Yo, I saw you play at Don Hills my freshman year at Stuy and this shit blew me away.

Produced by Alby Cohen / SIze McMusic

dis ma first single, man!

download it, if you please.

Refracted

PARTYNEXTDOOR TWO

Recognize (feat. Drake)

DOWNLOAD

From the album Yes Lawd! http://stonesthrow.com/nxworries

VINYL

Nxworries - Anderson Paak & Knxwledge - Suede

16 Windmills

Pre-order the new album 'It Is What It Is', released 3 April on Brainfeeder: https://thundercat.lnk.to/it-is-what-it-isSo

Ninjashop: http://found.ee/giantsroam
iTunes: http://found.ee/giantsroam-it

'Them Changes'
Written and Produced by S. Bruner / S. Ellison
Bass, Vocal - S. Bruner
Keyboards, Programming - S. Ellison
Saxophone - Kamasi Washington
Piano - Dennis Hamm

Virtuoso bassist and singer-songwriter Stephen Bruner aka Thundercat returns to the Brainfeeder fold with his first solo material in two years, having already made outstanding contributions to not one, but two, of the greatest albums of 2015 - To Pimp a Butterfly and The Epic - by fellow Los Angelians Kendrick Lamar and Kamasi Washington. 

Mini-album 'The Beyond / Where the Giants Roam' will be released digitally on Monday 22nd June via Brainfeeder.

http://brainfeeder.net/thundercat

iTunes

Thundercat - 'Them Changes'

For your listening pleasure we bring you Revive Music Group's tribute to the legendary Jazz musician Roy Ayers featuring an amazing lineup of music pioneers including The Robert Glasper Experiment, Pete Rock and Stefon Harris. 

Free DL: http://get.tndn.io/l/7XHGXfU2TA

Hit the 'Buy' button for a free low bitrate version, but don't forget to support Robert Glasper Experiment by purchasing their music on iTunes.

https://geo.itunes.apple.com/us/album/black-radio/id716753527?at=1l3vwZ5&mt=1&app=music

For this very unique event, the featured artists will collaborate in tribute to the extraordinary career of vibraphonist Roy Ayers and his influence and contributions to contemporary urban music.

To bridge the gap, The Robert Glasper Experiment featuring Chris Dave on Drums, Derrick Hodge on Bass & Casey Benjamin on Alto/Vocoder will perform sequences between Roy Ayers selections transition them into Pete Rock productions that were created from his musical influence. The live reinterpretations and interpolations of both works serve as the conduit to understanding the harmonic relationship between the past and present.

LOVE // REPOST // COMMENT // SHARE // MUSIC

Robert Glasper Experiment - Third Eye (Roy Ayers Tribute)

free uncompressed 44.1/24bit WAV file available for download.
———
a Pear Moth Record.
composed, produced, & engineered by Pear Moth
lyrics written and performed by Amani Fela
'2017 REDO' mixed & mastered by Spencer H + Phil McNeal
art by Steven Kyle Cook / edited by Spencer H
———

LYRICS 
"Where being black is a daring deed
Where the most corrupt destruct
They breathe the air you breathe on the daily 
Where the construct of trust is of no need
Where without greed success a rarity 
Sprouts a soldier in disguise as a product 
The one who garnered clarity before he even got up to observe
A reality perturbed, Word to mama 
Citizen turned target
Cynic turned martyr 
Art of war developed in my psyche
Barter second nature for insight on whats unlikely
Ripe as the behavior of a man who’s died
one too many times 
fuck a savior nigga, fuck a favor, fuck ya paper nigga
wheres yo mind?
for years folks been blind choking on their disguise
hoping the skies would open up golden doors to those who abide
the reach for whats internal don’t come close to the eternal 
stepping outside yourself like wandering inside 

(Chorus)

Unapologetic in his very nature
Better Save ya breath for the paramedics later
Ice cold blooded nigga 
Both battling a war outside and in
Times be looking grim for him
Type to make ya neck sound like a rimshot
Cops watch and mock his running skills and sick hops
They think Big lipped dummy, nappy head, ripped socks
Interest locked on pussy and getting guap
No one fucking with him 
Look in his eyes and see years and years of brutality, casualties, tragedies hazardous mental faculties orchestrate the cacophony 
Constantly charged with battery, rape, drug dealing irresponsibly, locked in steel gates 
Places his faith in the almighty still
Lost sight of willpower 
Still driven to push sour In order to rock ill linen
Hell stick somebody especially if they timid
Foreign niggas pose opportunity for Forgiveness"
———

PERSONNEL
vox - Amani Fela
drums - Phil McNeal
guitars - Jacob Sunshine
synth/bass keys - Spencer H

ANTEBODY ft. Amani Fela [2017 redo]

The title track of Eva Salina's brand new album, "LEMA LEMA: Eva Salina sings Šaban Bajramović", "Lema lema" is a light-hearted song of the suffering one endures for love.

