My definition of ambient is different. I would call this classical. And good too lol

wow this is so touching :) very lovely tune

playlist 1

Armand Amar - Home (2009) Soundtrack - Take The Earth

Dhafer Youssef
" Dance of the invisible dervishes" at Festival international de Carthage, Tunisia
Dhafer Youssef Oud, Vocal
Eivind Aarset, Guitar
Husnu Senlendirici, Clarinet

Christian Ulbrich - sound engineer

Dhafer Youssef - Soupir Eternel

azam ali-vas-refuge

Kadın gider ve bunun şiir olduğu söylenir
kadın gider ve bir şair doğar bundan
(Ben hangi kadından şair olduğumu bilirim)
"Yazın bittiği her yerde söylenir"se 
kadının gittiği de her yerde söylenir
kadın gittiği her yerde şiir diye söylenir:
Kadının gittiği yazın bittiğidir, her yerde
yaz biter kadın giderse, bunun sonu şiirdir,
yazın sonu şiirdir, şiirdir aşkın sonu...
Şehir her semtiyle yazın peşine düşse
yaz uzar bundan ve aşklar da nasiplenir,
yazın peşinde şehir, kadının peşinde şiir
eylülün semtine kadar böyle gidilir
bir gecede gittimdi hazirandan eylüle
eylül yazdan terkedilmişti, şiirse haziranda
kadın tarafından terkedildi o söylenceye:
Bütün oğullar anneyi bir şiire terkeder!
O kadın beni terkederse şair olurum
oğul olduğum kadın sakın beni terketme,
şiirdir söylenir, yazdır biter, kadındır gider

Bütün kadınlar şiiri bir kadına terkeder!


haydar ergülen - eylül (yorum; eser gökay)

The Grinch Strings is a quiet and heartfelt Christmas story told through the gentle strings of guitar, piano, and cello.
Quiet Guitar and Calisnor blend acoustic warmth and cinematic calm to paint a winter journey from solitude to kindness — ending with a soft Latin smile by Aroma Latino.
Cozy, reflective, and full of quiet emotion — perfect for peaceful winter nights, studying, or simply thinking by the glow of Christmas lights.

Support

A Small Kindness (feat. Calisnor)

Oradaydık hepimiz,müheyya bekliyorduk 
salaştı mukadderat,bozulmuş bir nışandı 
gebe rüzgar,ihanete uğramış deniz,kerrat cetveli 
dünyaya sokunmuştuk,dünya hamdı 
külsüzdü ocak,tellal çarşısız 
ağzımız noksandı. 
Rımbaud'nun haberi yoktu Menelik'ten 
Nijinski delirmişti 
Mahler'in beş yaşındaki kızı ölmemisti daha 
nehre Haşim annesiyle karanlık geceler 
bazı çıkardı 
zonklardı öpülmek için kavlamış dudaklarımız 
bekliyorduk;alnımızın çatında 
hepimizin bir çarpı. 

Kopmamış birer çığlık diyesilerdi bıze 
verilmemiş birer söz 
daha hıç çıkılmamış 
birer iskeleydi bedenlerimiz 
alnımız birer sayıltı 
azalarımız yerli yerine çakılmamıştı 
bir çift göz,bır yumruk yürek arasında 
darma dumandık 
küşümle kapanırdı yüzümüz 
çünkü kazınmıştı oraya yekten 
başkalarına ait bir çarpı. 

Yaşamak çarpısı derlerdi buna,yaşamak çarpıntısı. 
Ne acelemiz vardı? Kime kavuşacaktık? 
Yokuşu göze almak mı? Niçin? 
Bir geçit 
nereye açılmak için gerekti bize? 
Susmak bilmiyordu tepemizde ses,saklı ve açık: 
Tamamla çabuk! Çabuk bitir! Hadisene! 
Sese bühtan etmedi aramızdan hiçbiri 
değil mi ki hepimizin 
işaretli ve yarım 
dünyaya sarkık.
 
İsmet Özel

Dibace

"..an exquisitely delicate work that unfolds like buds on the trees in spring."
THE INDEPENDENT,UK
Pre-order the LP, CD and Digital: https://aukai.bandcamp.com/album/aukai
itunes: http://snip.ftpromo.net/aukaiitms  spotify: https://goo.gl/613Oq3
Facebook: https://www.facebook.com/aukaimusic 

Recorded and mixed by Martyn Heyne at Lichte Studio Berlin
Mastered by Mandy Parnell at Black Saloon Studios, London
Cover Photo: Dan Isaac Wallin
Written and produced by Markus Sieber

Markus Sieber - ronroco
Alexander Nickmann - fender rhodes, synthesizer, beats

In a lot of ways, Aukai’s self-titled debut is the sound of Markus Sieber bringing his career full circle. Having spent part of the ’90s playing rock music in East Germany, the composer/multi-instrumentalist then shifted his focus to acting, only to have music creep back into his life after a mind-altering move to Mexico.

