Relief By Seclusion

Ybalferran - Learning To Understand

Vanished Heaven

Uaxactun - Swallowed By The Serpent (excerpt)

"An EP of Occult beat music I made to stay sane.
I love you."
- Lvers

Produced and mixed by LVERS

SC : soundcloud.com/lvers
IG : www.instagram.com/l.ver.s

Artwork : T. Strochnis
www.instagram.com/te_strochnis

Mastering : Declared Sound (Dominic Clare)
www.instagram.com/d.glare/

Duplication : Phil Tremble (Nantes)

BANDCAMP

4 LIMBIC GATE - COMA MOB

𝘑𝘦 𝘮𝘦 𝘴𝘰𝘶𝘷𝘪𝘦𝘯𝘴 𝘥𝘦𝘴 𝘭𝘢𝘶𝘳𝘪𝘦𝘳𝘴

Je me souviens des lauriers. Du marbre blanc. Du portail bleu. De vos deux visages et mon incompréhension. De quel cœur je tiens le plus ?
Si belle, si pure : sur le moment, la haine n’était qu’une poussée d’acnée.
Tears for Fears dans la voiture. Les ceintures qui puent.
Les cris, les larmes, la violence, le départ. En avant vers le futur.
Puis l’Espagne, toujours l’Espagne. Pourquoi ? J'espère ne jamais comprendre.
S'apercevoir que les idéaux sont toujours perfectibles : ça, ça sauve.
Ô souvenirs, douceur des poignards dans ma chair. Amour, bhebik.
La beauté restera tant que je serai en mesure de l’accueillir. "

Texte et mix de Couronne de merde (@couronnedemerde)

Some production he released on :
- WANNAMARCHI.CLUB : https://wannamarchi.bandcamp.com/album/-
- WITHOUTLIES : https://withoutlies.bandcamp.com/album/les-valeurs-de-laube

Also co-founder of Etang brulant, go check their fantastic work. 
https://etangbrulant.bandcamp.com/

___
image : @t-eaux

Couronne de merde - 𝘑𝘦 𝘮𝘦 𝘴𝘰𝘶𝘷𝘪𝘦𝘯𝘴 𝘥𝘦𝘴 𝘭𝘢𝘶𝘳𝘪𝘦𝘳𝘴 .(?).

The pirates of flattery

Dark ambient soundscapes for your pleasure, relax, chillout and enjoy.

DARK AMBIENT - AMARANTHINE

[EB24]

mastering: Catartsis
artwork: Léa Maria

Boundary Lessons

Lose Faster [EB24]

Ybalferran - Anthem For Lost Souls

UVL is proud to release two new side-long compositions from Max Eilbacher. Edition of 150 three color risograph print.

Digital Sketch For Strings
One morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.

Spectral Masking Room Construction
A work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.

- Max Elibacher, 2020

Max Eilbacher (excerpt)

Shiva Feshareki / @shivafeshareki

Shiva Feshareki - New Forms Jingle no. 1 (2019)
Shiva Feshareki - Turning Tides (part 1) (2020)
Gado Gado Ensambal — Circle of Trust Mvt II (P.I.S.S.E.D. O.F.F. Awakening) (2020 - work in progress)
Shiva Feshareki - Turning Tides (part 2) (2020)
Gloria Gaynor - I Will Survive (1979)

Shiva Feshareki ~ Correspondence Nº16

Emptiness Reworked, Rewoven

Sequences - Woven Empty (R. Schwarz Rework)

Audio. Visuals. Atmosphere.

A haven for experimental sound and art development. CA. 2015

Ybalferran - Learning To Understand

AUDIO VISUALS ATMOSPHERE

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ASOA XXX2.55555 

couronne de merde

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