LEMA LEMA IS AVAILABLE FOR PURCHASE ON ITUNES.  PLEASE SUPPORT INDEPENDENT ARTISTS! https://itunes.apple.com/us/album/lema-lema-eva-salina-sings/id1072499734

ABOUT EVA & THE MUSIC:
In the world of Balkan Romani (Gypsy) music, Šaban Bajramović was king. Throughout the 1960s and 70s, he recorded music that resonated so deeply with Yugoslavian audiences that it’s still heard today at backyard parties in the Bronx, or even as far away as Australia. A larger-than-life legend of Serbian music, Bajramović operated so far outside of the music industry that it’s a wonder he could become such a star. Yet his music resonates even today, not least in the ears of a young American who fell down the rabbit hole of Balkan song. Renowned vocalist Eva Salina grew up immersed in Balkan singing, and began her travels to the Balkans for study at the remarkable young age of 12. Growing up in the tradition, she had the good fortune to study directly with famed mentors from across the Balkans. 
Professionally, Eva cut her teeth in New York’s Balkan diaspora, and was welcomed into Roma communities there, amongst whom the songs of Šaban Bajramović are still in demand. After years of dancing and singing songs at weddings, circumcisions, and late nights around banquet tables, Eva took on the daunting project of recording the first tribute album to Šaban Bajramović: LEMA LEMA, released February 11, 2016 on Vogiton Records. The result is an electric, subversive, gonzo take on the great Romani singer by a continent-spanning band of master musicians. It’s all tied together by Eva’s voice, at once hall-shaking and sensual, the perfect blend of vocal emotions.

In the spirit of Bajramović himself, this is no traditionalist rehash of his songs. Instead, Eva draws from New York’s wildly diverse global and jazz music scenes, inviting artists from bands like Slavic Soul Party!, Kultur Shock, and The Klezmatics. This eclectic lineup includes, among others, Eva’s longtime musical partner, Banat Romani accordionist Peter Stan, Jewish music icon Frank London, jazz-metal guitarist Brandon Seabrook, Indian percussionist Deep Singh, and multi-instrumentalists Ron Caswell and Patrick Farrell. Engineered and mixed by Grammy-winning engineer Danny Blume, and mastered by multi-Grammy winning engineer Scott Hull, one of the key ingredients to this album came from the birthplace of the songs themselves. Traveling to the village of Pavlovac, Serbia on the special invite of famed Romani trumpeter Ekrem Mamutović, Eva brought the inimitable sounds of Serbian Balkan brass bands from some of the best players in the region into the swirling blend of New York global roots music that she’d created.

LEMA LEMA is an album that’s both reverent and deeply subversive. Singing entirely in the Romani language, a rare feat for an American artist, Eva Salina kept all the pronouns in the song lyrics the same, combining a distinctly female voice with Bajramović’s gritty, male perspective. This kind of gender subversion is not unheard of in Romani culture, but it’s a hallmark of Eva’s feminist vision of the music. Immersed all her life in Balkan music, yet living an ocean away, Eva had an ongoing fight against the perception in the US that she was an outsider to the music. Traveling in the Balkans, however, she was embraced by the Romani musical community–itself made up of centuries of outsiders–and she was given unprecedented access to the traditions. Music has always been a gateway between cultures, and with the album Lema Lema, Eva Salina shows that a singular vision can change the way we see an artist’s legacy.

PUBLICITY: devon@hearthmusic.com
All other inquiries (booking/licensing): info@evasalina.com
www.evasalina.com
facebook.com/evasalinainperson
twitter.com/salinaeva
instagram.com/ivasalina

Eva Salina: Lema lema (feat. Ekrem Mamutović)

Kpri$un - Fwm(p.ThankCarlo$)

I am a music producer / recording engineer and session drummer and vocalist.  I work out of a recording studio in Greenpoint, Brooklyn, NYC, USA. Everything you hear in my collection of music was either produced mixed,  or recorded in some way by me.  if you are interested in production or tracking or mixing services, email:  alby@sizemcmusic.com 

# "Refracted" was recorded at Rough Magic Studios, Greenpoint, Brooklyn. Check them out: www.roughmagicstudios.com ~ Composed by Audri Augenbraum. Engineered and produced by Albert Cohen, the one and only. Dan Barman on the drums, Michael Jinno on the bass guitar, Wurly, and pianos, Thomas Bryan Eaton playing guitars, Audri Augenbraum on guitar and lead and backup vocals, Albert Cohen on some backup vocals and a lot of inspiration. Enjoy.

everything else is on garageband, or logic, or someone's eight-track... I don't often get fancy.
#



Refracted

audri

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