“This album and project has a lot to do with memories from travel,” explains Sieber, “but also memories from childhood and nature. How did the river smell in summer? I wanted to create a sonic space where music guides the listener into some imaginative inner world.”

Which explains why he came up with the name Aukai in the first place; it’s the Hawaiian word for a seafaring traveler, the sort of person who seeks out the stillness in uncertain waters. In the case of Sieber’s new record, that meant spending a winter holed up in a mountainside cabin around Colorado’s La Plata Canyon. Basic tracks were then cut in a Berlin studio and brought into full relief alongside cellist Anne Muller (Agnes Obel Band, Nils Frahm), violinist Bogdan Djukic, pianist Angelika Baumbach, sound designer Alexander Nickmann, and longtime collaborator Jamshied Sharifi (Laurie Anderson, Sting, Dream Theater).

Here’s what Sieber had to say about its lead single, “Cachoeira,” along with a complete rundown of the record and its cover art:

“Cachoeira”, meaning waterfall in Portuguese, was inspired by my travels to northeastern Brazil, a region rich of rivers and waterfalls. It’s the track on the album which goes farthest into an electronic direction, merging the acoustic and natural sounding layers of the Ronroco, a Latin American string instrument, with Fender Rhodes, synthesizer, and beats. For each piece of the album, I had a particular vision for the instrumentation and musicians I wanted to collaborate with; for “Cachoeira”, I worked with my brother Alexander Nickmann, a Berlin-based sound designer and composer. " 

Buy LP & Digital

Cachoeira

Pre-order the LP, CD and Digital: https://aukai.bandcamp.com/album/aukai
itunes: http://snip.ftpromo.net/aukaiitms  spotify: https://goo.gl/613Oq3
Facebook: https://www.facebook.com/aukaimusic 

"...Magnificent works and pieces...Passages unfold at their own pace and everything occupies its own little pocket of space." - Fractured Air Media
Recorded and mixed by Martyn Heyne at Lichte Studio Berlin
Mastered by Mandy Parnell at Black Saloon Studios, London
Cover Photo: Dan Isaac Wallin
Written and produced by Markus Sieber

Markus Sieber - ronroco, glockenspiel, pump organ
Angelika Baumbach - piano, pump organ

In a lot of ways, Aukai’s self-titled debut is the sound of Markus Sieber bringing his career full circle. Having spent part of the ’90s playing rock music in East Germany, the composer/multi-instrumentalist then shifted his focus to acting, only to have music creep back into his life after a mind-altering move to Mexico.

“This album and project has a lot to do with memories from travel,” explains Sieber, “but also memories from childhood and nature. How did the river smell in summer? I wanted to create a sonic space where music guides the listener into some imaginative inner world.”

Which explains why he came up with the name Aukai in the first place; it’s the Hawaiian word for a seafaring traveler, the sort of person who seeks out the stillness in uncertain waters. In the case of Sieber’s new record, that meant spending a winter holed up in a mountainside cabin around Colorado’s La Plata Canyon. Basic tracks were then cut in a Berlin studio and brought into full relief alongside cellist Anne Muller (Agnes Obel Band, Nils Frahm), violinist Bogdan Djukic, pianist Angelika Baumbach, sound designer Alexander Nickmann, and longtime collaborator Jamshied Sharifi (Laurie Anderson, Sting, Dream Theater). 

Aukai

Get Vinyl, CD

Hidden

MAHSUS MAHAL (Ruhi Su cover)

Rene Aubry - La Grande Cascade

Rise

Dustin O'Halloran - An Ending, A Beginning

New single of Aukai's  Reminiscence EP. Just previewed by Mary Anne Hobbs on BBC6 Music Recommends. Now available on all digital outlets.

Reminiscence

More Info

La Joya

Latest album by Aukai

Featured on BBC6 Music Recommends
CD of the Month on Echoes Radio January 2019

Order Limited Edition CD:  https://aukai.bandcamp.com/album/reminiscence
Watch the video : https://www.youtube.com/watch?v=0eVlyTRMPu8

Hidden Harvest

Lavinia Meijer - Speelt Glass

Aukai offers a collection of cinematic pieces and ambient acoustic soundscapes.

Hidden

Aukai

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