💔💔💔 развал-схожднние

@alessandro-cecchini: It's 12330 - Portia

Fourty-nineth guest of KHIDI Podcast series is a club resident and a distinguished artist of the modern Georgian electronic scene OTHR.

This podcast captures the recording of first two hours from OTHR's closing set at KHIDI on 18.03.22

@othrmsc

KHIDI Podcast NR.49: OTHR

Fifty-third guest of KHIDI Podcast series is a Berlin based Brazilian DJ, member of musical platform The Brvtalist and a regular performer at HOR - Melanie Havens.

@melaniehavens

KHIDI Podcast NR.53: Melanie Havens

HOUND presents the third podcast series mix from @othrmsc .
Coming from the Georgian capital Tbilisi, OTHR is the project
of the young and talented, one of the most prominent local
musicians in the country, Ladouka Ninua. As a resident of
KHIDI Club, he has performed many memorable DJ and live
sets on its main stage since the project's launch in 2016.
With strong connections with his hometown, OTHR’s
involvement in the local community and support to DJs and
producers has left an enduring legacy that has firmly
established him at the forefront of Tbilisi's musical scene.
OTHR’s production displays Ladouka’s diverse musical
development, from his background as a guitarist in metal and
post-punk bands, an award-winning ambient/noise producer,
and to his present characteristic industrial-oriented techno with
punk vocals defined by groovy distorted baselines mixed with
powerful harmonious and cold concrete notes.
With releases on Hound, KHIDI Label, Liber Null, Murder
Records, Persephonic Sirens, and a bunch of promising
forthcoming releases, OTHR is more than set to make an
imprint on Europe's techno scene.

HOUND VOL. 1 - OTHR

Recorded Live at FOLD on 15th July 2022 
Oliver and @faux_naif go for full body to body action for Aria.

Faux Naïf b2b Oliver - Live at Aira (FOLD) 05.07.22

Murder Under | Puritan (Tbilisi)   

We are happy to present a new podcast series on murder tbs showcasing our favorite selectors and artists from various fields of electronic music. Under one platform ’Murder Under’ will feature lots of old & new acts all brought together with one common goal - to tell a story through their music.  

Second instalment is taken over by Murder tbs label head & KHIDI resident, DJ, producer and live-performer - Puritan

“Inform & Inspire” 

Tracklist:

01.  British Murder Boys - Hate Is Such A Strong Word
02.  Dave Wincent - Blood Pressure / Developer - Cobra Groove
03.  Arnaud Le Texier - Keep On
04.  Phara - The Final Pattern / Oddible - Hyperlost (Marc Faenger Remix) 
05.  Skodde - Restless Legs / DEAS - Koma / Omon Breaker - Compromat 
06.  Dynamic Forces - TRSR / Avant.OCS - Prototype II
07.  Alexey Dunchyk - Behind The Closed Door / Stave - Hardened Chord (Regis Remix)
08.  Weever - Innocent les mains pleines / Tensal - Misandei
09.  Mist Gasp - Sequante / ACTORS - Strangers
10.  Rheist - Krishna / Exium & Dynamic Forces - Rejection of influence
11.  Mind Matter - Atma
12.  Marcel Fengler - Cypher (SHDW & Obscure Shape Remix)
13.  Nasdrowie - Versus (Endless Nothing remix)
14.  pettø - Insurrection (Skodde Remix) / Kalipo - Shinigami feat. Joy Tyson 
15.  Morken - Last Known Meal / Tom Peters - Spieglein (Biesmans Remix)
16.  R 417 - Lost It Found It / Subotage - Sky Temple 
17.  Arnaud Rebotini - Italian Sex Drive / ABU NEIN - I Am Emptiness (Tobias Bernstrup Remix)
18.  Marcel Fengler - Unleashed
19.  Phil Berg - Sinara
20.  DJ Healer - Back Home

Soundcloud: bit.ly/Puritan_sc
Instagram: bit.ly/Puritan_ig
Resident Advisor: bit.ly/Puritan_ra
Instagram: bit.ly/Murder_ig

Murder Under | Puritan

DIAG016 A1 Club Music [Ancient Methods 'Körpersäure91' Remix]

The vocal sample is from the song 'Chelsea Girls' by Nico (1967)
The lines used from the lyrics:
"Pepper she's having fun"
"White powder in the air"
"Drop out, she's in a fix"

'Room 506' is also from the lyrics.

A - Drop Out
B - Red Embers

Label: Not On Label ‎– Room 506
Format: Vinyl, 12", 33 ⅓ RPM, 45 RPM, Orange Marbled
Country: Germany
Released: 17 Nov 2015
Genre: Electronic
Style: Techno

Support the artist, buy it here: 
https://hardwax.com/00506/room-506/drop-out/
http://www.discogs.com/Room-506-Drop-Out/release/7738261

Will remove immediately on request via pm.

Room 506 - Drop Out

Persephonic Sirens 03

A. Aoud - SE MKII

excerpt from the first ever live performance from Acid Vatican at the 8 years of aufnahme + wiedergabe anniversary party at Arena Club in Berlin. 

Booking: josh@aufnahmeundwiedergabe.de

www.facebook.com/acidvatican
www.aufnahmeundwiedergabe.de

Live at 8 years of aufnahme + wiedergabe at Arena Club Berlin (20.04.2019)

Acid Vatican - Live at 8 years of aufnahme + wiedergabe at Arena Club Berlin (20.04.2019)

‘Scanning Backwards’, @PhaseFatale’s second full-length album following his 2017 debut album for Hospital Productions, is music about control. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Taken from:  Phase Fatale | Scanning Backwards
out January 24, 2020 on Ostgut Ton [OSTGUTCD48/LP34]

Buy ‘Scanning Backwards’ as 2x12" LP, digipak CD or in digital formats: https://www.berghain.berlin/shop/releases/phase-fatale-scanning-backwards/

Listen at
Bandcamp: https://phasefatale.bandcamp.com/album/scanning-backwards
Boomkat: https://boomkat.com/products/scanning-backwards
Spotify: https://open.spotify.com/album/4Vszky1GAUnME7GqMJJVkB?si=eV6nkqn6RiW8aWAtQjwXyQ
YouTube: https://youtu.be/cfVE-Kz8dYc

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It's especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, ‘Scanning Backwards’ surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.


Artwork: northor | Layout: Yusuf Etiman

Scanning Backwards

Buy Album

Phase Fatale | Binding by Oath

One-Hundred-Eighty Hate Podcast with Rosa Anschütz

Download available after 7,000 listens.

Follow Rosa Anschütz here:
http://rosaanschuetz.com/
https://soundcloud.com/rosaanschuetz
https://www.instagram.com/rosaanschuetz/
https://www.facebook.com/rosaanschuetz
https://twitter.com/rosaanschuetz

Follow #HATE here:
https://www.instagram.com/hate_collective/
https://www.facebook.com/hatecollective/

Acid Vatican - Live at 8 years of aufnahme + wiedergabe at Arena Club Berlin (20.04.2019)

aufnahme + wiedergabe

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