
Schnitzler‘s early role as co-founder of two influential bands is one reason for the ongoing reception. Another is his con- sequence as an artist. “I‘m not interested in having publicity or a public feedback” he declared in an 1996 interview. It remains an open question whether one has to completely refuse to do so. But I was always fascinated by this almost extinct way of being an artist in its full independence. Just as I feel connected, as a self- taught person and as someone who prefers to look forward instead of looking back: “I don‘t want nostalgia.” After all it was Jens Strüver who inspired me to work with Conrad Schnitzer‘s material.
I had the idea of flowing music in which patterns develop, shift, dissolve and finally reorganize. A modular system seemed the most suitable to connect Schnitzler‘s world with my own by triggering and modulating his sounds via a sampling module and supplementing them with my own. Perhaps I have not always succeeded in merging both worlds congenially, sometimes they orbit, sometimes they collide, but they never stand still. As Conrad Schnitzler says in his „Context“ manifesto: “The sounds don‘t come to stay.”

Buy CD/LP

BB349 Conrad Schnitzler & Frank Bretschneider – Con-Struct (Album Preview)

so excited to starting pre-order for first release of giraffe tapes
nerolikid - nightmares / daydreams (GFRTPS001)

https://giraffetapes.bandcamp.com/album/nightmares-daydreams

limited edition cassette / digital now on bandcamp 

video for "Dream: Swim" here - https://youtu.be/DpgG6Mhlc2A

nightmares / daydreams

A2. nerolikid - Dream: Swim (GRFTPS001)

The Setting And The Fire

Distance Machine - A-pile-of-things-to-leave-and-some-things-you-will-take-no-matter-what

Published under a Creative Commons Attribution-ShareAlike 3.0 Unported License 
https://creativecommons.org/licenses/by-sa/3.0/legalcode

Helge Meyer - Noise Music

Audio. Visuals. Atmosphere.

A haven for experimental sound and art development. CA. 2015

Distance Machine - A-pile-of-things-to-leave-and-some-things-you-will-take-no-matter-what

AUDIO VISUALS ATMOSPHERE

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